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Author Topic: buddy rich  (Read 4545 times)
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newbeat
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« Reply #20 on: December 13, 2004, 05:04 PM »

Anyway, I think my question has been answered, and I see where you all are coming from. I just had a different perspective, and watching buddy videos, I would say to myself, "hey, so-and-so could do that...", but I was missing the point. I do respect buddy for his style, and I in no way intend to tarnish his reputation. I only think that his chops are a little bit glorified, and watching tapes, where it all is laid bare to careful scrutiny, I think buddy has been outdone in this day and age in terms of his "unbeatable" drum solos. His innovation and musicality remain as two pillars defining him as most likely the best at what he did, I was just curious at where he got the name of "best drummer ever". I would like to read your follow up to my latest post, but beyond that, I think it's best to agree to disagree now that I've gotten the point. Thanks,
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« Reply #21 on: December 13, 2004, 05:07 PM »

I agree.  Louie B. is my favorite.  I always thought his drumming was more musical and interesting.  Buddy was more flamboyant   Cheesy

I also think that Buddy had a real knack for choosing some very interesting arrangements of songs that really resonated with the audience. While he played a lot of traditional Jazz and ballads he also had in his ( band's) repertoire West Side Story, Ease on Down the Road (from The Wiz), Norwegian Wood and some others that were familiar to non Jazz fans. Some of those are fun to listen to for the general audience (popular acceptance) yet intricate and technically challenging   for musicians (musical credibility), that is no an easy combination, it doesn't happen too much today does it?

Also he was a good segment or 2 on a talk show because he was quite a character. I remember he and Mel Torme  appeared together when they were promoting something every once in a while and they spent most of the time digging on each other, it was really pretty funny.

So Buddy was almost comparable to Sinatra in that in additiion to be an immense talent he had a larger than life persona as well.
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« Reply #22 on: December 13, 2004, 05:50 PM »

I think Buddy was great. I am too young to have grown up listening to him but I like listening to his stuff sometimes. I am not real big into the big band thing but I enjoy good musicianship in any style of music. He is not my personal favorite which is the criteria for greatest drummer ever (if the truth is told). In my opinion, the most overrated drummer of all time is Neal Peart but that is because I didn't grow up listening to him or hear all the innovations he did. If I had I would probably think differently about him. Now I think there are many guys who are better than him but I give him credit for starting it all. I do think he is good however, just not as good as many drummers think he is. These are all opinions and I expect that many don't agree with me. That's why I think it is so cool that there are so many different styles and musicians out there available to listen to so that we can all listen to what we enjoy listening to (unless we are stuck in a car listening to nasty country music like I was this weekend).
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« Reply #23 on: December 13, 2004, 06:12 PM »

I think he would be eaten alive by guys like virgil donati who are much better (in my opinion) at the pure chops thing.

     What? Buddy Rich was taught at the age of two by Sanford Augustus Moeller and George Lawrence Stone! He was taught the best technique at two, I also have to disagree with Virgil Donati having faster hands then Rich, there's no way. I'm not obsessed with chops but Buddy Rish deserves all the respect people give him. He had fabulous technique; he was a strong leader and an aggressive drummer.  

     
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« Reply #24 on: December 13, 2004, 06:34 PM »

If it got down and dirty, virgil's hands would do anything buddy's can. I honestly believe that.I'm not trying to hoist virgil up as my end-all be all; I am just using him as an example of a drummer who exceeds buddy in a certain few areas that buddy is lauded at being unbeatable at.

Can his hands move as fast as Buddy's? Quite possibly. But would that make him as good or better? Not from what I've seen.

And that's what this keeps coming down to: what I've seen. I've seen Virgil live, and I've seen Buddy live. No comparison. Virgil had impressive solo chops. Buddy was a freakin' force of nature. Watching Buddy was literally life-changing. Watching Virgil simply made me think "wow, he sure must have practiced a lot."

And as far as Virgil handling anything Vinnie threw at him, again, maybe his limbs are capable of it. Is that all you judge in a drummer - what their limbs can do? I'm far more interested in their minds; their personalities. Vinnie has created a memorable body of work, to which he continues to add. Vinnie has blazed new trails in music, not just physical accomplishment. Same with Buddy. Vinnie's improvisational skills have a depth that just about NOBODY out there can touch. He's in a league with guys like Tony, Elvin, and DeJohnette, and in many ways, he's reaching beyond them. Virgil isn't in that league, not by a long shot.

