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Author Topic: networking / re-locating strategies  (Read 2399 times)
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Critter29
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« on: September 16, 2002, 01:34 PM »

Hey Everyone -
               
I'm new to the board but, it's nice to see a drum community that has literally every facet of the business covered. I hope that some of you may be able to offer some insight to me and share your stories.

A little history on me:

I'm 29, been playing drums for 22 years and have been playing professionally the last 8 years. In those 8 years I have been in several bands that range from rock, pop, folk and r&b, also recorded albums, demos, compilation cd's, gigged out the waaaazoooo which would include: regular club gigs, showcases,  opened for national acts and recorded on other bands records etc.. After all the time spent working in my area, I feel like I've exhausted every possible opportunity but none have ever furthered themselves beyond a local region.

In August  2002, I left the current band I was in due to some members not being able to keep their marbles together mentally. I've made the choice to go it alone this time but have always had a fear of doing this because I figured being a part of a band would further my chances of success that much greater rather than just being a "hired gun". Now, I'm faced with a whole new set of circumstances, I need some advice about what to do. I would like to re-locate and hope to do that by May 2003. Where that will be, I have no idea as of yet but, i'd like to hear others stories, thoughts, solutions on re-locating and how you got started in a new area without knowing anyone.

Thanks for reading this long post...I appreciate it. Smiley
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« Reply #1 on: September 16, 2002, 06:03 PM »

Critter-

I'll jump in here and type a hearty HELLO!

I can only answer part of your question, that being I am 38, have been playing since 8th grade HOWEVER never professionally.  No mon, no recordings, well that is a little inaccurate.  The church I belong to which I play for on most sundays DOES televise its services so I suppose, TECHNICALLY I have been recorded.  Was quite strange when last Sunday a lady comes up to me and tells me how great I looked on TV last week.  Oh My Gosh- here I am topping nearly the big 300, what little hair I do have (shut up Bart) is... well... I might as well go all the way and be bald.  What compliment do I get??? I LOOKED GOOD?!  no comment on my playing mind you, just this nice little old lady (Well she wasn't too old I suppose) commenting on my looking good- now I'm pretty certain I've read somewhere that God doesn't much like it when we lie but it didn't dawn on me then to call her on it-hehehehe.
So there you go, a little bio but no real advise for ya but I am sincerely confident that if you hang around a bit it'll come your way.  A lot of drummers here have done just what you are planning to do including our fearless leader and his recent exodus to Nashville.  Just hang in a bit, give people a chance to read your post and respond.  I wish I could be of more practical help, but all I can say is Springfield, Mo is a great place to raise a family and flyfish.  As for music its just the normal local scene for the most part- don't know iof anyone living here who makes a living at performing here unless you live od commute 38 miles south to Branson.
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« Reply #2 on: September 16, 2002, 07:42 PM »

Welcome Critter29 - I've been a pro drummer for 30 years and I've lived in Nashville (7 years), Los Angeles (6 years), Minneapolis (4 years), New York City (2 years),  Miami (2 years) and Dallas (so far 4 years) - and traveled on the road the rest of the time. Each of those cities I lived in I PLAYED DRUMS for a living. Sometimes it was ROCK-METAL (LA), sometimes it was jazz & Braodway (NYC), Miami & Nashville (studio) - SO, ALL THAT TO SAY, you have to ask yourself what it is you want from your drumming career, is it to play in a rock band, then go to LA or Seattle or NYC (but mainly LA), what is it that you want? Be prepared to be persistant and be able to hang (save some $$$$ before you go). Do you have a more detailed idea of your drumming goals, then find out what it is and go for it!!! God BLess your journey bro  Wink carlos benson
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« Reply #3 on: September 16, 2002, 11:45 PM »

let me just add a little something to benson's post.  seattle might not be the best way to go.  high cost of living, unstable audience, unstable job market.  ive played in, booked, and recorded a number of bands around here in the last 8 years and its a tough town.  lots of interest, just not enough to pay.  there are always exceptions, but they are just that.  

plus it rains all the time Wink
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« Reply #4 on: September 17, 2002, 06:27 AM »

I wouldn't go to LA.  I have two friends there that have yet to find real success, but they play hard rock.

I would go to Chicago if I wanted to play drums full time.

