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Alan Dawson

In honor of the late Alan Dawson's birthday (July 14th), Bart is sharing some of his Alan Dawson masterclass recordings from 1981. You won't find this anywhere else!
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Author Topic: Is Live Music Dead?  (Read 3144 times)
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Dave Heim
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« Reply #20 on: November 27, 2006, 04:35 PM »

Call me an old fart, but anything that can conceivably be literally "phoned in" can't be considered a performance.

DJ - "Hello, club?"
Club - "Yes"
DJ - "Uhh. It's me, the DJ. I'm not feeling so well. I can't make it in. I'm going to email you the list of songs I was gonna play. I'll send the .mp3 files along too."
Club - "Ok. Hope you feel better."

 Roll Eyes

Yes.  DJs.  The people whose jobs would not exist if it were not for actual musicians.
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« Reply #21 on: November 27, 2006, 04:47 PM »

kev d. and drumwild...you've both thoroughly bummed me out. I was trying to remain hopeful about this sitch, but I guess it really is bad.

as a result, I am downloading jetsons tunes and sound fx to feel better. I'm kinda diggin' the sound of george jetsons 'car' firing up.

I can get it on a ringtone, too!

 Roll Eyes

Ok, smoggy, now you've done it!! Where's that thread about getting tunes stuck in your head? You've got me singing "Meet George Jetson..."
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« Reply #22 on: November 27, 2006, 05:03 PM »

Yes.  DJs.  The people whose jobs would not exist if it were not for actual musicians.
My band is working their tails off to get bumped by a DJ for $300 a night.
That really s%$@*. I don't think it is quiet this bad but I only see the
local music industry in this area. The George Jetson thing, now that is funny.
                Nutty
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« Reply #23 on: November 27, 2006, 05:21 PM »

Yes.  DJs.  The people whose jobs would not exist if it were not for actual musicians.

HEEEEEYYYYYY! Watch it pal! I happen to be BOTH! LOL Wink
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« Reply #24 on: November 27, 2006, 05:28 PM »

I'm not sure I agree with some of the things posted here.

Live music may be in a decline, but it certainly isn't dead.  I'm gigging more than ever in my 20 years of playing live.  Tours that were once used to market albums as a losing proposition are now money makers in their own right.  However, as always in the music biz, the target audience is younger than we are.  Sure, when I was 22 I would go see as many bands as possible, because I could.  I had $$ to burn, no wife, no kid, no "real job", etc.  Fast forward 15 years and I'm lucky to get the time away to  play a 5 or 6 gigs a month.  The last thing I want to do on my Friday night off is go see a show, unless it's a band I feel passionate about.

Cometition for kids entertainment dollars is still the same.  Beaches, amusement parks, video games, sports, etc.  these things aren't new.  They've always competed for the $$, at least since I was a kid in the 80's.  DJ's aren't just dropping records, they are a show in and of themselves, complete with lights, smogg  Wink, crowd interaction, remixes on the fly, etc. At least the ones that are booking a year in advance. These are not your cheesy wedding DJ, although these guys still exist and still are cheesy  Grin (Sorry Dave, just kidding)

Along with Smoggs "Music with a statement" thread, I am recognizing a theme.  Unfortunately, many of us who participate in these threads and lament the days gone by are getting old.  While today's music scene may not appeal to us, ours probably didn't appeal to the 30-50 year old set when we were 17-28 either.  Can you imagine a room full of 40 year olds checking out the Crue or Twisted Sister in 85?  Please, we would have run them out of the room Grin  When I went and saw Motley Crue and Ratt in NY in 86, they oldest person in the joint had to be the 35 year old guy running sound!  However, when I took my niece to see Hillary Duff, the arena was jammed full.  The Radio Disney tour is selling out arenas around the country.  Live music is for kids.  I personally can't handle or stand arena shows anymore, for the most part.  I saw Nickleback last year and it was all right, but I had a headache and couldn't figure out why the singer kept having to say "F##k" all the time.  

It's really a generational thing.  
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« Reply #25 on: November 27, 2006, 05:29 PM »

DJs. blegh! Wink

what I'm really trying to remember is the tune the band sang in that jetson's episode drumwild referred to. what the heck was it? I remember the characters levitating and dancing, coz the tune was so groovy.

fiddy dollah to the person who can name that tune. [or at least cite the lyrics]. it had a real b-52s vibe to it.
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« Reply #26 on: November 27, 2006, 05:33 PM »

There's a lot of good discussion going on here.  I think drumwild added a crucial point.  There is a lot of competition for our entertainment dollar.

Another thing I've seen around here, Orange, CA, is bars aren't booking bands as much as they used to.  I don't know if it's because a DJ is cheaper, or if bands bring the riff-raff, but I see more and more live music nights being changed over to Karaoke.   I blame American Idol and shows like that.