Virgil just strikes me as a guy who's taught his arms and legs to do a bunch of stuff. I've seen him, and it didn't excite me. I've seen Buddy, and had my jaw on the floor. I've seen Vinnie, and had my brain explode.

It's all a matter of taste. But you keep asking, and I've got a perspective you don't, in that I've seen ALL of these guys live. And I'm reporting on what I've seen.

If you dig Virgil, that's great. He's a terrific drummer, to be sure, and is definitely one of the physical masters of the instrument. But he's SO far from being on my list of favorite musicians, that I have to confess, I almost never even think about him. YMMV.
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newbeat
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« Reply #25 on: December 13, 2004, 06:46 PM »

I was not speaking of who is the better musician, that is not debateable. Perhaps I have not been clear, but I was only commenting on your statement that buddy would blow virgil of the stage with sheer power, showmanship, and style. The last term is a subjective matter, but as far as power and showmanship go, those are virgil's supreme specialties (at the neglect of musicianship you and I could agree). I was not talking about playing music, for which I have much respect for both buddy and vinnie. I just think virgil would win in a drum-off, which is a mostly chops thing.
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« Reply #26 on: December 13, 2004, 07:10 PM »

I was not speaking of who is the better musician, that is not debateable. Perhaps I have not been clear, but I was only commenting on your statement that buddy would blow virgil of the stage with sheer power, showmanship, and style. The last term is a subjective matter, but as far as power and showmanship go, those are virgil's supreme specialties (at the neglect of musicianship you and I could agree). I was not talking about playing music, for which I have much respect for both buddy and vinnie. I just think virgil would win in a drum-off, which is a mostly chops thing.

Sorry to be a broken record. But I've seen both these guys, and do not for one minute believe Virgil could blow Buddy away in ANY respect other than the size of his drumkit. You really had to have seen Buddy.

And understand this: Buddy is FAR from my favorite drummer. I'm not saying this because I'm defending a personal favorite. I'm far more into guys like Steve Gadd, Jeff Porcaro, Russ Kunkel, and so on. I have much more of an emotional connection to them than to Buddy.

But in terms of a drummer just being, well, jaw-droppingly impressive, Virgil couldn't hold a candle to Buddy - nobody I've seen could. And I say that having seen them both live and in their prime.

But it's all just opinion, so if you want the last word, go for it. I'm done.
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« Reply #27 on: December 13, 2004, 07:35 PM »

Maybe we're just cut from some of the same cloth, but I'm with Mr. A on this.  Buddy, IMHO, was just more musical.  He exemplified what it means to be a drummer in a band.  He commanded the band, he led the band - and they followed.   There was a sense of power to his performances.  To sit in front of his kit and feel his bass drum in the chest - no internal miking, no butt-kicker monitors, just him. . . it was truly amazing.  His appeal reached to drummers and non-drummers alike.  I guess you had to be there.  He was the best.
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« Reply #28 on: December 13, 2004, 07:41 PM »

My buddy has an awesome record collection <more like a library>.  I  can't wait for him to record on cd for me some Buddy records we came across yesterday.  Unfortunately, I seemed to have missed the Buddy chapter.  I have a lot of catching up to do.  Can't wait. Cool

In my opinion, one of the best drummers around is Dennis Chambers.  If Chambers cited Buddy as an influence, he must've been great.
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« Reply #29 on: December 13, 2004, 07:51 PM »

A little OT picking up on Chambers: in Zildjian Day London, he cites Buddy as such a huge influence in his practice routines. Practicing with a pillow and so forth.

He says he was in his early teens (maybe youbger) and took his pedal's springs off, just 'cause Buddy could do 32nds without springs.

Those two are SERIOUS freaks of nature.
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« Reply #30 on: December 13, 2004, 07:53 PM »

In my opinion, one of the best drummers around is Dennis Chambers.  If Chambers cited Buddy as an influence, he must've been great.

Dennis is a huge Buddy fan.

(I'm paraphrasing here, it's been awhile) But he once told a story about seeing Buddy play live when Buddy's bass pedal's spring broke. Dennis said Buddy was looking around for his tech but he was nowhere to be found.

He said Buddy (with no spring on the pedal mind you) continued to play and even sped up at one point playing 32nd notes. Like he was doing it to "spite" the pedal for breaking.