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« Reply #5 on: September 17, 2002, 07:39 AM »

Hey Critter -Welcome to the Cafe'!    Like MVanDoran mentioned- Bart Elliott (alias 'Bartman') owner of the Drummer Cafe has just very recently moved to Nashville.....which is where I suggest we ALL move....perhaps the B-Man has room for 700 drummers in his basement(!?)    My advice is pretty basic -simply go where the scene is stable and thriving.  
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« Reply #6 on: September 17, 2002, 07:49 AM »

Hey guys - thanks for the welcome and all the encouraging words and tips.

Carlos - wow bro, you have lived all over. You must have some great stories! As far as what I want to do with my drumming...well, I want to be a "hired gun" type which would include: studio work, touring, club gigs and whatever else etc.
I have very broad tastes in music so as far as what type of music I want to play, I'm open to anything.

As for jumping into a band situation...I'm a little gun-shy to get right into another one. I've been in so many bands the last few years and I've come to the conclusion that most never deliver for one reason or another. I know that doesn't sound very positive but, I don't have faith in bands after all the stuff I've been through but, I do have faith in my abilities that God gave me. Not that I'm a perfect individual or trying to sound self-righteous cause I'm definitely not but I figure I'm going to be better off in the long run by playing for a solo artist  or whatever....this way I only have to worry about myself and what I bring to the table. In that sense, I'm not being pigeonholed into a situation in case something doesn't work out. Don't get me wrong, I've played with some amazing people thus far in my career but, I'd rather have the freedom to choose the projects I want to play on. Bands usually do not allow one that luxury....it wouldn't be fair to the other guys either. Obviously being in a band requires a serious committment and usually personal finances that never get recouped back. It seems in that type of situation that a person leaves themself more vulnerable for bad things to happen even though good intentions are the goal. It almost never works out....at least in my experience. But again, I do believe that good things can and will happen for me if I remain resilient, focused and dedicated.

Mark - thanks for the warning about Seattle. It's funny cause I've been giving Seattle and  the west coast - (specifically San Fran) a great deal of thought....bummer that Seattle's not that good. Is it hard to land a good gig there or the opportunities just few and far between?

My goal is to find more opportunities by moving to a bigger area. I just plan to hit the pavement and go out and meet people, hang, offer to jam with them and see what happens.

I've checked into re-locating in other cities and I can't belive how people survive in San Fran or Seattle. The cost of living is ridiculous. What do you guys do to pay the bills if your not getting steady work in those areas? Do you all work day jobs? I'm not trying to pry into anyone's business but, I do need to be realistic with myself and prepare in case anything doesn't happen. I'm not so naive to think that the minute I show up in a new city that I'm gonna have a gig so I need to do some other research as far as where I gonna live and finding a job etc... What did you guys do in this situation?
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« Reply #7 on: September 17, 2002, 09:09 AM »

i know this couldve been private messaged, but i figured its a decent enough topic.  we can share the experiences in our home towns, etc.

seattle ...  as there are more folks on this board from here than just me, id welcome all thoughts.  but its been my experience that its a good music town.  lots of fans.  but not the best place to do it for a living.   its a town of compromise.  cover charges are relatively low (for live music, often times dj nights cost more !?!?!) ... so you can fill a venue, but still not go home with much.  you get the fan base, but not the bread you know.  theres a market for just about everything here.  ive played indie rock, free jazz, noise, electronica, avant garde, and had a venue and an audience for all of it.  but more often than not, the free coffee or drink tickets and a few bucks is about it for compensation.  

add to that a lot of competition (everyones a freakin musician) the aforementioned high cost of living (thanks californians Wink) and tough market for getting a day job (obviously not the idea, but its nice to have some backup) and its a tough town.   ive got a few friends who do it.  one tought music theory and upright bass privately and played in tons of projects.  he actually just moved back to new york because it was easier and more productive there (he had moved here from n.y.)  the other is just quitting his day job today.  he plays a lot of one off free jazz things, but his primary band is a college/jamband thing.  they tour the northwest college circuit all the time.  hes planning on getting by by livin with other folks and eating very little.

thats my view of seattle.  great town, great part of the world, but keep your day job Wink
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« Reply #8 on: September 17, 2002, 09:48 AM »

Mark - thanks for the overview on Seattle. It sounds to me like no matter where I decide to go it's gonna be really tough. I'm more concerned with finding a job, a place to live and being able to afford it. Networking and landing a good gig is going to take time.

