There's a new episode of Drummer Cafe TV airing this week. Features an interview with Mark Miller, founder of StikYard percussion ensemble.


Drummer Cafe Community Forum
December 03, 2008, 01:53 PM *
Welcome, Guest. Please login or register.
Did you miss your activation email?

Login with username, password and session length
News: Interview with Mark Miller now on DCTV.
 
   Home   Login Register  
Pages: 1 2 [3]   Go Down
  Print  
Author Topic: how to play bebop??  (Read 2927 times)
0 Members and 1 Guest are viewing this topic.
mattjazz
Copper Member

Offline Offline

Posts: 49


This place is HOT!


« Reply #40 on: January 01, 2007, 04:25 PM »

In no way was it my intention to be confrontational toward forum members...in fact just the opposite. If my comments appeared this way I certainly apologize for the clumsy way I must have expressed myself.
Logged
Dave Heim
Cafe VIP
Platinum Member

Offline Offline

Posts: 4743


I'm Dave Heim, and I approve this message.


« Reply #41 on: January 01, 2007, 04:59 PM »

In no way was it my intention to be confrontational toward forum members...in fact just the opposite. If my comments appeared this way I certainly apologize for the clumsy way I must have expressed myself.


No problem here.  Let's move on!
Logged

Working with. . .
James Curley http://www.myspace.com/jamesfcurley
YEM
Guest
« Reply #42 on: January 01, 2007, 05:24 PM »

No problem here.  Let's move on!

Good idea!
Logged
Tony
supporter
Platinum Member

Online Online

Posts: 2178


Art is the expression of the self.


WWW
« Reply #43 on: January 02, 2007, 10:15 AM »

Dave I've been thinking about your post for the last few minutes, and before I step off I would like to respectfully ask you one question while using an analogy.

Suppose I stole your car, and then told everyone that your car was actually my car, after everyone had seen you driving it for years. Now I might treat that car very well. I may even taxi people around in that car that you used to give rides to yourself. I may even take it a step further and collect money for those rides. In fact a lot of people I give the rides to may like my driving of that car better than they liked your driving. After a time I begin to believe that because I now drive your car with greater technical skill that your car really is my car. I also begin to think it is OK for people to ocassionally criticize others (not you) for pointing out that I drive a stolen vehicle.

Still, wasn't it wrong for me to steal your car and have no shame for doing so? And isn't the Wynton phenomenon the exact same thing?

As always I enjoy your forum.

The fundamental flaw in this logic is that you assume someone can maintain ownership of an intellectual idea.  Stealing one's possesions is far from taking influence from various musicians (or any form of art, for that matter) and using them to form a foundation for your interpretation of said art form. 
Logged

The techniques, though they play an important role in the early stage, should not be too restrictive, complex or mechanical. If we cling to them, we will become bound by their limitation.  Any technique, however worthy and desirable, becomes a disease when the mind is obsessed with it.
kohei
Silver Member

Online Online

Posts: 258



WWW
« Reply #44 on: January 02, 2007, 11:31 AM »

Well, Tony, that's sort of the point. It's not like Miles listening to Roy Eldridge or Bird listening to Prez or Trane listening to Bird or Leibman listening to Trane ad infinitum. It's not that he's building on the foundation of those that came before, it's that he's defining what jazz is in terms of how well it hews ONLY to the foundation of what came before. There doesn't seem to be any buidling involved.

Certainly everyone is entitled to their own likes and dislikes. The problem with using a word like opinion is that, for some, it is precisely and solely that - their public presentation of what they like or what they don't like. And those likes and dislikes are informed by their life experiences up to that point. That's as true for me as it is for you. Something I read somewhere; we each express the truth that is revealed to us by our own experiences, unfortunately we all have different experiences. And, it seems, some are unable to seperate their "self" from their opinions. So, if you disagree with their opinion, you are somehow invalidating them as a person.

But fundamentally, whether or not Dave likes or dilsikes Wynton's playing has absolutley nothing to do with whether or not Wynton is or is not a player who has an original voice. Matt may feel that Dave should be spending more time with Brownie or Freddie or Lee Morgan (or Dave Douglas or Don Cherry or Al freakin Hirt) but if Dave don't wanna, Dave don't gotta.

Now if Dave wanted to get into WHY Matt (and many others) feel the way they feel, there's plenty of objective, quantifiable substance that you can talk about. Transcription is a wonderful tool to get inside the head of another player (even dead ones), it just all depends on how deep you want to get into it.

For what its' worth, Matt's "carjacking" response didn't seem confrontational or hostile. It sounded like a viable analogy to communicate his thoughts and his question, Dave's response was one that seemed to consider the analogy as perhaps not the best one to cover the situation. Everyone's panties seemed to not be in a bundle.

Not every bright light is a fire.
Logged

If thine enemy offend thee, give his child a drum.

"It takes pretty great drummer to be better than no drummer at all." - Chet Baker
Dave Heim
Cafe VIP
Platinum Member

Offline Offline

Posts: 4743


I'm Dave Heim, and I approve this message.


« Reply #45 on: January 02, 2007, 11:45 AM »

. . .

Now if Dave wanted to get into WHY Matt (and many others) feel the way they feel, there's plenty of objective, quantifiable substance that you can talk about. . .


But, he doesn't.  Grin  Its not my call, but perhaps this Wynton stuff belongs in a separate thread. 

