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Alan Dawson

In honor of the late Alan Dawson's birthday (July 14th), Bart is sharing some of his Alan Dawson masterclass recordings from 1981. You won't find this anywhere else!
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Author Topic: Conga questions  (Read 570 times)
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TMe
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« on: February 25, 2006, 02:57 PM »

I'm an amateur kit drummer who's thinking of switching to congas and I have a few questions.

1)  How rough will my hands be after a couple years of playing conga?  With proper technique, is it possible for a serious conga player to have enough dexterity left to play piano or guitar?

2)  What's the learning curve like?  If I already play kit drums, how long will it likely take to bring my conga playing up to a level where I can perform relatively simple stuff with a pop band (while accompanying a kit drummer)?

3)  Is a conga, played properly, too overwhelming for use in a drum circle?

4)  If I'm accompanying an unamplified drum kit, will the congas need to be amplified, or are they loud enough to be heard over a drum kit?

5)  If someone plays standing up, is that something that's done for show that actually makes playing more difficult, like when a guitarist has his guitar slung low?

6)  For quiet practice, does the conga have an equivalent to a practice pad?
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Melofhell
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« Reply #1 on: February 25, 2006, 04:24 PM »

I'm not an expert, but I think I can answer some of these.

1) If you take care of them, your hands shouldn't get really rough at all. I used to use a lot of hand lotion. As for dexterity, I don't see that you'd lose any.

2) Learning congas is fairly simple compared to kit. I don't think it would take long at all to be proficient if you already know kit.

3+4) I can't answer these at all. :\

5) Standing up with congas on a stand is not much different from paying it between your knees. A little adjusting for placement, but otherwise no problems. Standing with a sling isn't very difficult either, but you have to keep it still.

6) Here's one and here's another.

Like I said, I'm not an expert, so I wouldn't rely solely on what I say.

Mel
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Larry Lawless
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« Reply #2 on: February 25, 2006, 06:30 PM »

For practice congas, there are these 2 options:

http://www.pearldrum.com/03_nuupdts/ppvideos.html
http://www.lpmusic.com/Product_Showcase/Whats_New/compact_conga_large.html

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bongo
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« Reply #3 on: February 25, 2006, 07:43 PM »

For low volume practice, try tying a bath towel across the conga drum. You can still hear slaps, open tones, and closed notes.

Good to work on repetitive stuff, turn the volume up on the TV and watch a movie, work on technique.
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congaron
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« Reply #4 on: February 25, 2006, 09:51 PM »

When you play with a kit drummer, you probably will need to be miked, unless the drummer hasa very light touch in a very small venue.  Alos, try to play "fill" more than basic beat keeping.  You can really make the band sound fat by carefully chosing your rhythm patterns to add fill. I play conga and guitar, no issues.  Standing is how I play at church, seated is usually how I practice...no issues.  Playing simple Tumbao will add alot to many pop songs.  If you use a third drum, you can make some very interesting and melodic patterns.

God bless!

-Ron
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Playing many homemade instruments, and a Schalloch/Sonor conga/bongo set-up.  Maximum music....minimum investment.  Ask me about the Homemade chimes with the reversible front row, and the chime rack welded from an old bed frame.
mco
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« Reply #5 on: February 25, 2006, 10:06 PM »

In regard to question #3, my experience has been that if there is more than one djembe in the drum circle, the congas generally get lost in the mix.  Congas and djembes can coexist in a circle, but the djembe players have to be sensitive to volume and dynamics.

mco
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windhorse
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« Reply #6 on: February 26, 2006, 09:52 AM »

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