As for me, I live in Tulsa, Ok. I've lived here for the last 10 years. The club scene here is all about playing covers and some originals. If you draw enough people then you can bend the rules in your favor. ....in general it's lame. There are many original bands in Oklahoma...but that's not saying much is it? People are not open to original music here nearly as much as in Seattle or elsewhere. Typical for a smaller market though..Tulsa is loaded with good musicians but a scene that doesn't support them. I have had more guys come up to me who are older and tell me "don't do what I did and stay here - move to a larger city and make something of yourself otherwise your gonna end up like me". That's a serious wake-up call for me. The cost of living is the big scary issue for me though...music is all I know how to do. I work for a manufacturing company right now doing engineering work on Autocad by day...but I'm not really an engineer per se. I got lucky with the job I have now & I don't suspect in Seattle or anywhere else I'll be quite as fortunate. So, my prospects are limited to a degree. My fiancee is working on her master's degree and finshes in May so I am lucky in that sense. She too wants to move and is very supportive of me and my desire to pursue music. She knows how much it means to me...what can I say...I'm lucky.

Anyway, good to meet you and thanks for the detailed info on Seattle. I hope I get the chance to come see it for myself soon! Take Care...
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« Reply #9 on: September 17, 2002, 10:32 AM »

Hey Critter - as far as Chicago, well, I don't know, maybe Felix can elaborate on that scene for you..I know it's a heck of a blues scene. Yeah, everywhere you go is potentially tough...but, I've seen guys fall right into some good situations. That's not the norm...Nashville has the best ALL-AROUND music scene, rock, blues, alternative, pop, you name it, they got it. Now, the problem is there's not alot of money around until you get to the recording artist level, that is, playing with a recording artist, and that's usually gonna be COUNTRY. Even then I've known guys that play only once or twice a month with an artist and barely make some dough$$, ya know?? THERE ALOT OF DRUMMERS IN NASHVILLE, ok? So, be prepared for the long haul. I liked what you said about God's abilities, have faith bro, God has good things in store for you, believe it and be diligent to your talent (devotion). Pray about it...I don't see your comments as self-righteous, as see them as REAL. best to you & let me know if I can help you further.  Wink carlos
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« Reply #10 on: September 17, 2002, 10:57 AM »

Hey Critter - as far as Chicago, well, I don't know, maybe Felix can elaborate on that scene for you..I know it's a heck of a blues scene.

(Thinking back to my days in the midwest a few years ago...)

The jazz scene is really strong in Chicago, too - also, there are a ton of great Brazilian and Afro-Cuban musicians in the area.

The big thing is that, for whatever reason, there's a strong live music scene in Chicago and the surrounding suburbs - lots of places that have live bands.  I know that here in Connecticut, finding venues for live jazz is a real bear - folks just don't go out to hear music (jazz specifically, but as far as I can tell it's challenging for other musicians as well), and when they do want to hear a live band, they head down to New York City.

As I've noted elsewhere on the board, I love Chicago's music scene, and if I hadn't moved back East to be near family (both mine and my wife's), I'd be living in Chicago - I still contemplate a return there from time to time...and the food is great, too; lots of fantastic restaurants in town.

(I'd better stop now, or I'll end up putting my house here on the market before my wife gets home from work...)

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« Reply #11 on: September 17, 2002, 11:04 AM »

I actually looked at Seattle as a potential place to relocate; took my whole family there to visit a sister-in-law and scope out the town.  I quickly had to give it a big thumbs down. I know several pro drummers in Seattle, one of which is Garey Williams who has his own thing going and is doing quite well.

As mentioned, I just moved to Nashville literally two weeks ago, and just this week am I starting to hit the streets and beginning to network. I can't comment on Nashville really because I'm a newbie ... but I CAN confirm what Carlos is saying.

I would live in Nashville even if there was no music scene ... just because I love the town.

One thing that I've run into a lot, which I'm not digging, is a negative vibe about relocating here. EVERY MUSICIAN I meet here in Nashville says the same thing ... "this city is known for chewing up musicians and spitting them out" ... or ... "it's a great town, but be prepared to suffer".  You know, I just don't by that ... and here's why.

