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groovesmith
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« on: October 13, 2002, 03:54 PM » |
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Howdy drummer people, I must say i have become Greatly Overwhelmed with dam Double BAss  1) some peole Say: Pratice slow ( I see no progress) 2) Some people say: just blow your feet away ( I see no stability) 3) some people say: Pratice heal downs ( Still No progress) Please !! What Do i have to do to play like Lombardo.... There must be some pill i can take!!!! Which Has seemed to work for any of you?  and how have u done em??
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Mister Acrolite
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« Reply #1 on: October 13, 2002, 04:19 PM » |
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Hunt around on the Web and see if you can find a copy of Rod Morgenstein's double-bass book-and-cassette package - it's the best, most practical double-bass training I've ever seen.
Also, pick up an instructional video or two by drummers whose technique you admire.
If you don't have a metronome or drum machine, get one. Use it to gauge your progress.
This stuff is hard work, if you want to do it WELL. Be patient and methodical.
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Bart Elliott
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« Reply #2 on: October 13, 2002, 06:14 PM » |
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Here's my view ....... Slow practice DOES pay off ... but you've got to work on getting faster. Once you gain control, real control, at a slow tempo, speed up a bit ... then see where you are at. If you are still solid and have control, speed up some more. Heels up or down ... it doesn't matter; I actually practice both ways, and use both techniques. Simple things like taking George Stone's STICK CONTROL and applying it to your feet is a GREAT way to work on double bass. Check out my 5-Minute Lesson ... The Endurance Method and apply it to your feet using STICK CONTROL or anything else you want to work on. It will pay-off, but it takes time, patience, diligence, discipline and perseverance.
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My doctor says it's bad for my blood pressure if my mind is blown for more than five minutes at a time.
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Louis
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« Reply #3 on: October 13, 2002, 07:14 PM » |
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Once you gain control, real control, at a slow tempo, speed up a bit ... then see where you are at. If you are still solid and have control, speed up some more. You can not expect to master this is a week or so. Give it time. When you do speed up, stop playing and then start at the faster tempo, do not speed up while you are playing. Speeding up while playing will only cause you to develop bad habits.
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No one will believe it's the "Blues" if you wear a suit, 'less you happen to be an old person, and you slept in it last night!
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Bart Elliott
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« Reply #4 on: October 13, 2002, 07:27 PM » |
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You can not expect to master this is a week or so. Give it time. When you do speed up, stop playing and then start at the faster tempo, do not speed up while you are playing. Speeding up while playing will only cause you to develop bad habits.
What I meant by speeding up, initially, was that if you are playing at 80 bpm (for example), then you would move on to 82 bpm once you got 80 bpm feeling good and under control. The reference I made to my Endurance Method was to make aware of the concept of covering ALL of the tempo ranges, never going faster than what you can play relaxed, and work over a long period of time to build up your endurance and control. I don't know about the whole thing about having to stop before you speed up or your develop bad habits. I guess you could some bad habits, but I don't really think that if you do this you will definitely create bad habits. If you are maintaining control and staying relaxed ... I just don't see how you could develop a bad habit by speeding up while playing. Perhaps I'm missing something here ... or maybe we are saying the same thing but in different words. I'm sorry I didn't explain my full intentions with my original post.
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My doctor says it's bad for my blood pressure if my mind is blown for more than five minutes at a time.
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groovesmith
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« Reply #5 on: October 13, 2002, 07:36 PM » |
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Thank you very much for your comments, I wish to add; Ive been playing double bass for 1 yr or so, but still I mean i can manage 16th notes till about 134 ish. But then everything seems to break down Before i played DB, I played a lot of funk type (right hand, rightfoot Rfoot) type triplet patterns and well, when my right foot goes any faster it has the tendency to want to Double Up on things. My left foot is not the problem in this case.... Any ideas??
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Louis
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« Reply #6 on: October 13, 2002, 07:46 PM » |
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This is only my opinion but slowly speeding up while learing something new helps to reinforce the bad habit of rushing the tempo. You play what you practice and if you slowly speed up while practicing there is a good chance that will happen while trying to maintain a fixed tempo. Its only my opinion, but that is the way I teach.
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No one will believe it's the "Blues" if you wear a suit, 'less you happen to be an old person, and you slept in it last night!
