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Author Topic: Help with the Bodhran  (Read 583 times)
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yankeeboy13
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« on: May 12, 2007, 09:02 PM »

For my high school band, we are playing an Irish song, and it calls for a bodhran part (floor tom if you don't have one). We are lucky enough to have one in our school, but I have no clue how to play this thing. I've done my Youtube experimentation and brought it to my private teacher who happens to be a great percussionist too, but sadly this was one of the instruments he never really learned, so I'm still kinda lost.

I can do the basic grip and up-down stroke (i believe), but I just can't get the triplet. The back end of the stick doesn't seem to want to go anywhere near the head. Do I just have to adjust the distance/angle of my hand to the drum?

Any bodhran players here with some tips? I believe the drum is a Remo (it has a fiberskyn 3 head on it) and its tuned rather loose (are they usually like that?) How much should your left hand dampen the drum?

This seems to be my lucky month...learned to play harmonica for another band song, and now the bodhran too. Been listening to solos online...the sounds they get out of them are amazing. Too bad I have to give the drum back after the concert is over.
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Bart Elliott
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« Reply #1 on: May 12, 2007, 10:09 PM »

I don't think this is something that you are just going to pick-up by any suggestions we could provide. I play Bodhran ... and it does take some time to develop the triplet stroke AND control it.

Here's what I can suggest ... perhaps it will help.

The hand holding the stick, called a tipper, needs to be very relaxed. The easiest way I personally think to get the triplet is to do so by accident at first. Once you do that you can begin to develop the technique to control the back sticking. The motion of the hand and tipper is back and forth, like shaping an old thermometer to get the mercury back down. If you can't connect with that analogy, think of having something stuck to your finger/hand and you are trying to shake it off.

You will probably need to angle the drum towards the tipper. As far as muffling the drum, it's up to you and the sound that you want. The Bodhran is a type of def, which means "dull" or "muted".

If the song's tempo is slow enough, play the Bodhran part with single strokes. This is a valid technique and there's no shame in doing this. I've done many recordings playing the Bodhran this way simply because the tune was slow, and the part sounded cleaner when I played it this way.

It takes a lot of control to play the triplet figures, using the back side of the tipper, at slow tempos. I do it, but it's not going to happen over night.

Hope this helps.
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yankeeboy13
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« Reply #2 on: May 14, 2007, 03:49 PM »

Is the triplet stroke something like playing the bones(not sure if you've played those)? Just loosening up your wrist and letting it happen...not trying to do too much
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Bart Elliott
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« Reply #3 on: May 14, 2007, 03:56 PM »

Is the triplet stroke something like playing the bones(not sure if you've played those)? Just loosening up your wrist and letting it happen...not trying to do too much

It is, but like the bones, you have to develop some control once you've achieved the "just let it happen" phase. If you didn't do this ... the entire technique for the instrument would just be happenstance and/or chance.

Playing a roll on a drum could be thought of as "just letting it happen" ... at first ... getting out of the way to the point that you let the drumsticks bounce freely. But once you learn to allow what the apparatus wants to do naturally, you've got to begin developing control and harnessing the natural rebound, etc. Learn to work with it ... then develop it further to the point that you have complete control of what you are doing/playing.
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yankeeboy13
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« Reply #4 on: May 14, 2007, 04:03 PM »

Thanks for all the help Bart.
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Bongobob
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« Reply #5 on: May 16, 2007, 08:56 AM »

You might check this guy out, he gives a quick explanation... <a href="http://www.youtube.com/v/SuWs3n-pNu4" target="_blank">http://www.youtube.com/v/SuWs3n-pNu4</a>
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