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Author Topic: Cascara  (Read 320 times)
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PaulDperc
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« on: July 29, 2004, 05:36 AM »

Years back I had taken my timbales to my x-wifes uncle's house. Her other uncle, Hector who used to play bongo and timbal with Orquesta Broadway and Orquesta Novel (NY based Charanga bands) watched me play. At one point he came over and told me to hit the timbal shell in the middle, not at the bottom portion of the timbal. (LP timbales are designed in 3 parts). Since then I've always played that way.
Recently I saw the DVD that Santana's percussionist, Karl and Raul did. In the DVD he plays on the lower part of the timbal. I think playing the middle of the timbale gives a fuller sound and that the lower part, closer to the edge is thinner.
What's everyone else take on this?
Is it a matter of preference or is it important. I noticed in the video he bring up the "Batuka" bell part he uses in "Maria, Maria". He stresses the importance of playing from the middle to the edge, and not just banging on the bell. If this be the case, then I guess where the cascara pattern is played on the timbal shell would be important too..right?

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« Reply #1 on: July 29, 2004, 05:48 AM »

Sometimes I play more towards the middle of the shell, and sometimes it's lower.

When I use the tip of the stick, I like the sound I get in the middle of the shell. If I shoulder the stick, it sounds good towards the lower portion of the shell.

Like any drum, each is going to sound slightly different. I currently use the LP Tito Puente brass timbales; 14 and 15 inch drums.
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« Reply #2 on: August 12, 2004, 12:46 PM »

I think the center of the shell produces a cutter sound, but it is also a little tricky to play (I like to shoulder the stick) because you can hit the tonning lugs.
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