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Bart Elliott
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« Reply #7 on: October 13, 2002, 07:48 PM » |
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Before i played DB, I played a lot of funk type (right hand, rightfoot Rfoot) type triplet patterns and well, when my right foot goes any faster it has the tendency to want to Double Up on things. My left foot is not the problem in this case.... Any ideas??
You've got what I call the invisible string syndrom. I tell me students about this all the time ... which is basically that when you try to do something, it's as if a particular limb is connected to another limb ... by an invisible string. The only way I know to fix this is to spend a LOT of time developing the control. You're right foot is going on auto-pilot because it's relying on muscle memory. What you've got to do is create new neural pathways and teach it to ONLY do what you will it to ... not going on a default pattern or rhythm. We all deal with this at some level ... so just practice slow and take days, weeks, months, to build up your speed. When you find that you start into the old habit, slow back down a bit until you can play it clean, relaxed, steady and controlled. When you find that pivot or break point, keeping working on developing the maximum tempo that you can play it at correctly. Over time, this will become so easy that you will automatically be able to play it faster and faster ... making slow methodical progress.
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My doctor says it's bad for my blood pressure if my mind is blown for more than five minutes at a time.
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LessisNevermore
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« Reply #8 on: October 13, 2002, 10:49 PM » |
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I realized a little more control, power, and speed by playing triplet patterns, at first accenting the 1st note (Rlr Lrl) then the second (rLr lRl) and the third. I still haven't mastered it at a high bpm, but speed and control have noticebly improved. Groovesmith, I worked my butt off about 10 years ago, and finally played Angel Of Death to speed...I haven't played fast since  (I think it killed me) Lombardo is a freak!
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Tony
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« Reply #9 on: October 16, 2002, 08:23 AM » |
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I have recently dug out Kenny Aronoff's "Power Workout Video". This exercise, when done from beginning to end at speed, is a fantastic way to build speed, strength, and coordination not only on double bass, but between the hands and feet as well. I love this workout and have started using it again after a few years away from it.
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The techniques, though they play an important role in the early stage, should not be too restrictive, complex or mechanical. If we cling to them, we will become bound by their limitation. Any technique, however worthy and desirable, becomes a disease when the mind is obsessed with it.
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felix
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« Reply #10 on: October 16, 2002, 09:04 AM » |
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I will second that Tony.
The other great thing about that video is that it has a written suppliment where if the video goes to fast for you, you can set your drum machine to whatever you are comfortable with and merrily chug away.
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Yaay!
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Steve_LeBlanc
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« Reply #11 on: October 17, 2002, 12:17 PM » |
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Make sure you have really good hand technique...if you aren't a machine with your hands you'll never be able to do it with your feet. Don't even try to do double bass patterns until you have a good sense of time with your hands.
If you're still having trouble I don't know what to tell you...focus?
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DirtBomb
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« Reply #12 on: October 17, 2002, 09:17 PM » |
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I bought a double peddal a year ago and i was using it on and off because i just couldn't get the hang of it and it was driving me nuts. Then one day i thought that i'd start working on rudiments with my feet, maybe that owuld work. So i did it and within a month i was rolling 16ths as smooth as can be and i've been going from there
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DeadJotun
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« Reply #13 on: January 23, 2003, 09:12 AM » |
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you have to take your time its the only way youll get it. Im still working on a different technique. But with the one i have now i can play about 180-200 bpm, the problem with this is that it isnt loud enough for recording or just practice with myself its fine, but with a band cant hear it. I took some advice from tim waterson's website (worlds fastest feet) he said to basically stretch out your muscles play heel down first, like singles, doubles, 1/4 notes,1/8 notes,1/16notes. and after i had done this i raised my heel and i felt great control and power. I say speed isnt everything, lots of drums have great double bass skills but dont have the chops to back it. example drummer from fear factory hes all about feet thats it. treat your feet like your hands, do simple exercises before you play to warm yourself up. Do constant slow double bass to work your endurance simple stuff like this will help you greatly in the long run. 
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Han Steevo
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« Reply #14 on: January 23, 2003, 09:56 AM » |
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Well, a lot of good information has been provided all ready, but here are my two cents:
Regularly play rudiments with your feet. Work on playing them both with and without accents. I would play them in the same way I would with my hands - start open, then close, then open over a 2-minute period of time (slow to fast to slow) making sure to hold your peak for around 8-10 seconds. Also, I would practice them at a slow tempo (you should play everything to a metronome that you can, imo) for further reinforcement.
