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Author Topic: What's new in your instrument/gear arsenal?  (Read 769 times)
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Bobhead
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« Reply #20 on: March 21, 2008, 09:58 PM »

How's that 18" Yammy treat you?  I have 22's and a 20, so the new one will be foreign territory for me.  I'm getting it specifically for tight practice/gig spaces, plus the option of another bass drum sound for recording.  I'm hoping to run it more open than I do my 22's.  Do you run yours with a lift?   

What snare drum/s are you thinking about? 

I love the 18". I only use felt strips for a bit of muffling. It can sound wide open or you can tune it to be very punchy also. You will miss the stage volume punch of a bigger drum though if you are in a louder situation. But it still mics up well, even in a large venue. Oh boy! and is it easy to carry around.
I do not have a lift, I thought about it, but I don't mind hitting the drum off center, its part of the charm of an 18" to me, being able to get some tone to the drum. Like any drum, some rooms you can't make it sound good, and then some rooms, the 18" will be larger than life.
As far the the SD, its still early in my looking around, so I'm very open. I hoping to go to the Chicago drum show, so maybe I find something that I love there or get some ideas.
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eardrum
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« Reply #21 on: March 22, 2008, 02:37 AM »

New pieces for my Taye Studio Maple kit and just acquired Sabian legacy 21" ride.
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JeepnDrummer
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Ding, fries are done!


« Reply #22 on: March 22, 2008, 04:46 PM »

My fav acquisition was a large, used Tempus kit (2 each 17x24 kicks, 13, 14, 16, 18 toms).  I completely disassembled it, removing every piece of hardware from every drum.  I had to get rid of the old black Gibraltar mounting parts (toms & spurs), remove tons of black spray paint, replace most of the hoops, and had Paul cut two the toms down.

If I remember correctly, I got it in September.  Well, today I'm picking up the last two parts I ordered to get this kit ready to play out.  I'll post pictures in the drum porn thread in the near future.
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George
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« Reply #23 on: March 22, 2008, 07:06 PM »

 
Quite a rubbish kit from my band's rehearsal room, which I've been lucky to buy for about the price of a good pro hi-hat stand - imagine, a whole kit with hardware and cymbals at that price. So now I can practise on this kit if I like and spare my good old Premier for gigs and more important rehearsals.

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Bob Dias
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Will work for burritos...


« Reply #24 on: March 22, 2008, 10:46 PM »

My most recent acquisition (certainly the best of 2007/8 to date) has been a small PA system so that I can have rehursals at my place instead of lugging my kit around.

The system consists of:
2 Madison M2-15 main speakers
1 ART power supply
1 ART 2x15 EQ
1 Carvin DCM1000 power amp
1 Soundcraft E8 mixer
3 Audix OM2 mics
2 MXL 2003 mics
...and a seemingly infinite number of cables.

Pics below...all of a sudden, my man-cave has become a popular place to hold rehursal! 

Cheers, Bob






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"It's O.K. if you only know three chords, but for God's sake, play'em in the right order" (H. Hill)
hankster
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« Reply #25 on: March 22, 2008, 11:01 PM »

IN JAN. I SOLD MY LUDWIG ACCENT KIT. I WAS HOPING I COULD GET A LUDWIG CUSTOM ELITE SET.  NO STORES HAD ANY . THE LAST STORE  HAD A MAPEX BIRCH 6 PIECE SET IN AMBER.  THE MORE I LOOKED AT IT AND PLAYED IT, THE MORE I LIKED IT.  I BOUGHT IT AND  I AM GLAD I DID.
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Chonson
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« Reply #26 on: March 23, 2008, 02:50 AM »

Mostly a few mics (SM57s, Beta52) and also a mixer that was a deal I could not pass up.

On the drum gear side, nothing too interesting -- heads, sticks, a couple shakers. Saving up and researching some kits for a planned purchase later this year... but so many kits still to be heard. (Top of the list: DW Jazz series, Ludwig Legacy Classic)

But really, the mics, mixer and software has given me a whole new set of things to play with and learn about.

Though I did check out the Steve Jordan signature drum today and was sorely tempted.

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morphoid
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Pro Mark TX444? I am doing crowd control now?


« Reply #27 on: March 23, 2008, 11:22 PM »

My parents gave me a completely traditional cowbell (or should I say sheepbell?), used by mountain shepherds from a mountainous area we spent a few days in. With the inner "pendulum", and the collar for the animal and all. It was dusty and had webs. The sound is great IMO, not sure about the volume (I haven't even tried it with sticks yet, but it looks sturdy enough for it) but it's currently hard to imagine setting it up.

I'll add a picture to this post when I get one, soon I hope.
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Rimshot
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« Reply #28 on: March 24, 2008, 08:30 PM »

My favorite gear purchase in the last year was a power amp that has enough power to properly run our subs.  It made a BIG difference on our overall low-end sound, but I am pleased with being able to 'feel' the thump of my bass drum now. Grin

Rick
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New York Frank
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« Reply #29 on: March 25, 2008, 01:16 PM »

...all of a sudden, my man-cave has become a popular place to hold rehursal! 

