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Author Topic: traditional grip nightmare  (Read 517 times)
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SomecallmeJack
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« on: September 14, 2007, 05:47 AM »

Hi everyone.

I bought a cheap second hand drumkit last year & Ive been teaching myself through internet lessons, the advice of friends who are drummers & by observing my favourite drummers in bands.

Ive got to the point now where I can play some grooves, write my own beats & play some fairly basic fills. Since I started becoming serious about drumming, Ive been fascinated by traditional grip, & tried to bring it into my playing style.

now, having trawled the internet for various lessons Im convinced Im holding the left stick correctly for traditional grip, but Im having real problems actually using it.

I find it hard to play fast rolls with it, because I cant seem to dupilcate the fingersnapping I use on my right hand. Also, the only way Ive found I can buzz the stick with traditional grip is by completely removing my index & middle fingers from their positions on top of the stick. Ive never seen someone who actually knows how to use the grip doing this, apparently the correct technique is to always have your thumb touching the side of your index finger.

Ive heard that the basic traditional stick stroke involves a wrist motion like 'turning a doorknob' numerous times, & I can do this, however the stick wont rebound muchbecause of the two 'upper' fingers. Also, I while this motion works fine for the snare drum, when I have to move my arms upward to reach the toms it quickly becomes unwieldy.

Can anyone tell me what Im doing wrong, or point me in the direction of some internet material that can help me?
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HDT
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« Reply #1 on: September 14, 2007, 08:54 AM »

I am not a traditional grip expert... far from it, but I have been playing a long time, and I suspect that you are suffering from the dreaded "death grip" on your sticks.  Loosen up.  You mentioned that in order to get any bounce out of your left stick, you had to basically remove your index and middle finger from the stick.  What's wrong with that?  As long as you maintain control of the stick, you don't have to keep your fingers wrapped around it.  I was told by a very wise teacher once that your sticks should be as loose as possible in your hands... to the point that if they were much looser, you would drop them.  I don't always follow this line of thinking, but in many circumstances, it has served me well.  That would probably be a good starting point.  But seriously... if at all possible, you should find a teacher through your local music store or at a college near by, so that they can actually see what you are doing , and correct any problems you may be having before they become habits.  There's only so much you can learn on the internet.
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« Reply #2 on: September 15, 2007, 07:15 AM »

Agreed, it's the death grip. When I first tried to play trad I suffered a major case of it, and my teacher was instrumental in pointing out the technical problems to me. Don't worry too much about the two upper fingers: the core of the trad grip is in the stick sitting between your thumb and index finger, and in the wrist.

Hold your left hand out in front of you and position your thumb against the side of your palm, exerting no more force than necessary, so that your thumb and index finger are parallel. Now relax your wrist and your fingers, but keep the thumb against the side of your palm. That's approximately what trad should feel like. Now put your stick in the cradle of your thumb and index finger, without putting the rest of your fingers around it, and just use your wrist to move the stick.

That movement is the essence of traditional grip. The other fingers should be supporting the stick, but only influencing rather than determining the movement of the stick.
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« Reply #3 on: September 15, 2007, 09:56 AM »

The secret to "traditional" methods is the balance. Put the stick in your hand with two fingers sticking out like a pointer. Then hit a pad with the tip until you can feel the "bounce" of the stick off the pad. If you can't feel that, then the stick is in the wrong place for your hand. Once you get the "bounce" spot, curl the other two fingers under and use it as a bumper to control the bounce. From that point on it's all feel and use of the wrist. I learned playing traditional by hours of rolls on a pad. It didn't matter if it was a pad, a chair, or a table. Traditional takes hours of practice for feel and using that bumper. I never use those top fingers, it's all in the wrist.   Wink
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« Reply #4 on: September 15, 2007, 11:08 AM »

Some very cool replys here. Ive been having these same problems just getting my feet wet with the trad grip. After seeing Smith, Vinnie, Dave, Gadd, Buddy, etc etc all use trad ive said thats it. NOW my latest DVD with JoJo Meyer who can burn also is using trad. Dam it, i HATE this new awkward way of relearning when i can already get around fine with matched. Yes, time and patients is the answer and patients has always been something i have little of.
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« Reply #5 on: September 27, 2007, 10:49 AM »

As a long-time traditional grip player I have one simple suggestion: Go back to matched grip. I busted my knuckles to learn it so I could be in drum corps. Without that motivation I don't think I could've put in the work -- 6 to 8 hours a day for almost two years -- to get a handle on it. THEN years later I worked with a grip doctor and learned how to loosen up, and that took me another couple of years. It would've been so much easier if I'd stuck with matched grip.

Unless there's a specific logical reason to use traditional (i.e. performance demands), I don't know that you're serving your educational needs. There's SO MUCH MORE to drum set that will take you a lifetime to learn and master besides grip, but you're adding another layer to it that may delay learning things you'll REALLY want to learn.

That's my best wisdom on the topic these days.
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Drum4JC (Todd)
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« Reply #6 on: September 27, 2007, 11:02 AM »

Good stuff here.  I too learned trad grip only to use in marching band situations (bagpipe band in this case.)  It took me years to develop any reasonable facility with it and now I do reasonably well with it.  (I've been in competitive pipeband for about 14 years now.)  But you know what?  I still use only matched behind the kit!  I just find it easier to move around that way! 

I admire your desire to expand your horizons.  Who knows, it may end up being something very useful for you.  Just know that there are a lot of different techniques and theories with trad grip and it takes time to figure out just what approach(es) that will work best for you.  I guess I'd just caution you not to feel like you have to work on it in order to be a better drummer.  Some may argue that you need to use trad grip in order to be a better jazz drummer.  Tell that to Bill Stewart though!  It's not an absolute!  The same thing can be said about rock drumming - you must play matched!  Tell that to Todd Sucherman!  Anyway, let us know what you decide and how you progress!
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« Reply #7 on: September 29, 2007, 09:47 AM »

One thing that DID make me feel better is when Dave Weckl mentioned in a video that Freddy Gruber stated that there is no difference. Dave still had some reservations about the statement but hey, Freddy! said it so let the truth set you free! Smiley. What i HAVE noticed over a short time is that i have more (obviously) finger control which is good! along with the less power, coordination, getting around etc etc. I dont hear people mentioning JoJo Meyers latest DVD anymore but dam, one needs to get this. He burns trad every bit as blazing if not more! than Steve, Vinnie, Dave, Buddy, etc. Even if you dont get this DVD as a learning tool get it to watch a master at work, he flat out burns.
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