My sister is really into electronic music and she is always going to DJ concerts. Huh I always tell her "It's not a concert, its a record listening party."
A DJ is not a musician in my book, it is in some folks' opinions though.
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« Reply #27 on: November 27, 2006, 05:51 PM »

Music is definitely not a musician's game anymore. I met a singer 20 years ago who wanted me to do some songwriting on her album. Her producer had one guy who wrote bass lines and keyboard hooks, and a second guy who programmed beats. He said, "I don't care if you are Ludwig Van-Fkn-Beethoven, the music industry doesn't need you." Apparently, he was right.
If that is true then what keeps drum companies in business? It's kind of sad that I encourage my grandson to learn to play music if the only future he has is in a basement. No wonder school band programs are in trouble. But, on the flip side I've seen adds on TV from a local college to learn the music business. They even emphasized being a band manager among other things. I've seen people walk out of bars, (including myself, I will never stay for a DJ), because they didn't want to see a DJ.... Their standard comment, "If I wanted to hear this I could have stayed home with the radio on." I believe there is still people out there who wants to see musicians play live. But they don't want to risk a DUI in the process. The clubs with huge DJ turnouts are usually young and it's a "clicque" thing. I sure hope live music isn't dead, or there may be no reason for people to take up being a musician as a viable profession. I know if musicians continue to use "canned" drummers, drum making companies, cymbal companies, etc.... Are we all a dieing breed? I'm going to stay positive and sure hope that isn't so. If I thought I was condemned to a studio or basement that would drive me nuts. I've got to be playing for "live, breathing, people" or my lifelong love is lost in the past. That's what makes me tick. Even if I'm just playing for a few people, it's got to be better than a basement. I'm going to continue to encourage young people to take up music. If we don't do that much we are definately a dieing breed. Boy, is that a dismal thought....   Undecided
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« Reply #28 on: November 27, 2006, 06:02 PM »

I selected once a month.  I totally disagree that live music is dead simply because I live in an area that overflows with great venues that regularly have fantastic shows.  The San Francisco bay area prides itself when it comes to music.  The Fillmore-the Warfield-Cow Palace-Bill Graham center-and a plethora of small places that regularly host jazz,blues, everything.  Taj Mahal just moved back to Berkeley from Kaui too.  Will see his show next week at a smaller club in Berkeley.
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« Reply #29 on: November 27, 2006, 06:15 PM »

tony, are you guys playing covers or originals? bless your little souls if you're getting 5-6 gigs a month doing originals. I'm jealous!

but I still think live music is on its way out, at least for now. maybe it's more obvious in 'coastal' cities like ny and la. I think the big difference from when we were young that has contributed to the decline is the presence of the internet. it really has created a culture of isolationism. not to say that kids are not connecting with one another -- but they're connecting from the seclusion of their homes. I was listening to this young chick yesterday [talking on her cell phone whilst picking out clothes at the mall Roll Eyes] and I was just amazed at how many references to myspace she made. it was like, totally her life, y'knew?

man, when I was her age, all I wanted to do was get the frick outta my home and go rock out. when grunge came about, I had another wave of interest.

that's why it's so sad to see such waning interest in live music!

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« Reply #30 on: November 27, 2006, 06:57 PM »

It's not just live music. There was an article out today indicating that more people are watcing online videos and it's really eating into the time people are spending watching television.

I know one of those DJs who does mixes on the fly. Maybe I'll put a mini kit on stage and kick beats with him.

Indeed, the theme parks and ocean aren't NEW things. However, they are things that don't exist in certain parts, like Indiana. Growing up there, I had two choices for entertainment. It was checking out the band playing at the Lodge or watching the grass grow.

Them whipper-snappers and their internets!
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« Reply #31 on: November 27, 2006, 07:01 PM »

And I'll agree whole-heartedly with the old-person theory. I didn't want to see them at Iron Maiden shows when I was a teen, even tho the old people were the ones on the stage.

But I still have hope that someday I can play drums behind a curtain while the latest teen sensation sells the "song" to the audience.
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« Reply #32 on: November 27, 2006, 07:54 PM »

And I'll agree whole-heartedly with the old-person theory. I didn't want to see them at Iron Maiden shows when I was a teen, even tho the old people were the ones on the stage.

But I still have hope that someday I can play drums behind a curtain while the latest teen sensation sells the "song" to the audience.
You know Drumwild,
You may have something with that last statement.  I had a very good 18 year old bass player that wanted to get together and play music but he didn't show up and didn't call.  That is the problem with youth but youth does sell if you can find talent that is dependable.  Maybe if the age groups were mixed up a bit instead of only playing music with people our age.  I saw John Mayor playing with Steve Jordan and an awesome bass player on a DVD while I was up in Wisconsin a few months
ago.  I have also seen John Mayor with Double Trouble. It was live and it was really good.
                            Nutty
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« Reply #33 on: November 27, 2006, 09:35 PM »

.........
........So I predict that there will be a resurgence of live music. ......

