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Author Topic: Marco Minnemann - Extreme Interdependence  (Read 283 times)
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roguephp
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« on: October 01, 2004, 08:00 PM »

Hi all,

Just some questions for others who may have worked through this book, or may be...

I am still in the Warm Up exercises. I am not having any problems at all with the Hands or the Feet when played separately and many of the warm up exercises feel very natural to me. There are a few though that are really bending my brain Smiley

When I put them together, should I be thinking about the feet as an ostinato and work on laying the hands over it, OR... will I do just as well, working the hands and feet together (by reading the chart), playing slowly, and thinking of the pattern as a whole (rather then a hand part, and foot part, played together)? I hope you get the general idea of what I am saying.

Any thoughts?
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hippie
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« Reply #1 on: October 02, 2004, 12:48 AM »

  Hey Rogue,
 
    I own Marco's book and think that it's awesome! I've only went through the warm-up exercises (they're hard enough as it is!) and I would learn two limbs and then add in the third part and then the fourth part. For example, I would play the foot pattern and then add the ride cymbal part and then add the snare part. Then I would do it again but this time starting with the snare & hi-hat pattern and then add in the bass drum part and then the ride cymbal. That way I was learning how all the parts went together. This took a lot of time (& frustration) to do but I feel that it helped me a lot. I'll probably never get to go through the actual book itself but the warm-ups alone can do amazing things for your independence.

     That book is two lifetimes of work (unless you're Marco Minnemann!) so good luck with it!
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roguephp
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« Reply #2 on: October 02, 2004, 08:14 AM »

Quote
That book is two lifetimes of work (unless you're Marco Minnemann!) so good luck with it!

I hear ya on that.

I am having better luck working the patterns with all the parts together. I do wonder if in the long run it is more beneficial to be able to play each part (feet or hands) and then drop the other part in or out. Seems like it would offer more control and independence in the long run... Anyone else have anything to say on this?
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bongo
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« Reply #3 on: October 03, 2004, 11:34 AM »

I do not have Marco's book, but have been working on my own ideas along these lines. What I do is learn the hand parts, then add the feet one foot at a time.

I work it up slowly of course and focus on extact beat placement. If I have to, I'll add the foot part one note at a time until I have the whole figure. I find this very helpful.

I like to add or subtract the parts at will. It sounds cool to start with one part and then add another, and then add another. People listening are like 'hey, how the heck can he do that?'.
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