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December 02, 2008, 06:38 PM *
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Author Topic: Strange sitting-in situation...help!  (Read 904 times)
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equipmentdork
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« on: February 01, 2008, 06:12 PM »

I'm sure most of us have been in the situation wherein at a gig, an unfamiliar, inebriated bar goer demands to play your drumset.  There are many ways to fend off such an attack.

I have a different situation.  I'll be playing a corporate gig soon, paid for by a big company.  The money is good but not phenomenal, and we have been approached in advance for permission for a few guys to sit in, right as my band accepted the gig.

While asking in advance to sit in shows some class and respect, I'm of two minds about it.  True, they ARE paying us, but I've seen "one or two songs" turn into a 30 minute plus series of formless jam band nonsense.  The whole vibe of the gig sort of deflates as a result.

Does anyone have any experience with being asked to sit in by the people who are paying you?  What is your take?  Do you respectfully decline?  Do you fear for not being asked to play a future gig and say yes?  What if something is broken?  Our fee is not enough to cover a major equipment loss.



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skinbeatergreg
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« Reply #1 on: February 01, 2008, 09:31 PM »

Simply tell him that its Tit for Tat.  He can sit in and play Drummer for a song if you can sit behind his desk and play Suit for an hour.

If he wants to keep his job he'll say no.
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« Reply #2 on: February 02, 2008, 10:09 AM »

Many times corporate gigs are better than the bar gigs but not always.  This is why everyone should have a "B" set of cymbals.  I have been pleasantly surprised with some sit-ins at corporate gigs.  You may find it enjoyable! 
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« Reply #3 on: February 02, 2008, 11:38 AM »

Most of what we do are coorporate gigs and i have been in this very situation. Its very rare but it has happened. Not only someone who would like to sit in on the kit but guitar players also make their way onstage now and then. One guy this summer handed me a hundred dollar bill to sit in but i declined the cash. The guy sat in but it was a nightmare for the band Grin. I was in the crowd watching laughing as they made their way through the tune. He played two tunes and our front man graciously had me come back to the stage Sad. In a bar sitting which weve rarely played noone sits in. A coorporate sit in is a different thing.

The band is usually real skeptical about drummer sit ins but i enjoy it when it happens. I can roam around for ten minutes and mingle, or get a coke and have a humourus few minutes as the band struggles to make it through a couple tunes.
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chilledbongo
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« Reply #4 on: February 02, 2008, 12:11 PM »

you can consider it a public service.

odds are the sitter-in will be so bad that he will be cured of any future notion that he is a drummer, so his future requests to spoil some show will not happen again.

everybody tends to think they can drum. let 'em find out that it's not so easy. Cool
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Dave Heim
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« Reply #5 on: February 02, 2008, 12:18 PM »

. . .  odds are the sitter-in will be so bad that he will be cured of any future notion that he is a drummer, so his future requests to spoil some show will not happen again. . . .

I tend to think the opposite.  These hot shots come up and sit in, and no matter how badly they play (and it usually is bad), their friends & colleagues hoot and scream and cheer them on.  That only feeds their egos and motivates them to want to do it again when the opportunity presents itself.

I usually turn down requests to sit in - unless it's a little kid (too young to be drunk) or somebody I know and trust.
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« Reply #6 on: February 02, 2008, 04:50 PM »

Would asking them to sign a release making them liable for any damage to the equipment simply make the problem go away OR if not go away, at least your concern about equipment damage will be addressed in a professional manner. 

The other problem is the ego thing - what if they are good, what if they are bad but the crowd likes them, etc.  I see no downside to letting them play in this regard.  This is a party not a concert - they would come to the party whether or not your band was playing.  They may like your band, they may not.  Let them have a good time and try to have a good time with them.  If that means an embarrassing moment for a few of them playing instruments, ok.  If that means some good players get to show off in front of colleagues, great.  You get to meet a couple new players.  I don't think desperately holding on to the stage is the best way facilitate a good time. BUT, I've been wrong before. 
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« Reply #7 on: February 03, 2008, 05:23 PM »

Is it some high level execs in the company? If so, saying you don't normally do that BUT will allow it if they sign a liability rider AND do it early BEFORE any serious drinking occurs and that you have the final say to remove them from drumming if they, in your opinion, are abusing the drums. IOW, you break it, you crack it, you dent it, you buy/fix it.

