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Author Topic: Things that annoy me about drummers as a sound man  (Read 3117 times)
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jb78
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« Reply #20 on: July 13, 2006, 12:52 PM »

Don't be so easily offended, everyone.  This isn't such a big deal. 
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Mister Acrolite
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« Reply #21 on: July 13, 2006, 12:55 PM »

I'm starting to smell a ban in the air............

Not me - at least I certainly hope not. Just trying to get things back on track.
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« Reply #22 on: July 13, 2006, 02:09 PM »

well, the list is somewhat helpful, but i always thought the soundperson was there to help the musicians. there's a give-and-take, and a good soundman is receptive to what you need to sound and play your best. likewise, a musician will be open to making some concessions for the greater good of the sound [tuning, tape, whatever].

personally, i need to keep my cymbals low to the kit because i'm short. i would hope the soundperson would be able to work within that. it's my show, not theirs.

i've had really good and really bad experiences with soundpeople. the good ones were flexible, accomodating and able to provide constructive suggestions. the bad ones were lazy, impatient or very unconcerned with what any band sounded like.

hopefully stickers is not one of the latter. but i agree, the post came across as defensive. i have a trucker mouth myself, but i keep it under wraps here.

on drumset.com... whole 'nother story. Shocked

Grin
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« Reply #23 on: July 13, 2006, 02:28 PM »

Whoa!  Seems like a genius thread such as this pops up a couple of times a year.  It must be that time!

To the originator of this thread:  Why do you let the silly things you mention bother you?  Seems pretty infantile to me.  Grow up!
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paul
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« Reply #24 on: July 13, 2006, 03:53 PM »

I'm one of those guys with a big kit (5 toms) set up on a rack, and all my cymbals are really close to the drums.  I also play 5 piece setups, also on racks, and also with cymbals close.

I've had two different sound guys complain about how my drums are set up lately, and I don't really care.  As the sound man, it's your job to amplify my drums, regardless of their configuration.  If you can't mic a set unless it's set up a certain way then maybe you need more training.  I bet you don't like intact resonant bass drum heads, either.

You complain about drummers whose setups are not ergonomic, but then you expect them to configure their drums for your convenience, ignoring ergonomics completely.  Make up your mind.

I don't go to a rock gig with the same drums or approach as I would to a jazz gig.  Neither should you expect the drummer to accommodate you, especially on short notice.

I work with sound men who do a brilliant job of micing my drums just as they are, without complaint or comment.  If you like, I'd be glad to refer you to them for suggestions.
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agogobil
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« Reply #25 on: July 13, 2006, 04:08 PM »

I think everyone clearly understands that I am annoyed by the listed items.  Seems effective to me.  I must be arrogant and ignorant. oh well. 

That's OK.

You're also quick on the uptake.

I agree with some of your points.  I've heard some beautiful kits (4-pc. Gretsch roundbadge) that did indeed sound like junk. 

I've also worked with a very good soundman, who eventually wound up running sound at the Fox here in StL.  When I worked with him, he had no problems with mic or cymbal placement.  He made the best with what he had to work with.

I've also discussed these same things with many different drummers who play many different styles of music and use many different type of kits and tunings.  One thing that is consistent in these discussions is that there are many different soundpeople around - some know their job and many don't.

Yup.  K.  Yuppee yippee Kie-Ay, amigos!
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Chip71
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« Reply #26 on: July 13, 2006, 04:21 PM »

I gather you're a soundman at a club on a freqent basis? A club which has revolving bands? I would suggest you do the soundman job as that's your duty for the night. You are NOT the hired drummer for the night....Whatever the guy plays for drums is his problem not yours. If you can't do wonders on YOUR end, then let the guy live with what he has to work with. Your a soundman, not there to cure the Ills' of the world.... Playing drums is HIS job for the night, not yours. I would never let you tell me which size of set I want to use with that band. I would never let you tell me how to tune or set up MY drums.... But I will tell you when you're out of line..... I'm just an old drummer who at this point questions your ability as both a professional drummer or soundman.    Roll Eyes

Mr A has said everything quite well....    Wink

Ok, that's the end of my rant!    Grin

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« Reply #27 on: July 13, 2006, 06:43 PM »

