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Author Topic: Hot For Teacher  (Read 2224 times)
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amoacristo
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« on: October 11, 2002, 01:20 PM »

It's an old Van Halen song but I hadn't listened to it in a long time. I can't figure out exactly what Alex is doing in the intro. I have questions concerning what drums he is playing on (tom-tom, floor tom, bass drum, etc.) and what kinds of patterns he playing. If any of you guys know or can figure it out, please let me know.
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« Reply #1 on: October 11, 2002, 01:32 PM »

I agree.  It sounds like he's playing a double bass drum shuffle on top of a loop.   Playing tom shots on the & of 1 and on 2 (??)   I need to go back and listen-  it's been a while.  

All in all it's a great piece of work but I don't remember it being any more than a busy shuffle.  
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« Reply #2 on: October 11, 2002, 01:36 PM »

Nah, I think that's the real Alex. He's a far better drummer than many give him credit for, with a wickedly fast pair of feet (try playing along to "Get Up" off the 5150 CD) and a great wide-open cymbal sound.

I don't have the CD handy, but as I recall, he had a shuffle going on between his bass drums, while he would fill the 2nd note of the triplet at seemingly random intervals on a floor tom.

At the time he was using a lot of Simmons and/or triggered drum sounds, so both his kicks and his floor toms had a similarly "clicky" sound. The intro sounds like a badly tuned Harley starting up - I love it!
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« Reply #3 on: October 11, 2002, 01:53 PM »

yah that's the dahble bass shuffle
 
the dahble bass, the dahble bass...I'm from sweden and all I want to do is play the dahble bass

I studied it at PIT on my free swedish music scholarship-
Tim Pederson wouldn't lie to me about that one, no sir

I agree with the 100 dollar miracle snare...they are quads randomly artificially grouped on triggers and simmons
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Sonor, The Drummers Drum
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« Reply #4 on: October 11, 2002, 02:40 PM »

During the "1984" tour, AVH used a Simmons kit that was placed in his acoustic shells where the head would normally go.  It was integrated with his acoustic kit.  One reason for the monster size kit he had.  Of course, the other being it was the 80's and all things in rock were big, including drums, hair and pickles.  
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The techniques, though they play an important role in the early stage, should not be too restrictive, complex or mechanical. If we cling to them, we will become bound by their limitation.  Any technique, however worthy and desirable, becomes a disease when the mind is obsessed with it.
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« Reply #5 on: October 11, 2002, 02:47 PM »

Thanks Pops, now do us all a favor and don't ever sing that again.

If you do, I'll send you a booby trapped acrolite snare in the mail.
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« Reply #6 on: October 11, 2002, 02:48 PM »

YOU SUCK POPS
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« Reply #7 on: October 11, 2002, 02:49 PM »

Audio courtesy of BAE Productions  Grin ROFL
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« Reply #8 on: October 11, 2002, 02:52 PM »

I have fallen, and I can't get up because I am ROFL so hard!
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The techniques, though they play an important role in the early stage, should not be too restrictive, complex or mechanical. If we cling to them, we will become bound by their limitation.  Any technique, however worthy and desirable, becomes a disease when the mind is obsessed with it.
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« Reply #9 on: October 11, 2002, 03:08 PM »

Wow. They don't write tunes like that anymore, do they?

 Grin
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« Reply #10 on: October 15, 2002, 10:28 AM »

I agree.  It sounds like he's playing a double bass drum shuffle on top of a loop.   Playing tom shots on the & of 1 and on 2 (??)   I need to go back and listen-  it's been a while.  

All in all it's a great piece of work but I don't remember it being any more than a busy shuffle.  

If you notice, on every Van Halen, there is a "one taker," a song that is done live in one take.  Hot for Teacher was that song on 1984.  It's all Alex.  He is simply a phenominal drummer.  One of my all time favorites.