I'd also have them look over your set list to determine a song they can play. and avoid your fav to play ones ;>)

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Louis
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« Reply #8 on: February 03, 2008, 11:04 PM »

Depending on the gig, this could be a real opportunity!  I did a corporate gig for 3 years and we played every 3 months.  The first gig was a yearly party and we took our well used but serviceable equipment because we were asked if sitting in was allowed.  We were the only band that did not have a lot of "only ifs" and we charged almost twice the normal rate.  The organizers had so much fun it became a quarterly gig and we were asked to perform each time.  Most times our tips were more than we charged for the gig.  We made almost 4 times the money with less playing and had lots of fun watching.  Everyone needs a beater kit and a cheap set of cymbals.  This could be a money making opportunity and a lot of fun rather than a stress filled night. 
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Drumlooney
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« Reply #9 on: February 04, 2008, 02:20 PM »

Why is everyone assuming that the corporate guys is going to be such a bad drummer and ruin the equipment?  I work in corperate america and I've been pushed to play by coworkers, out of respect to the drummer I haven't gone up and played but just because someone has a regular 9-5 doesn't mean they are going to suck.

That being said I'm not a fan of people jumping in on my set. Grin

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« Reply #10 on: February 04, 2008, 02:45 PM »

Why is everyone assuming that the corporate guys is going to be such a bad drummer and ruin the equipment? . . .


Because I've seen it happen.  More than once.
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« Reply #11 on: February 04, 2008, 03:03 PM »

Because I've seen it happen.  More than once.

I understand but I know a lot of great drummers who work for corporate america (paging Mr. A) who could drum circles around the guys being hired.  I'm just saying let's not automatically assume a drummer is going to suck because he has a day job, that would mean most drummers on the forum would be considered bad.
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« Reply #12 on: February 04, 2008, 03:37 PM »

True - AND it's been my experience that anyone THAT eager to sit-in has not been very good...   Among my circle of friends who play (pro's to weekend warriors) - none of them would EVER make a big deal about sitting in -- IF they brought it up at all.

Because I've seen it happen.  More than once.

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« Reply #13 on: February 04, 2008, 04:22 PM »

I understand but I know a lot of great drummers who work for corporate america ........ who could drum circles around the guys being hired.  I'm just saying let's not automatically assume a drummer is going to suck because he has a day job,

I know more than a few excellent musicians who have executive level jobs.  They jump at the opportunity to sit in wheneven they can.  One is a District Court Judge so he can't play just anywhere so when a corporate party setting comes up he is more than ready to sit in. 
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Chip71
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« Reply #14 on: February 04, 2008, 04:23 PM »

I had a situation happen a few years back that turned into a good thing for me. I played a private corporate party and a few guys came up and asked to sit in. At that time I just had a 4 pc beater kit, so it was no big deal. The drummer only sat in a couple songs, but the other two guys stayed up and played a few more tunes. I didn't think anything about it, got paid, and went home after the gig. A couple weeks went by and I got a call from one of the guys who got up. It turned out he had a country, fiddle band. He decided to call me instead of the guy that got up to play. Over the next 4 or 5 years I played as many paying gigs with those guys as my normal group. Plus they paid better....I don't know what happened to them. One guy died and they must have quit rather than reform. Never heard a thing after that.... They must be in their late 70's by now. At that time I was the youngest one. Just the same, it was well worth taking the gig. You never know what will happen unless you chance it.  Wink
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Dave Heim
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« Reply #15 on: February 04, 2008, 04:37 PM »

I understand but I know a lot of great drummers who work for corporate america (paging Mr. A) who could drum circles around the guys being hired.  I'm just saying let's not automatically assume a drummer is going to suck because he has a day job, that would mean most drummers on the forum would be considered bad.

Understood.  I hold a day job as well (they tend to help with nasty little things like mortgage, school tuition, medical benefits).  But I've had stuff damaged by over zealous, differently-clued sit-ins.  So if I don't know you, you most likely will not be playing my drums.  Sorry.
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« Reply #16 on: February 04, 2008, 04:40 PM »

True - AND it's been my experience that anyone THAT eager to sit-in has not been very good...   