Hi there Stickers,
About the only thing I can agree on is bad tuning comment.  I have a large kit and I like it and the way I set up is my preference. I don't have a problem mixing my own drums with someone else behind them.  I have worked with some really bad sound people and a few good ones. I guess I can say that I don't like sound people that compress the life right out of a band. I really wasn't offended by what you said that annoys you. 
I have to agree with all of what Mr. A said, this is a friendly place where we give or get opinions and advice and make some friends along the way. I am sure with your background, you could give some good advice about what you know.  It doesn't have to be abrassive. You can see by reading that you have prevoked some defensive responces.  Some of these guys on here have probably worked with some of the best sound people in the industry? Wecome to The Drummer Cafe'!!
                                           Nutty
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« Reply #28 on: July 13, 2006, 06:59 PM »


...I see my rant as a list of helpful suggestions of what not to do. yup.


You mean like these?
1. Don't own a big drum set
2. Don't use a rack
3. Move your cymbals back, you idiot

I don't see those as helpful. nope.
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byronand
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« Reply #29 on: July 13, 2006, 07:50 PM »

I wouldn't call myself a sound man, but I worked on the sound crew for the Student Union in college, and did micing and mixing for quite a few bands when they came to perform.

I never second-guessed the drummer's set-up... it would never have even occurred to me... I was just thinking about what I could do to help him/her have a good show. (And sometimes I'd wish I was up-there playing!)  Smiley

As for your comment on bad tuning: You never know... they might LIKE the sound they're getting. Their gig, their prerogative.

Personally I wouldn't mind if you asked me what kind of sound I was looking for, but if I was playing with no bottom heads, and towels over the toms, I'd expect you to mic it!  Smiley
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« Reply #30 on: July 13, 2006, 09:17 PM »

As I mentioned in another post, I just got back from playing a large venue in Boston. (The Boston Convention Center) The sound man is one of the best in the business. He has worked with Lyle Lovitt, The Pixies, the Boston Pops, David Sanborn and many others. I am an amature and was fortunate enough to have this opportunity. Rick took me under his wing and exhibited patience and willingly assisted (a very receptive) me in making my drums sound awsome. He went the extra mile, in a very tactful way, but that is what he gets paid for; he knows that and I learned that. It would be my privilege to work with him again. BUT, he did not tell me where to place my cymbals, my toms etc. As a matter of fact, he said you do what is comfortable for you and I will work around you. I do agree that some of the things you mentioned are no doubt the drummer's problems which could in turn reflect upon you, but maturity will teach you that there are things you can control, and things you can't.
mp
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« Reply #31 on: July 13, 2006, 09:29 PM »

I'm one of those guys with a big kit (5 toms) set up on a rack, and all my cymbals are really close to the drums.  I also play 5 piece setups, also on racks, and also with cymbals close.

I've had two different sound guys complain about how my drums are set up lately, and I don't really care.  As the sound man, it's your job to amplify my drums, regardless of their configuration.  If you can't mic a set unless it's set up a certain way then maybe you need more training.  I bet you don't like intact resonant bass drum heads, either.

You complain about drummers whose setups are not ergonomic, but then you expect them to configure their drums for your convenience, ignoring ergonomics completely.  Make up your mind.

I don't go to a rock gig with the same drums or approach as I would to a jazz gig.  Neither should you expect the drummer to accommodate you, especially on short notice.

Paul's post has me thinking because I might be in this situation.  

If you have a soundperson who doesn't have the experience to work with your kit and just can't get your kit to sound right, do you?

1.  Accomodate the soundman and adjust your set up to get the best drum sound for the band even it means having your cymbals higher/lower or having your drums higher/lower.

2.  Say "F" it....I'm not going to accomodate the soundperson, he/she is going to have to figure it out and possibly have your drums sound like crap for the night.  

If I was in this situation with an unexperienced soundperson, my gut tells me to adjust my drumkit for the sake of having a good sound and hopefully I won't have any technique issues reaching for drums and/or cymbals.  

I'm just curious what everyone here would do.

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Drum4JC (Todd)
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« Reply #32 on: July 13, 2006, 09:51 PM »


If I was in this situation with an unexperienced soundperson, my gut tells me to adjust my drumkit for the sake of having a good sound and hopefully I won't have any technique issues reaching for drums and/or cymbals.  


