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Author Topic: Djemba...what is it?  (Read 1227 times)
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JustAHobby
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« on: August 18, 2004, 04:58 PM »

I've only recently started playing drums again after many years of not even thinking about it.  I had never heard of a Djemba or many of the other things talked about on this board until I discovered this board.  But.. while reading a post from Mr A. on one of the other boards he suggested that a Djembe might be a good alternative to a standard kit in an acoustic setting.  This made me curious about it and I was wondering what types of music is it usually used on.  What kind of grooves can you play on it? and is something that relatively easy to pick up.  

Also, if anybody had any info on pearl had drums (quality and such) that would be much appreciated as well.

Thanks and have a great day.
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« Reply #1 on: August 18, 2004, 06:07 PM »

Its actually "djembe" with an E at the end.   Its a goblet drum from africa.   A quick google search with the right spelling should give you plenty of info

One of my fave sites for handdrum info is http://www.rhythmweb.com

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« Reply #2 on: August 31, 2004, 05:16 PM »

A djembe is one of the most user friendly hand drums you can get.  You can use a variety of techniques on this drum, with great results.  A good one is a pleasure to play.
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Olaf
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« Reply #3 on: September 02, 2004, 11:46 AM »

The Djembe is used, I think, primarily in West Africa.  It's actually somewhat of an accompanyment drum, though at least one will be a lead djembe as well.  The rythym drum in West Africa is often the djun djun (heard pronounced as '/doon doon/').  Depending on the size, there are actually different names for this piece.  In the states, however, the djembes are often 'tuned' lower than those of their African players.  We use the djembe as a rythym drum and solo alike.  I've had the opportunity to play and play-along with a djun djun.  It's an awesome sound to hear those parts come together!  I can recommend Mountain Rythym for unique American-style djembes.  If you can fork out the money for a 13" maple, do it!  Using their drums, you'll have an easy time tuning the drum up or down to see how you like it.  Also, when using natural skins, the tensioning will relax in higher humidity and heat.  Being able to tune up and down quickly is a savior for anyone that wants to play outside with some frequency.

http://www.mountainrythym.com
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« Reply #4 on: September 02, 2004, 04:34 PM »

I'm not at all sure about that Mountain Rhythm stuff.  Djembes are typically tuned very tight,  and I would be suspicious of that tuning system unless I tried it myself, and decided it worked well.  In other words, try before you buy.

Also, be aware that a properly (tightly) tuned djembe can overtighten itself in very high temperatures, (like the inside of a hot car) resulting in a split head.  Cold (not heat) and moisture can make a natural drumhead go slack.  Heat and dryness will tend to make it tighten up.

Once you understand the tuning method for a djembe, you can tune up or down within a few minutes.  It's not hard to do, but not easy to explain online.  Find an experienced player to help you.

You can do traditional West African stuff (very disciplined, much training) if you want, or you can apply various techniques, such as conga/bongo or doumbek methods, and use the drum in circles or other musical situations.  It's very versatile.
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B-cero
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« Reply #5 on: September 05, 2004, 11:35 AM »

ah the djembe, so easy to play, so hard to play well.
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ritarocks
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« Reply #6 on: September 11, 2004, 11:08 AM »

Re: the djembe's tonal color and rhythmical significance, especially within a multi-percussive environment, like a drum circle, I would say I like how the djembe contributes to the bass tone color.  And rhythmically, I think the djembe often functions similarly to how a bass drum pattern interacts/relates tonally to its surrounding drums/cymbals.  
I've noticed some common basic djembe patterns implement accented 16th note combinations, <or slow triplets over 4's> <you get a good solid bass tone if you hit it just the right way, smack dab in the center.>. Sometimes in circles there are multiple djembe players who often begin the opening groove at a circle, drumming in unison <or attempting to Grin>, while the other percussion instruments join in and begin to layer melodically.
Djembes can be mounted on stands, <and waist straps if you want to play it and wear it>---One can also lay the drum down on its side and sit on it Smiley--< very cool to do around a fire at night under the stars Cool>

I have some cool djembes <made from hollowed, carved tree stumps> which I think are more like art pieces.  They don't project as well <as the Remos which project awesomely and get excellent, clear tones, in my opinion.>




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ritarocks
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« Reply #7 on: September 17, 2004, 11:45 PM »

for the record---edited of useless filler words!  Tongue

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djembefola
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« Reply #8 on: October 10, 2006, 05:21 AM »

I wouldn't suggest a djembe would be a good replacement in an acoustic setting. I personally would prefere something more melodic like congas and/or bongos (and I love djembe Smiley )

Djembe does have a fairly slight learning curve but as someone said when it's done by somone who knows what they are doing it's a big difference.

Getting to this level isn't that easy and I'd suggest you'd want to be fairly handy to acompany other instruments.

For more info on djembe, including videos you could check out www.djembefola.com
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SuperDave2085
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« Reply #9 on: October 21, 2006, 09:30 AM »

The band i play bass with uses a djembe for the acoustic sets.  It really is a great drum just because its so sensitive.  What me and the drummer have come up with is setting up the Djembe as a floor tom.  So Snare/bass/Djembe is his acoustic set.  On the softer songs, he'll switch to the hand drums.
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