You should also check out a couple of the other "one takers," Big Money on Balance, Source of Infection on OU812 & Eruption/You Really Got Me on Van Halen.  These are just a few, I can't remember the names of all of them, but it just goes to show how amazing Eddie, Mike and Alex really are.  For the "Van Hagar" bashers, Sammy was playing the rhythm guitar and singing lead vocals on all the ones he was a part of.  Eddie and Mike did the backing vocals live as well.  These guys are good, just a d**n shame they can't get their s**t together enough to keep a good lead singer.  Oh well!   Roll Eyes  That's "the biz!"
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Brent "the Animal" Gilpin
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« Reply #11 on: October 15, 2002, 11:01 AM »

Alex is awesome.  I agree.  Love his playing and sound.  He is just a full blown incredible rock drummer.

They don't make them like that anymore.  He's an original.
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« Reply #12 on: October 15, 2002, 12:47 PM »

Alex is awesome.  I agree.  Love his playing and sound.  He is just a full blown incredible rock drummer.

They don't make them like that anymore.  He's an original.

FINALLY!  Felix and I find some common ground!!
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« Reply #13 on: October 15, 2002, 12:49 PM »

By the way, since I was speaking of "Van Hagar," I went out to my truck and got my Van Halen "Balance" CD.  What a GREAT drum recording.  If you don't have it, GET IT!!   Smiley
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« Reply #14 on: October 15, 2002, 01:08 PM »

Oh C'mon...he didn't even make the infamous "over-rated" drummers' thread.

BTW...I think sammy hagar was a much more agreeable than Diamond David LEE...oh man...I am so glad I am not him.
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« Reply #15 on: October 15, 2002, 01:51 PM »

Diamond Dave just has a big mouth and a bigger ego.  The poor guy can barely sing anymore.  When he and Sammy were on that tour recently, Sammy commented that he could barely wait to get the tour over with, and that it was a stupid idea to begin with.  Live and learn.  Van Halen didn't become HUGELY popular until the picked up Sammy.  I think they made their biggest career mistake when they fired him.  Stupid, just plain stupid.
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« Reply #16 on: October 16, 2002, 09:05 AM »

Anyone catch the "Sam and Dave Show" on VH1 last weekend?  A brief history of the band and loads of info on the Sam and Dave tour, etc.  The interesting thing about it was Michael Anthony was hanging out with Sammy after the tour this summer, doing interviews for the show!!  Plus, EVH has always said he fired Sammy because he(EVH) is a workaholic and Sammy was a little less inclined to take it that serious.  After EVH's recent bout and recovery from cancer and divorce, perhaps he has learned to relax and take his band for what it is, rock and roll.  Which = fun, not so much work!!   Do I smell a Van Hagar reunion???
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The techniques, though they play an important role in the early stage, should not be too restrictive, complex or mechanical. If we cling to them, we will become bound by their limitation.  Any technique, however worthy and desirable, becomes a disease when the mind is obsessed with it.
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« Reply #17 on: October 16, 2002, 10:06 AM »

Mike and Sammy never stopped being friends after the break up.  It was all Eddie.  Mike has been down to the Cabo Wabo and jammed with Sammy on numerous occasions.  IMHO, Eddie is too hard headed to ask Sammy back, plus, Sammy said he'd never play w/ eddie again.  Of course, the Eagles said that Hell would have to freeze over....  Smiley
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« Reply #18 on: October 16, 2002, 10:11 AM »

Yes, but Sammy did say he has changed his mind and wouldn't be against rejoining the band.  I hope that happens, since the Gary Cherone stuff wasn't very good, and they don't seem to have many other options.  The music they put out together was pretty good.
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The techniques, though they play an important role in the early stage, should not be too restrictive, complex or mechanical. If we cling to them, we will become bound by their limitation.  Any technique, however worthy and desirable, becomes a disease when the mind is obsessed with it.
Drumschris
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« Reply #19 on: October 16, 2002, 11:39 AM »

I would just like to add that the Right Now Tour and the Balance Tour kicked ass. Alex is amazing.

Thank you.

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« Reply #20 on: October 16, 2002, 01:05 PM »

Chris, you couldn't have put it into any simpler terms.  You speak the truth bro.   Smiley
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Brent "the Animal" Gilpin
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Steve_LeBlanc
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« Reply #21 on: October 17, 2002, 01:13 PM »

FWIW...I heard Alex is just playing doubles with two kick drums that also trigger two more kick drums so that you get ghost notes...4 hits for every two...the first two being his actual attack the second two delayed.