I'd adjust to accomodate the situation in any way I can.  Less gear, higher cymbals whatever.  No biggie. 
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paul
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« Reply #33 on: July 13, 2006, 10:25 PM »

When the soundman complains about cymbal placement or set size I simply suggest what's worked well for me with other sound men.  They can take my advice or ignore it.

All the sound men I've worked with have been (supposedly) experienced at running sound in large venues.  Frankly, I'd be really surprised to find an inexperienced guy in the situations where I encounter them, and if I did I'd expect he'd have someone with experience backing him up.

I'll gladly work with a sound man to do whatever we need to get the best sound, but asking me to reconfigure my set to accommodate him is out of line.  He's entirely free to complain about me to his sound buddies, and I'm sure some of them do, just as I laugh to my musician friends about the incompetents who couldn't figure out how to mic my drums.
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stickers
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« Reply #34 on: July 13, 2006, 10:58 PM »

i've always thought drummers should take proficiency test before they can add another drum to their kit.  Start with a snare, take a test, pass and get the ride, take a test, pass and get the kick, take a test.  this tactic will definely prevent mediocre drummers from having big kits.
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Chip71
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« Reply #35 on: July 13, 2006, 11:45 PM »

i've always thought drummers should take proficiency test before they can add another drum to their kit.  Start with a snare, take a test, pass and get the ride, take a test, pass and get the kick, take a test.  this tactic will definely prevent mediocre drummers from having big kits.
That's the dummest thing I've ever heard. You want to test drummers so your job is easier? That's absurd....   Roll Eyes You're the one who should be taking a test just to keep you out of a straitjacket. I've got over 40 years playing drums. School band, Army band, rock bands, country bands, etc...Every kind of band you can think of. And you want me to take a test? It's a case of ethics. "Who died and made you king?"  You do your job, I'll do mine!    Lips Sealed   What part of "soundman" don't you get?  That's your job....    Roll Eyes
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« Reply #36 on: July 14, 2006, 01:44 AM »

Drums are unique in the fact that there is vast array of "preferences" such as configuration, cymbal height, snare depth, tuning, you name it.  It is the job of the "so-called" sound person to adapt to the drummer's preferred set up and equipment, not the other way around.  I think most drummers would work with a sound person to a degree however to request that someone completely alter his/her configuration in order to overcome anothers incompetence at mixing is utterly ludicrous. 

Then to top it off you suggest that drummers take a test before adding drums?  I would suggest you taking a test for both mixing sound and the other for lunacy.  Ive never seen a more ridiculous post in my life.  Whats next, are you going to suggest guitarists use only certain types of guitars, amps, stomp boxes, etc?  Better yet, Ive got the perfect answer to all of your drummer issues and it will save you countless hours from actually having to learn your job.  Simply demand that all drummers use electronic kits and patch them directly into the board!  That will leave you plenty of time to sit back at the board and claim to be a "master sound engineer".  You can even get a special t-shirt to make you look important. It will impress the girls, and it should free up both hands to stuff a crack pipe or whatever it is youre on. 

Instead of coming on here blasting seasoned veterans, you would have fared much better humbling yourself to ask their advice.  Im sure the responses would have been much more positive and informative for you in the long run.

PS – Just a word of advice.  I would call in sick if Motorhead ever played your club.   
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drumnut1
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« Reply #37 on: July 14, 2006, 04:16 AM »

i've always thought drummers should take proficiency test before they can add another drum to their kit.  Start with a snare, take a test, pass and get the ride, take a test, pass and get the kick, take a test.  this tactic will definely prevent mediocre drummers from having big kits.

Stickers,
That's it for me too.  I have never heard of anything so NUTZ as to test a drummer.  I have been doing this for 36 years and If I had to use you as a sound man and you started telling me how to set up my kit the band would fire you quickly and run sound our selves.
I don't think that I have much else to say about this.  These guys are going to have fun with you and your abrasive nature.  Have a nice day!!
                                          Nutty
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« Reply #38 on: July 14, 2006, 05:22 AM »

 Roll Eyes

I really gotta talk to Bart about adding an "Ignore this member" feature to the forum...
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« Reply #39 on: July 14, 2006, 06:52 AM »

Roll Eyes

I really gotta talk to Bart about adding an "Ignore this member" feature to the forum...

You mean the "sound man"?   Already ignoring him!  Smiley
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