Re: the djembe's tonal color and rhythmical significance, especially within a multi-percussive environment, like a drum circle, I would say I like how the djembe contributes to the
bass tone color. And rhythmically, I think the djembe often functions similarly to how a bass drum pattern interacts/relates tonally to its surrounding drums/cymbals.
I've noticed some common basic djembe patterns implement accented 16th note combinations, <or slow triplets over 4's> <you get a good solid bass tone if you hit it just the right way, smack dab in the center.>. Sometimes in circles there are multiple djembe players who often begin the opening groove at a circle, drumming in unison <or attempting to

>, while the other percussion instruments join in and begin to layer melodically.
Djembes can be mounted on stands, <and waist straps if you want to play it and wear it>---One can also lay the drum down on its side and sit on it

--< very cool to do around a fire at night under the stars

>
I have some cool djembes <made from hollowed, carved tree stumps> which I think are more like art pieces. They don't project as well <as the Remos which project awesomely and get excellent, clear tones, in my opinion.>