Does that make sense?

When my brother plays this beat he just does doubles with the bass drums and fills in the rest with his toms...sounds just as cool.

P.S.
Alex is a great drummer...I especially dig his ride work.

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« Reply #22 on: October 17, 2002, 01:27 PM »

FWIW...I heard Alex is just playing doubles with two kick drums that also trigger two more kick drums so that you get ghost notes...4 hits for every two...the first two being his actual attack the second two delayed.

Nope. Although there is now a pedal on the market that does something like that, playing notes on the upbeats when you lift your feet, there was nothing like that available in the early 80's.

Hot For Teacher is not impossible. I can't remember the exact tempo, but it's not inhuman by any stretch - I think it was somewhere in the 120's or low 130's, which is not that fast.  It just sounds COOL, and Alex played the hell out of it.

He did use a second pair of bass drums, with the two on the outside connected to the main ones with something that looked suspiciously like the kind of duct you vent your dryer with in the laundry room. The outer bass drums were supposedly to produce extra resonance in sympathy with the primary bass drums, but I think it was basically done because it looked cool.

Alex rocks. He was playing 20" crashes with marching sticks, and still capable of the kind of intricacy found in this song. Now that's a manly man.

(He also played a Ludwig snare drum, but it was NOT an Acrolite. Pity.)
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« Reply #23 on: October 17, 2002, 01:31 PM »

All Hot for Teacher is is a pattern of shuffle style eighth notes and triplets in 4/4 time.  If you listen carefully enough, you can hear it.
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Brent "the Animal" Gilpin
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« Reply #24 on: October 17, 2002, 01:51 PM »

Quote
Although there is now a pedal on the market that does something like that, playing notes on the upbeats when you lift your feet, there was nothing like that available in the early 80's.

I'm not so sure...you want to back that up? Maybe Alex didn't have anything like that but I'm pretty sure I saw a clinic by someone who did in the early 80s.

Doesn't matter...I'm just telling you what it sounds like to me...I hear doubles.

I'll tell you what though...I know someone who would know absolutely for sure what Alex did in the studio...I'll ask him.

As far as I'm concerned, Alex is not playing 8th note triplets with his feet...I can play it that way but it doesn't sound like Hot for Teacher and I don't think Alex is that kind of double kick player.

I'm kinda curious now so I'll ask around and find out what he actually did.
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« Reply #25 on: October 17, 2002, 02:01 PM »

All you have to do is listen carefully to it, and you can tell that's what he's doing.
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Brent "the Animal" Gilpin
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« Reply #26 on: October 17, 2002, 02:15 PM »

Yeah...maybe you're right but I just listened to it (thanks to Kazaa Smiley ) and it still doesn't sound, or feel like he's doing triplets on the Kicks. Whatever.
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« Reply #27 on: October 17, 2002, 02:19 PM »

Yeah...maybe you're right but I just listened to it (thanks to Kazaa Smiley ) and it still doesn't sound, or feel like he's doing triplets on the Kicks. Whatever.

He's not playing triplets; he's playing a triplet-based rhythm most people call a shuffle, which consists of the 1st and 3rd notes of the triplet.

On the intro he fills in some notes on his floor tom(s) while maintaining the shuffle.
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« Reply #28 on: October 17, 2002, 08:07 PM »

Slightly off-topic-  but I've always wondered why Alex in more recent years wore the neckbrace on stage.    Any takers??

He is awesome...I've been into them since VH2...but tonite it's 'Girl Gone Bad' spinning thru my head and up for a well overdue sonic blast thru the ol' phones.    
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« Reply #29 on: October 18, 2002, 07:44 AM »

Too much headbanging for too many years.  Plain and simple.  I'm probably headed down the same road.   Cry  
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Brent "the Animal" Gilpin
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« Reply #30 on: October 18, 2002, 12:04 PM »

Bart, thanks for the explanation.  I knew who it was about, I just didn't know who done it.

Acrolite, please tell me how you get those pictures up next to your posts.  I'm tired of being a computer dunce.

Ratamatatt
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