Dennis tells the story with awe in his eyes.

It's hard to even contemplate.
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« Reply #31 on: December 13, 2004, 07:56 PM »

A little OT picking up on Chambers: in Zildjian Day London, he cites Buddy as such a huge influence in his practice routines. Practicing with a pillow and so forth.

He says he was in his early teens (maybe youbger) and took his pedal's springs off, just 'cause Buddy could do 32nds without springs.

That's funny. Same time posting.
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« Reply #32 on: December 13, 2004, 07:57 PM »

He said Buddy (with no spring on the pedal mind you) continued to play and even sped up at one point playing 32nd notes. Like he was doing it to "spite" the pedal for breaking.

The pedal was probably afraid of him.   Grin
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« Reply #33 on: December 13, 2004, 09:27 PM »

Mr A I agree with everything you have said, totaly. Buddy's solos were musical and made sense. Hand speed and control, come on, the guy could blow anyone away period. For me anyway who gives a darn about chops anyway and speed, if you are not musical and can't swing or groove to me you ain't sayin anything anyway.

Remember drummers, Drummers don't hire you musicians do. I have been chosen many times because of my time, groove, and sensitivity to the music over college professors who have more chops than I will ever have or even for that matter my Old Man and he had alot more chops than me for sure.

Buddy was one of a kind, like Elvin, Tony, Art, Max etc. See those guys came up with there own thing and it came from playing the music not sitting in front of a practice pad 8 hrs a day. That's ok for awhile but man it has got to come from inside out. Not from learning it out of a book. Elvin stated they never planed anything it just came out naturally as a reaction to eachother music and spirit.

Today so many people sound the same and Buddy stated the same thing on one of his videos, years ago you knew when it was Art, Tony, Max, Louis Hayes.etc etc It is kind of sad but to me the world is becomng so canned and formulated it is jus saddening.


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« Reply #34 on: December 13, 2004, 09:40 PM »

  Sorry to hijack the thread for a moment but, one interesting thing to note about Virgil Donati is that he studied with Philly Joe Jones. He was also personally referred by Mr. Jones for a Bill Evans audition, which he regrettedly missed. It would have been interesting to hear him in that context.

  This is not an argument, just a general piece of information that I found very interesting when I learned about it.
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newbeat
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« Reply #35 on: December 13, 2004, 09:45 PM »

Sorry to be a broken record. But I've seen both these guys, and do not for one minute believe Virgil could blow Buddy away in ANY respect other than the size of his drumkit. You really had to have seen Buddy.

And understand this: Buddy is FAR from my favorite drummer. I'm not saying this because I'm defending a personal favorite. I'm far more into guys like Steve Gadd, Jeff Porcaro, Russ Kunkel, and so on. I have much more of an emotional connection to them than to Buddy.

But in terms of a drummer just being, well, jaw-droppingly impressive, Virgil couldn't hold a candle to Buddy - nobody I've seen could. And I say that having seen them both live and in their prime.

But it's all just opinion, so if you want the last word, go for it. I'm done.

No, no, I'm done as well. I haven't seen buddy live, so I'll have to take your word for it. I'll try to look around for more footage of him.
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« Reply #36 on: December 13, 2004, 10:01 PM »

I am sure this is a little redundant but I just want to stress the fact of the sound of his drums were like nobody one elses, again he had his own sound.

On the Philly Joe thing, did you know he idolized Buddy and Buddy hired him to warm up the band when Philly did not have a gig for a few yrs?
Tony Williams towards the end also said Buddy was the man he was trying to get to.

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« Reply #37 on: December 14, 2004, 10:30 AM »

I have not seen Virgil yet.  Everybody keeps telling me I should.

I saw Buddy once performing "West Side Story".  I've never been the same.  I distinctly remember feeling as if I had been slipping out of my own skin.
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« Reply #38 on: December 17, 2004, 07:36 AM »

The only drummer from the same era that could stand toe-to-toe with Buddy is Joe Morello. Buddy once told Joe that Joe could play anything that he could. They both have incredible technique which allows for incredible chops. IMHO Joe has it all over Buddy in the area of independence.
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« Reply #39 on: December 17, 2004, 10:15 AM »

well, i guess the major advantage morello has over rich is that he's still alive, and has thus been allowed to develop much further.

i very much admire morello's books, and would love to have the oppurtunity to study with him. however, that will, more than likely, never happen.
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