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Author Topic: networking / re-locating strategies  (Read 2622 times)
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Bart Elliott
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« Reply #40 on: September 24, 2002, 08:42 PM »

Just talked to a drummer tonight ... who grew up in Seattle, has been playing in the area for some time, and just recently moved to Nashville about a year ago.

His words ... "don't move to Seattle unless you already have something lined up."

He said the town is pretty dead for freelance work, and has limited session work. People think the town is "hot", musically speaking, because of all the success bands from that area have had; but this was a long time ago. His feeling is that if you want to make it as a session player and/or work for major acts, you need to be in New York City, Los Angeles or Nashville.

All of this is basically what most of us have been saying ... but it's good to get some advice from an individual who has lived in the Seattle music scene for some time.

Just thought I'd pass it on.
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« Reply #41 on: September 25, 2002, 12:24 PM »

It's such a subjective thing, I think. Depending on who you talk to, you'll get different answers. I can't fathom the idea of living in LA or New York.

There have to be some "B" cities around the country that are in particular need of drummers. But as to how one would figure out where they are, that's the big mystery. Of course, you'd also have to have a place with a good nightclub scene, some producers and some studios.

My g/f is thinking of going to school in Ann Arbor, Mich in a couple years. Apparently there's a good deal of jazz going on there. But again, it's all subjective.
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« Reply #42 on: September 25, 2002, 12:37 PM »

and while ann arbor might not be next door, you do have easier access to chicago Smiley
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