We are all different and unique. We each have something to offer musically. So we really can't compare the successes and failures of other individuals to ourselves. I'm a fighter and I WILL succeed here. If someone else didn't, well, maybe they were an idiot and didn't handle themselves well (musically, finances, relationships, etc.). Are there a lot of drummers here in Nashville? Yes there are! But you know what, nobody does what I do just like I do it.

Just yesterday I stopped by a Mars store just to check the teaching rates for the area, as compared to Dallas (it was the same mind you). The manager over the education department grabbed me and pulled me into his office to talk (weird). Anyway, I told him I just moved here from Dallas and here's his response. He looks down, shakes his head, then looks back up at me says "you know, I wish you the best of luck, but Nashville, well it's a jungle out there."  Having heard so much negative vibe the past few days, I just looked right back at the guy, threw my hands up in the air and said, "well .... just call me Tarzan!" LOL  Luckily the guy laughed (whew), but I wanted to get the point across that I'm ready to have at it. I'm not scared by the giants in the land. I knew about all that BEFORE I moved here. I don't need people continuing to caution me and warn me after I've already MOVED MY ENTIRE FAMILY HERE.

Nashville has some of the NICEST and SINCERE people you will ever meet ... but I've got to tell you that I could really live without the discouraging comments. I think they mean it out of love and concern, I really do, but you know what, it doesn't help me at all ... it only feeds the spirit of doubt ... and who needs that.

So ... where ever you decide to relocate ... I think it's wise to do exactly what you are doing. Count the costs, see what giants are in the land, check your pulse and see if you are up to the task. Once you set your mind to it, and you believe in yourself and where you are going, don't look back, don't listen to doubt ... and only move forward.

One more thing on Nashville, after checking into many cities (including Chicago), I found (and can confirm) that the cost of living here is MUCH less than other places, including Dallas. I now have twice the home I did in Dallas ... and the Home Owner Insurance is half as expensive! Car Insurance, Health Insurance, etc., it's ALL LOWER here in Nashville! If anyone is really interested in moving here, I'd be happy to share exact figures with you (via IM); I don't want to publish them here.

Lastly, but not least, I want to publicly thank Carlos Benson (aka bensoncarlos) for giving me some great contacts. Carlos only knows me because I subbed for him once at a church in the Dallas metroplex. Talk about a nice guy! They just don't get any better than Carlos; thanks bro! I'll be making my calls soon!

WOW Shocked I just realized I'm writing a book here ... so I'd better stop.
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« Reply #12 on: September 17, 2002, 11:10 AM »

Carlos - thankyou for the encouraging words. You know it's funny, I lived in Morris, Illinois for 17 years but never got to know the Chicago area...of course I was too young back then to really do anything but, I really haven't ever heard that much about the Chicago music scene in general. The smashing Pumpkins are the last big thing I can remember that came out of Chicago.
I have family that live near Chicago...about...1 & 1/2 hours away but, I don't know a thing about the scene there.
Musically, I don't see myself playing the blues or being a part of anything like that. It's not really my thing. I'm much more into rock, pop, r&b-funk, folk.....that kind of stuff suits my tastes. I'm not saying I wouldn't be open to the possibilty of checking out Chicago though...

I've been to Nashville several times in the last few years. The country thing is big there and so is the Christian music scene. I knew a few guys that I worked with on other projects that played with Margaret Becker.
From what I remember, Nasville didn't strike me as a music capitol..... ironic to think that I know but, what I mean is the recording thing is what's in Nashville and that;s mainly for Country and some other stuff but, I didn't get the vast impression that Nashville had a rich music scene in general. Maybe I'm way off though.....
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« Reply #13 on: September 17, 2002, 01:07 PM »

Isn't it great to be alive today?  I'm so giddy...I think I'm going to play flams on my giant step pedal and imagine I'm an amazing player.

Bart, you are going to just do so well in Nashville.  I know it.  Give yourself some time...man, you just relocated your bizz.  People naturally take a liking to you, plus you have someone really huge backing you if you get my drift.  How can you do anything but succeed?
You handled that manager very well.  He's going to remember that.

BTW...Chicago kicks...oh how I would love to move there and get in a hot beboppin' restaraunt crashing, lounge burning trio/quartet.  It's not over yet...my wifey loves that city.

