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Author Topic: "Contemporary Worship" as a genre  (Read 2785 times)
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Chris Whitten
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« Reply #40 on: October 03, 2004, 02:24 AM »

My initial thought was that its not a genre since if you take away the lyrics and listened to a worship song, would you identify it as such?
Surely the lyrics (or libretto) are an integral part of the composition.
In any case, language becomes customised and humans don't always respect dictionary definitions. As such I have no problem in accepting 'Praise and Worship' as a genre of music in it's own right.  
Quote
Regarding the "quality" of worship music...in general, the "audience" is not really there to hear their favorite band play. Wink  Its possible for a less-than-polished musician to have a valid place in worship/praise music...
Well I never base any critique on the level of musicianship. Much of the best music in the history of Pop has been created by less than stellar musicians. I was questioning the compositions, specifically by UK based artists who I've been exposed to much more than Nrth Americans. My comment was sparked by something 563 quoted:
"No other genre that I know of with so much variation in style, dynamics, accent, groove, and time signature all potentially within the same set or sometimes even the same song."
Nothing I've heard in Britain has even approached anything so sophisticated. As Bart reminds me however, I haven't exactly immersed myself in the genre.
I would add, my contemporary classical CD collection is made up almost entirely of Christian music (mostly Arvo Part, an Estonian composer who wrote very moving religious compositions even though Christianity was effectively banned by the Soviet regime). His music and that of John Tavener is technically sophisticated without losing the emotional impact or alienating the listener.
Although I'm not overly religious, I think people for centuries have celebrated their faith by creating high art (music, painting, sculpture and architecture), all of which appeals to the general public at large.
I think the most effective Christian rock should aspire to great art and appeal to non Christians alike. I find the UK version does not, although I suspect the Nashville and Gospel/RnB chapters do.  Smiley
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dmjung
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« Reply #41 on: October 03, 2004, 09:04 PM »

Here's an interesting twist...hopefully I won't stray into forbidden topic territory.

We usually rehearse on Wednesday nights for the upcoming Sunday AM service.  Now some rehearsals are about what you'd expect...boring and routine.  Other rehearsals cross that line of just rehearsing music and become a worship experience.  I would tend to call the later worship songs and the former not...even if it was the same song on different Wednesday nights.  

In a similar vein, when I was recovering from chemo/radiation, Wednesday rehearsals were approached with a significant amount of dread and apprehension as they were pretty painful experiences, mostly emotionally as I knew I was playing extremely poorly, but sometimes physically.  Worship content could be zero or even negative.  The same songs being played Sunday AM took on a new character and I rarely had a really bad time playing then...usually positive worship content.

To make it even more interesting... Wink I know that every person is reacting in a different way during Wednesday and Sunday.  Some Sunday mornings are a total train wreck musically or technically, but that generally seems to be when there's significant feedback about how meaningful a worship service it was for many in the congregation.

Perhaps I'm splitting hairs semantically, but its seems like calling a song a worship song is a bit of a mischaracterization...kind of like saying a particular kind of architecture is worship architecture or a particular kind of food is worship food (would probably be Tex-Mex though.) Sure, some styles/details of architecture in various cultures/eras have become associated with worship, like a steeple or mineret, but they doesn't really mean that in and of themselves.

--David
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