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Author Topic: Timpani Mallets  (Read 764 times)
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yankeeboy13
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« on: September 09, 2006, 01:23 PM »

For my school band we need to get our own pair of timpani mallets and I have no idea what to get. Are the Vic Firth American Custom T1 General's any good? I'm open to all suggestions.

-Jake
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« Reply #1 on: September 09, 2006, 02:12 PM »

If you are going to have one pair of mallets, or need to start some place, the Vic Firth T1 is a smart choice.
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« Reply #2 on: September 09, 2006, 05:34 PM »

Do they not make alloy mallet rods anymore? I always fought with wood timpani mallets with the big, soft tips. It really took some "umph" to play anything beyond forte. I guess the T1's are supposed to be a little firmer at the core?
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« Reply #3 on: September 09, 2006, 06:06 PM »

Do they not make alloy mallet rods anymore? I always fought with wood timpani mallets with the big, soft tips. It really took some "umph" to play anything beyond forte. I guess the T1's are supposed to be a little firmer at the core?


No offense, but that sounds like something a drumset player would say! Grin  Wink

The TI mallets are considered "general" for a reason. They work in a variety of situations and by all means isn't the ONLY mallet to have in your stickbag ... IF you are serious about playing Timpani. It depends on the piece of music and the era we are talking about. The mallet choices for a Mozart piece is going to be different than for a Beethoven piece simply because of writing style and the sound that was achieved in that era. There are firmer/harder mallets out there, just like there are less firm and softer mallets. If you can, you should have a selection to choose from. But you have to start some place, so a mallet considered to be "general" is going to be best for the first pair of mallets. Why? Because they won't be too firm when you really should be using a fluffy mallet, and they're not too soft when you really should be using a hard mallet.

You've got to start some place, so hitting in the center of the mallet selection, not the Timpani  Wink, is always the best place to start. Unless of course you will never, ever need a soft mallet and only plan to play Heavy Metal Timpani.  Kiss
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« Reply #4 on: September 09, 2006, 06:58 PM »

heavy metal timpani ... LOL

I haven't had a percussion call in many years, but I used to get one every now and then. Not a lot of timpani parts in community theater, small orchestras, etc., but I was usually the one asked to play them when they had them ... I was the batterie guy, and anyone else they hired played keyboards and the occasional tambourine/wood block/whatever.

As you suggest, I always felt out of place there, playing with percussionists who had made it their full-time profession. I remain, however, king of the crash cymbals on Greensleeves. Nobody played them so dramatically as I. Wink
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« Reply #5 on: September 10, 2006, 08:40 AM »

heavy metal timpani ... LOL

I think all that Vaclav Nelhybel stuff I played over the years could have used tymp mallets like that!

BTW, +1 on the Vic Firth mallets. . .  good stuff.
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anthonyb
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« Reply #6 on: October 06, 2006, 06:30 PM »

I dont get the chance to play a lot of timp. but when I do its usually for an audition, all-state band and such, I have found the Vic T4 Ultra a very good mallet for livley pieces
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