What are we talking about?  Oh yeah, the kid wants to know where to move-  DUH-UH live with your relatives (for free obviously) outside of Chicago till you get relocated and wired in your fav situations.  There, your problem is solved.  I'm telling you- that town has it ALL.
My one friend who I always thought had about as much musical talent as a frog has been making quite a fine living mixing, touring and engineering.

Now you have me wanting to move James!

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« Reply #14 on: September 17, 2002, 01:10 PM »

Quote
So ... where ever you decide to relocate ... I think it's wise to do exactly what you are doing. Count the costs, see what giants are in the land, check your pulse and see if you are up to the task. Once you set your mind to it, and you believe in yourself and where you are going, don't look back, don't listen to doubt ... and only move forward.

Bart -
thanks for the encouragement.  I too have that fighting spirit in me. My philosophy: the glass is half full...not half empty. Let me congratulate you on starting a really great website for drummers. Finally, a place on-line where we can all go to discuss things and more importantly, learn from them. Cheers to you! Wink


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« Reply #15 on: September 17, 2002, 01:22 PM »

Whatever you do, don't move to San Francisco. We have a musician's community website here and I posted recently to guage whether or not there's a legitimate scene here for pro drummers. The responses I received were truly depressing. Here's a selection:

I think you answered your own question: New York, Nashville, and LA are *the* three "recording industry" cities, while San Francisco is not. And while NYC may have fewer studios than the other two, the theater scene (Broadway) more than makes up for it in providing work for pros. The Bay Area has only a handful of "pro" studios (Hyde St., The Plant, Fantasy ... that might be it, and only one of those is even located in SF) ... I've known a couple pro-quality drummers in my time here, but the only one who I ever knew to do any actual pro work was one guy who got hired by a Japanese singer to do an Asian tour. -Doug

musically, this seems to be a very small town. as you know studio work is few and far between. steady income would be a better bet from a performing band that does a lot of corporate events, weddings, and other high paid gigs. you could also teach. naturally, both these fields are already crowded, so i don't know if this helps. i consider myself a working musician, but i ain't quit my day job. -Matt

yer dreaming. -David

I guess I'll have to leave the bay area by the sound of your posting, that's just sad that SF doesn't harbor a place for the pro drummer. Hope you find some steady stuff. -Mike

This business ain't about talent, being nice, what kind of @$%# you've done before (here or anywhere for that fact). To prove my point, just turn on your radio and listen to all the crap that's out there. What it is all about is having a good,strong MOJO!!! -Jason

From what I've heard, in San Francisco it's supposed to be next to impossible to make a living playing live, so most guys teach or work in the day. -Mario

What are your rates? I'm in the process of recording a demo and will need a drummer. -Sandip

I'm a pro drummer that recently relocated from San Francisco to Los Angeles. Certainly, the vibe isn't as nice as San Francisco, but the paychecks are a lot better. All that's left in the Bay Area are Church gigs, casuals, and the occasional singer/songwriter session. Definately not enough to sustain a decent living. I was making more money flying to Los Angeles to work than I was living in the bay area. I hated to leave but all I hear now that I'm in L.A is how much people are in need of drummers. -Phillip

i'm a pro level drummer who is having the same problem you are, i'm thinkin' the dot comer's forced all the avenues for musicians to work and make a living(obviously NY is expensive too). -Robin

There is no "pro" or even Musicians scene in this area (SF), only people in bands or who want to be in bands. Sorry, it's been that way for at least 15 years. -(another) Mario

you should have known better. -Todd


I don't know why the hell I'm here. I love the city I guess.
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« Reply #16 on: September 17, 2002, 03:04 PM »

Sidereal - With all due respect to you....