Yep.  Anyone who wants to sit in THAT badly usually wants to so they can show off to their friends. . .  "Look!  There's a drum set!  Heck, ANYBODY can play drums, right?  I'm going up!"
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« Reply #17 on: February 04, 2008, 04:45 PM »

Why is everyone assuming that the corporate guys is going to be such a bad drummer and ruin the equipment?  I work in corperate america and I've been pushed to play by coworkers, out of respect to the drummer I haven't gone up and played but just because someone has a regular 9-5 doesn't mean they are going to suck.

That being said I'm not a fan of people jumping in on my set. Grin



I, too, am an exec running and gunning all day at a bigtime company here in the city.  I have been pressured to ask to sit in at our corporate events and I always decline; It's not my gig, and it's not my gear.  The folks in the office know if they want to hear me play they can come out and support the local scene by going to one of my shows.  

The issue for me is not if the Suit has chops or not, (I have seen gear accidentally ruined by good and bad players alike) I agree with DrumLooney:  It's more a matter of respect, on both sides.

I've refused everyone who has asked to play (politely and with my usual charming smile) and had no issues. A number of times it has helped the Suit (goaded into asking by his peers and lacking better judgement due to alcohol consumption) save face by not making a total buffoon of himself in front of his co-workers and his management team.
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equipmentdork
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« Reply #18 on: February 04, 2008, 09:59 PM »

OK, here's an update, with some things I didn't know when I first posted.
--The guy asking to sit in is the guy who booked us at the club(based on the club's recommendation.  He is in charge of booking the big company's parties.
--They're asking for three songs, which they submitted in advance and they do not clash with our set list.

We decided to let them sit in.  The gig hasn't happened yet, but we will ask them for some signatures before they play.  Being business guys, I'm sure they'll understand.  In any event, we know how to find them.

I'll be using some stuff I won't mind seeing beat up.....and I'm giving the drummer Vater 7A sticks to weigh the situation even more in my favor.  We have no qualms about cutting it short if things get out of control, but we're cautiously optimistic. 

I guess I'll always be puzzled about the preoccupation of some people with "sitting in".  For heaven's sake, go get your own band!  In a way, I hope they ARE good.  There are some good players out there, and I'm not worried about being shown up.  I'm more worried that we could have charged more for equipment rental!  ha ha!


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Louis
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« Reply #19 on: February 04, 2008, 10:13 PM »

OK, here's an update, with some things I didn't know when I first posted.
--The guy asking to sit in is the guy who booked us at the club(based on the club's recommendation.  He is in charge of booking the big company's parties.

I keep trying to tell you this could turn into a really sweet deal in the long run if you play your cards correctly. 
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« Reply #20 on: February 05, 2008, 09:29 AM »

We play quite a few corporate gigs and wedding receptions and this comes up from time to time.  Our policy is that we will accommodate them but they must attend a rehearsal and work on their songs with us.  This gets them comfortable with playing with us and gives us a chance to see if they are going to embarrass us all.  Those who can't cut it have realized this and decided not to sit in.  Those who can cut it have been very happy with a performance they were proud of.  No walk-ons are allowed.

This policy works well for us and in one case the bride's father got us some plumb gigs and actually did a few with us as an alternate.
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« Reply #21 on: February 07, 2008, 06:46 PM »

Many times corporate gigs are better than the bar gigs but not always.  This is why everyone should have a "B" set of cymbals.  I have been pleasantly surprised with some sit-ins at corporate gigs.  You may find it enjoyable! 


i agree.
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« Reply #22 on: February 08, 2008, 09:43 AM »

I have a different take on this.  I look more at what the people want who are organizing the event.  Yeah, they might not play that well.  I don't think that matters as much as what you can gain out of this situation.  I am imagining that these execs would probably really dig seeing there buddies play.  The whole thing is about THEM having a good time.  Most non-musicians are not near as critical as we are of our music and they might not even notice or care if the quality of the music goes down.  We had several people sit in at a party recently which they paid us well for.  One guy sang very well, one guy played the congas poorly and others were marginal as well.  It didn't really matter, the people had a good time.  They loved playing with real musicians and yes the quality of the music went down for the most part when they played, or sang.  Anyway, I think you made the right decision and I don't think any mediocre playing by these people sitting in will affect how they view your band.  Have fun at your gig, Joe
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« Reply #23 on: February 08, 2008, 02:22 PM »

unless it's a little kid (too young to be drunk) or somebody I know and trust.

likewise
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