Meanwhile, how about we get back to the original question of "how to play be-bop"?  Smiley  Although it seems the original poster made that one post and then sort of bailed.
Logged

Working with. . .
James Curley http://www.myspace.com/jamesfcurley
Warren Peese
supporter
Gold Member

Offline Offline

Posts: 537



« Reply #46 on: January 02, 2007, 01:42 PM »

Does Ferrari give credit to Ford?
Logged

It's a shoddy workman... that blames his tools" - Billy Gibbons
kohei
Silver Member

Online Online

Posts: 258



WWW
« Reply #47 on: January 02, 2007, 01:49 PM »

But, he doesn't.  Grin 

Thass why I say "...if Dave don't wanna, Dave don't gotta."
Logged

If thine enemy offend thee, give his child a drum.

"It takes pretty great drummer to be better than no drummer at all." - Chet Baker
smoggrocks
supporter
Platinum Member

Offline Offline

Posts: 2459


Is there another word for synonym?


WWW
« Reply #48 on: January 02, 2007, 03:02 PM »

The fundamental flaw in this logic is that you assume someone can maintain ownership of an intellectual idea...

is that not the case? i thought that was the backbone behind copyright and patent law.

not being flip -- just seems [all discussion of originality/non-originality aside] that all artists want to lay claim to their [intellectual] ideas.

i thought mattjazz's analogy was good. actually, there've been a lot of good points made throughout.
Logged

The most wasted day of all is that on which you have not laughed.
Tony
supporter
Platinum Member

Online Online

Posts: 2178


Art is the expression of the self.


WWW
« Reply #49 on: January 02, 2007, 03:52 PM »

Kohei, I was agreeing with the point.  Sorry if that wasn't clear. 

Smog, the analogy in question had to do with stealing an object (a car) and was offered up to illustrate the point that WM was, in effect, stealing his influences music and passing it off as his own.  I simply meant that you can't own an idea (but you can own a property).  To listen to Miles Davis and take his approach to an instrument and use it to influence your approach is vastly different than playing a note for note rendition of "Kind of Blue" and passing it off as an original compostion by Joe Blow (which would be stealing).

Sorry for the confusion, apparently I am still unable to effectively communicate.
Logged

The techniques, though they play an important role in the early stage, should not be too restrictive, complex or mechanical. If we cling to them, we will become bound by their limitation.  Any technique, however worthy and desirable, becomes a disease when the mind is obsessed with it.
smoggrocks
supporter
Platinum Member

Offline Offline

Posts: 2459


Is there another word for synonym?


WWW
« Reply #50 on: January 02, 2007, 04:17 PM »

nah, you communicate fine. i was just thrown off by the notion that one can't 'own' an intellectual idea. i understand the point you're making, and basically am agreeing with most of the other points made, including those that didn't agree with each other.


how's that for political correctness? Cheesy
Logged

The most wasted day of all is that on which you have not laughed.
ayotteTL
Copper Member

Offline Offline

Posts: 123


I love the Drummer Cafe!


« Reply #51 on: January 04, 2007, 08:41 AM »


 Wynton Marsalis is a great player of the trumpet, but I would bet that he has played few if any original phrases in his life.

But if you're not original, you get tuned out.
Sorry mattjazz,I've cut out a lot of your post for brevity.

I dunno for certain whether WM has played completely original lines or not(it takes a musical scholar to know this and I'm not one) but my bet is very few players play completely original ideas.

I agree that Wynton came across as self-righteous and disrespectful at times in the 80's. A lot people we're turned off of him back then and maybe still are.

It is noted that you said he's a great trumpet player but I just wanted to add a few things in his defense.

He's come a long way in all aspects of playing since the 80's(when he caught a lot of criticism) and I'd be really surprised if a trumpet player could sit and listen to him,especially his recent stuff and not be blown away on some level.  He plays some very difficult things very eloquently and fast and clean as a mofo.

My opinion is that very few living trumpet players can play to Wynton's level of ability. You wouldn't find many, even very fine players, that would wanna pick up a trumpet and play alongside him. I think there's a lot more respect for Wynton's ability to improvise than you probably realize. My feeling is, guys like Jon Faddis,Hubbard,Hargrove could probably be lumped into the category of "less-than-original" too if measured on the same yardstick.

 How many musicians can play "stream of consciousness" stuff that is really innovative? Parker,Monk,Gillespie,Rollins are some that come to mind but we're talking about a select few.

I think it's a great goal to approach music from that perspective but a lot of times I think most people draw on what they've heard before and I bet most people,myself included, would not even realize they're rehashing licks/concepts from others. You'd have to have a monstrous musical vocabulary to know what is original or not.

If a musician is evaluated based largely on their ability to play completely original concepts I think the vast majority of musicians would not measure up.

Logged

My pic is of Diana Krall's sidemen - Karriem Riggins,Robert Hurst and me at Rossini's Jazz Bar & Grill in Vancouver BC Canada come check us out if you're in town. Sorry Karriem & Robert will not be there tho.
Pages: 1 2 [3]   Go Up
  Print  
 
Jump to:  

Powered by MySQL Powered by PHP Powered by SMF 1.1.7 | SMF © 2006-2008, Simple Machines LLC | Sitemap Valid XHTML 1.0! Valid CSS!
Page created in 0.15 seconds with 20 queries.

Copyright ©2001 - 2008 Drummer Cafe. All rights reserved.
developed by Bart Elliott | Terms of Use | Privacy Policy | Site Map