So, let me get this right...according to you, I should base whether or not I move to San Fran on "other" peoples perceptions of it? Well, if we all thought that negatively about life and music then we'd all be failures too. I for one, am willing to give every city the benefit of the doubt based on my own perception of it - not others - before I make a judgement on whether or not it meets my standards. I mean look at what Bart said about Seattle and how it wasn't for him.  He didn't specify what he disliked about it necessarily.... just said it wasn't for him. At least his opinion was an un-biased one. On the otherhand, Matt Chamberlain lives in Seattle and he's doing quite well so, who's right and who's wrong? Neither - The point I'm illustrating here is individual experience. Obviously, we're all different and we all bring different things to the table musically speaking as well as what we want out of life. If I go to a new city with an attitude like those guys had on that San Fran website than, I might as well become a cranky ole' accountant and quit playing music but, ya know what? ( in Danna Carvey voice)..."Not gonna do it". Another thing....it doesn't really matter where I move to...it's gonna be hard wherever I decide to go. Hard to make contacts, hard to make the adjustment of living in a new city- where it costs more to live, hard to make friends as people are generally not as friendly as they are in smaller communties...yes, hard for everything but, that's life. I gotta chase the dream and be positive and stay focused. It's all about getting a break. I'd rather be in San Fran than Tulsa. At least you have successful bands/musicians from that area. We have none in Tulsa. Another thing San Fran has is a community that supports the arts and "original music". I'll play for free if it means opportunity knocking at my door....screw the money.

Thanks for the post though...I need to hear those things too. It reminds me of the real world and how hard life can be. Balance is the name of the game. It looks to me like your doing quite well for yourself so what's the problem? You've got a gig...matter of fact...3 gigs...you should be happy about that bro. Wink
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« Reply #17 on: September 17, 2002, 03:22 PM »

I mean look at what Bart said about Seattle and how it wasn't for him.  He didn't specify what he disliked about it.... just said it wasn't for him. At least his opinion was an un-biased one. On the otherhand, Matt Chamberlain lives in Seattle and he's doing quite well so, who's right and who's wrong?

i was actually going to bring up chamberlain and keplinger.  these guys are sucessful, but not in seattle really.  kep's makes a living as a tech and drum maker.  chamberlain tours and does session work world wide.  seattle is simply home base.  
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« Reply #18 on: September 17, 2002, 03:33 PM »

The reasons I didn't dig Seattle were personal, and to share those would needlessly offend people.

Now ... as far as Matt Chamberlain living there ... has he always lived there? Important question to ask really. If you are independently successful and/or have already established a name for yourself, as Matt has, then WHERE you live is irrelevant. Dave Weckl could live at the North Pole if he wanted to ... and he would get the same amount of work as he does now ... assuming that transportation was not an obstacle. I'm overstating this, but you get the point.

Before I decided to live in Nashville ... I first had to figure out what I like. What part of the country do you enjoy the most? From that point I think you should then look for "happening" cities that can be found in the "preferred" region.

Now the other side of the coin is the music market. If I could make a living as a professional musician ... while living in Costa Rica ... man, I'd do that in a heart beat! Since that isn't possible for me, I have to then begin my search at a more realistic point.

I think it's important to be happy with the environment you live in. Some people are happy to make tons of money, even though that can't stand where they live. For me, life is too short. I don't live to work, I work to live. I'm blessed that people are willing to pay me to do what I love to do best ... and that is to make music.

So ... we each have to make our own decisions based on what our personal priorities in life are. Is having a great family life and raising your kids in a healthy environment important? Is being famous important? Is making a lot of money important? I could go on and on ... and there are no "right" answers here. You have to decide what YOU want ... and what YOU need in this life.

I think it's great that we are having this conversation.

Discussing the cities that are thriving in the music industry is valid; we need to do that. But after the list is made, I think it comes down to personal needs.

For me, I didn't see Seattle as a place that was thriving in the music industry. It may work great for some ... especially when the find their nitche. I just didn't see myself finding my place there ... but that's me, not anyone else.
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Critter29
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« Reply #19 on: September 17, 2002, 03:42 PM »

Mark - I'm gonna go out on a limb here and disagree for arguments sake. Geography does matter. I believe it to be the make or break difference in creating an opportunity. Let's take the case of Matt C. He met Stone Gossard and played for Pearl Jam albeit not very long but still it was in Seattle. Two, Stone G. started Loosegroove Records. Three, Crittersbuggin has put out 4 records on that label. Even though the label is gone it created a buzz for Matt personally by showcasing his talents. All of this done in noneother than Seattle. After Edie Brickell and the New Bohemians broke up I never heard any music from Matt for awhile. Critters Buggin was the first thing I heard him on in 2-3 years. Had it not been for that, it might've been longer. So you see, I do think that the little things matter...
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