true enough gaddabout but those two phrases go hand in hand in Cuban music.....you hear it all the time, especially from the vocalist (though I relize that is a Brazilian bass/bd rhythm, I was refering to the same pattern minus the downbeat, the "tombao"(sp?) ).
Yup, and it's very cool. But Cubans playing with Cubans is one thing. Trying to keep your bass player from Ames, Iowa, happy is another story.

I suppose it's a lesson in pragmatics more than anything, and I've definitely benefited from understanding the difference in phrasing. I was taught a Brazilian samba on a surdo, and there are so many nuances to playing that sucker, I'd have to be a mathematician to write out the literal notation! hehe
Conga players phrase in dotted and eighth triplets all the time against a relitivley straight groove.
Since when are hand percussionists a slave to tempo? hehehe (Just kidding, y'all. Settle down.)