Get a double bass book (like Mel Bay's Double Bass Drum Workout) and start working on the exercises. You don't need a book, but it helps because the exercises are in front of you and there's no need to spend time thinking of them (since this is solely for increasing technical ability). Make sure to lead all exercises with both feet.
Also, take time to work on single foot exercises with ONLY your left foot. A good book for basic rock exercises for one foot is The Drummer's Cookbook.
Finally, what I've found to be the key to my speed is an endurance workout I worked up (nothing that special, however). All of the following rolls should be played accurately, never sacrificing accuracy for speed. Also, they are all 16th note rolls at the specified quarter note metronome setting. I play quarters on the hats and snare on 2 and 4 when playing these up until I hit the 200's, and then, I switch to snare on only 3. Start out with a roll at a very slow speed for you (say, around 80-90bpm) and keep it going for 5 minutes. Then, move it up a bit (100bpm) and go for 2 minutes. Move it up again (120bpm) for 1 minute. Then, move it up to a tempo that's starting to really push your limits (144bpm) and hold for 30 seconds. Now, put it at the fastest you can play evenly (160bpm) for 10 seconds. Finally, play as fast as you can for as long as you can. In between each of the rolls, be sure to rest for 1-2 minutes and stretch your calves/shins as well. My actual numbers for this exercise are, after 2 years of double bass, as follows: 144, 180, 220, 240, 250/260, 260/270. They tend to fluctuate a bit (sometimes I'll do 200 instead of 180, etc), but those are current as of today.
As far as technique goes, heel up or heel down doesn't matter. I play heel down and can play pretty much anything humanly possible. Hope this helped!
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Mister Acrolite
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« Reply #15 on: January 23, 2003, 10:37 AM » |
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Finally, what I've found to be the key to my speed is an endurance workout I worked up (nothing that special, however). All of the following rolls should be played accurately, never sacrificing accuracy for speed. Also, they are all 16th note rolls at the specified quarter note metronome setting. I play quarters on the hats and snare on 2 and 4 when playing these up until I hit the 200's, and then, I switch to snare on only 3. Start out with a roll at a very slow speed for you (say, around 80-90bpm) and keep it going for 5 minutes. Then, move it up a bit (100bpm) and go for 2 minutes. Move it up again (120bpm) for 1 minute. Then, move it up to a tempo that's starting to really push your limits (144bpm) and hold for 30 seconds. Now, put it at the fastest you can play evenly (160bpm) for 10 seconds. Finally, play as fast as you can for as long as you can. In between each of the rolls, be sure to rest for 1-2 minutes and stretch your calves/shins as well. My actual numbers for this exercise are, after 2 years of double bass, as follows: 144, 180, 220, 240, 250/260, 260/270. They tend to fluctuate a bit (sometimes I'll do 200 instead of 180, etc), but those are current as of today.
270 bpm? If you're playing 16ths, that means you're playing 1,080 notes in a minute. That's pretty brisk! Are these bass drum rolls played with alternating single strokes, or with doubles? If it's singles, I'd love to hear an audio clip. Art Verdi's record with singles (hands, not feet) is 1,116, and the last I heard, Tim Waterson's bass drum singles record was 1,030.
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Han Steevo
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« Reply #16 on: January 23, 2003, 10:57 AM » |
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Well, I can't hold anything over 250bpm for 1 minute (30 seconds at MOST). I might be able to hold 240 for 45 seconds at most, so that's the closest I could come. And, I play them all heel down as singles. I don't ever use double stroke rolls with my feet because it's not practical - singles are louder and more energy-efficient (you don't have fingers to control rebounds). I have a clip of me doing some crap with some fast footwork, I'll see if I can't get it up when I get home tonight.
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Carn
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« Reply #17 on: January 23, 2003, 11:12 AM » |
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Yeah try that.
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Dead Trooper
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« Reply #18 on: January 23, 2003, 11:22 AM » |
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I practiced with weights in my feet, not too heavy, just for endurance.
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It's still Rock'n'Roll to me.
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Han Steevo
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« Reply #19 on: January 23, 2003, 11:58 AM » |
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I, personally, wouldn't use weights simply because they can be hard on your knees (and other parts of your legs) and aren't necessary.
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