I can't Wait to be able to have the space to hold rehearsal. 
But, in my household, it will all happen in baby steps:

Step 1: confiscate enough space so that I'm not practicing in my bedroom.
Step 2: confiscate more space so that I can host rehearsal.
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Gear: Tama Artwood maple snare and hardware, Top Secret black compact short stack kit, Sabian AA cymbals, Regal Tip Combo ultralight chopsticks, and always plenty of Fruit Of The Loom underwear
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« Reply #30 on: March 26, 2008, 02:00 PM »

My favorite gear purchase in the last year was a power amp that has enough power to properly run our subs.  It made a BIG difference on our overall low-end sound, but I am pleased with being able to 'feel' the thump of my bass drum now. Grin

Rick

Yeah, PA gear is a whole 'nother addiction. I picked up a PLX1804 (13#!!!, weight, not cost) for our mains, shifted the PLX3002 to the subs bridged, bumping the PLX2402 to monitors.

Added a matching 31 band EQ for a third IEM mix. Band's just started trying them out, Shure PSM200s, luckily NOT affected by the FTC frequency selloff ;>).

Just found & bought slipcovers for my extra SM12IV monitors as closeout/demos from www.undercovernyc.com for half price.

I did buy an S-hoop for my Acrolite (used from a drumsmithy). Sounds nicer (I think), takes some getting used to how low the rim is for cross-sticking.

Picked up several used Pearl TH100s tom arms for my kits & racks. Hidden ball type adjustment. Cheaper than the new ones and I like the look better than the TH1000 & 2000s.

Boomerweps
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« Reply #31 on: March 26, 2008, 02:38 PM »

Those PLX's are great amps man.

Ever notice how drummers take such an active role in production- PA/Recording duties?
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Chip71
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« Reply #32 on: March 26, 2008, 02:43 PM »

My most recent acquisition (certainly the best of 2007/8 to date) has been a small PA system so that I can have rehursals at my place instead of lugging my kit around.
Bob, I know that PA buying feeling very well. A few years back when I had my house I purchased a complete Sun sound system (remember them?) for practice and small clubs. Then I came to the conclusion that, "Hey, why am I doing this? I'm just a drummer." So I sold my electronic gear, drums, plus the house. Moved, payed bills, and started over again. Now I don't have the house and electronic gear, just more drums. Funny how that works.... Grin
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"When you quit learning you start dieing"-My Grandfather
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« Reply #33 on: March 26, 2008, 09:53 PM »

I had just got back into drumming after a 15yr layoff so I bought ALL of my gear in 07 to the present.

Most recent aquisitions were a Gretsch Catalina Jazz kit, A pair of Vintage Acrolites, a 20" Kcon Med Ride and a 20" K Ride
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sleepybrIghteyez
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« Reply #34 on: March 27, 2008, 01:17 AM »

Ever notice how drummers take such an active role in production- PA/Recording duties?

Yes! I have the PA, not a very big one, but big enough for vocals at practice. A good drummer friend of mine recently bought a PA for his band. After all, we have the money to dish out for all of our drum gear, we might as well pick up the PA too, right? Hah!

I also have the practice space, which was a primary goal of mine when I bought this house a few years ago. I love recording/production. I'm actually trying to get a couple of my friend's bands in here to do some demos for them. I had an interview today with a very busy DJ/soundman in this area whom I will hopefully be learning a lot from in the near future.
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bolweevil
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« Reply #35 on: March 27, 2008, 09:02 AM »

I ordered an 18" Sabian HH Thin Crash that arrived on my birthday last year--I fell in love with it instantly and forced my girlfriend to be in pictures with it!  I like it so much, in fact, I try not to play it too much (is that weird?)

Besides that, a couple of recent and favorite new additions are my LP Salsa Cowbell (whichever model Stanton Moore uses) and a 14 x 6.5" Ludwig brass snare (sounds eeriely Bonham-esque, except for the skills, of course!).

Still looking for the perfect 13" hi-hats...maybe next birthday!
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24" A Constantinople Zildjian Medium Ride
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« Reply #36 on: March 28, 2008, 01:21 PM »

Those PLX's are great amps man.
Yeah, I finally broke down a couple years ago and got three matching lightweight amps and then they change them ;>( But that PLX1804 is a monster AND lightweight, just not 2 ohm capable.

Ever notice how drummers take such an active role in production- PA/Recording duties?

Two primary reasons and a lot of secondary ones.
1. We can't get just ONE mic, stand and cable to do our business.
2. We are used to hauling a lot of crap and buy vehicles (& trailers) to accomodate everything.

Secondary is that after hauling, setting up, tearing down and performing maintenance on all our own stuff, we want it to sound great and be heard. And be more self suffient.

I find bassists often get into PA gear, too. I guess we are all about overall band support rather than "More Me" primarily.

Boomerweps
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Smitty
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« Reply #37 on: April 01, 2008, 04:46 PM »

Oooh, good topic.

I'm a cymbal addict, so here are my new additions:

Paiste 22" 2002 Rock Bell Ride:  I recently purchased this discontinued cymbal in mint condition off EBay.  I needed a cymbal with enough volume and ping to cut through the two loud guitar players in my band.  Mission accomplished!

Paiste 17" Twenty Series Thin Crash:  I'm expecting this baby to arrive via UPS today!
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boomka
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« Reply #38 on: April 01, 2008, 09:19 PM »

Does a new soundproof studio count?
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felix
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« Reply #39 on: April 02, 2008, 09:36 AM »

Does a new soundproof studio count?

That is the gear arsenal.  And if it's anything like mine it becomes a chore maximizing the beautiful space it once had when new.

Congrats- get ready to take your craft to the next level.

Oh, and now you have no excuses to get out of playing in the communal solo  Cool
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Sonor, The Drummers Drum
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