Yeaaaaa!!!!  I sure hope you're right Bart.  I have a similar feeling that a lot of people want to be out with others and hear good music.  On the other hand, I'm wondering if the quality of the music, musicians, the sound, the production (even in small venues) is good enough.  When the recording industry started, the quality of the recordings was not good so when someone listened to the recording and then went to a show, they were blown away by how powerful the live sound was.  (This is still true to some extent with classical music IMHO since it's hard to beat a full professional orchestra in a good venue for pure sound quality and musicianship.)  However, it seems to be reversed now with popular and alternative music.  As Bart said, any D musician can sit on a computer and program some cool sounds but when you go and hear it live, it doesn't sound nearly as good.  So is the DJ competing with the musicians on quality as well as cost?  Are we (society) getting conditioned to perfect recordings and then expect that at the live event?
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« Reply #34 on: November 27, 2006, 09:52 PM »

If that is true then what keeps drum companies in business?

I read an article in some music business magazine that talked about how music instrument manufacturers survive. Much of their business comes through large chains or online retailers today. Much of thier business is not from their high end or player level gear, it is from the beginniner or lower level lines. There are tons of kids playing and buying (or their parents are) but the decline in live music for working semi pro and pro musicians has directly resulted in fall off of revenue from the working player lines of gear across all instrument types, and was also a contributing factor to the closure of so many local mom & pop music shops.

I find this illustrated when looking at my home town. I grew up 2 hrs north of NYC, there were a number of resorts up there and the Village of Woodstock, plus the local clubs in towns within 20 or 30 miles of there. Even my own dinky little town of 3000 people had 3 bars that drew decent crowd for original and cover music.

I knew plenty of musicians that made their living and supported their families quite comfortably by playing 5 or 6 nights a week at those places in the area. Now, all the hotels are gone, the bars are closed, and the Village of Woodstock, once a really good place to see a lot of great, great musicians, has maybe one or two small places for musicians to play.

There are many contributing factors for this decline but the fact remains, just like a factory closing, those working musicians had to move on or find another vocation.

I'm sure that experience is not unique across the country. 
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« Reply #35 on: November 27, 2006, 11:50 PM »

Live music will never die. Living in California as a teen in the '60's I saw the Creams, Hendrixs, Stones, Airplanes, Deads, Doors ...blah-blah-blah and had the greatest time those years offered me. Nothing was too outrageous and it was "let it all hang out/keep on truckin' " time. I attended a concert at least 2 or 3 times a month (hell, for $2-$5 a ticket why not?). With the '70's came marriage(@19)/family and an altered mindset. Still, we(there's my better half w/me now) took in the Floyds, Zeps, ELPs, Chicagos, Yes, Santanas, Halens blah-blah-blah and still had a good time but now, not so close to front & center, just a little further back sitting comfortably and enjoying the show. The '80's saw us at our last rock shows. The Who at the Los Angeles Coliseum and Rush's "Grace Under Pressure" in Orange County were totally "uncomfortable". Too many people on too much drugs/alcohol. I won't even go into what went on in the latrines. By show's end you couldn't get within 30 feet without an oxygen mask. In the '90's we did give it one more chance and attended a Moody Blues w/Ochestra just north of Oakland. A little better but not enough.

So - live music still lives in my maturing years, only now it's the occasional jazz venue or a glorious symphony outing.

p.s. - So, yeah, thnx to dvd, a big screen and thunderous surround system I can comfortably enjoy my Metallicas, Dios, T-O-Ns, blah-blah-blah
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« Reply #36 on: November 28, 2006, 01:49 AM »

in the '60's I saw the Creams, Hendrixs, Stones, Airplanes, Deads, Doors ...blah-blah-blah
Still, we(there's my better half w/me now) took in the Floyds, Zeps, ELPs, Chicagos, Yes, Santanas, Halens blah-blah-blah.
I can comfortably enjoy my Metallicas, Dios, T-O-Ns, blah-blah-blah.

Man, I haven't heard of any of those bands, except for Yes.
Are you sure you don't mean Cream, Pink Floyd, Metallica?
PS: Who is this Blah, Blah, Blah band that have spanned the decades? I've heard of Wet, Wet, Wet.
Sorry  Wink Grin
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« Reply #37 on: November 28, 2006, 02:36 AM »

Is it possible some of us went to a Ramones concert and just went deaf? Maybe we've been surrounded by live music we just can't hear it.

I know it took me about a week to recover.
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« Reply #38 on: November 28, 2006, 07:59 AM »

Is it possible some of us went to a Ramones concert and just went deaf? Maybe we've been surrounded by live music we just can't hear it.

I know it took me about a week to recover.
Are you kidding, I've had tinitinitus since the 1960's. Front row at Jefferson Airplane & Janis Joplin took care of that. Then along came a Grand Funk concert in a small venue, when they were still a 3 piece band.....  Huh, what'd you say?   Grin
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« Reply #39 on: November 28, 2006, 08:05 AM »

Are you kidding, I've had tinitinitus since the 1960's. Front row at Jefferson Airplane & Janis Joplin took care of that. Then along came a Grand Funk concert in a small venue, when they were still a 3 piece band.....  Huh, what'd you say?   Grin

Huh? What? 

I saw Grand Funk with opening act Black Oak Arkansas in the 70's.  Loudest show I ever attended.  Louder than Zeppelin.
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