Amazon.com Widgets

Top Drumming CDs

The above album features some incredible drumming by Tony Williams. For more "must have" albums ... CLICK HERE!
 
Musician's Friend
Power Search!
Visit us on MySpace
August 21, 2008, 04:02 PM *
Welcome, Guest. Please login or register.
Did you miss your activation email?

Login with username, password and session length
IN THE NEWS: Shop Musician's Friend through the Drummer Cafe and get a $10 Instant Rebate using MF4U coupon code.
   Forum   Calendar Login Register  
Pages: 1 [2]  All   Go Down
  Print  
Author Topic: Playing the bass notes  (Read 1181 times)
0 Members and 1 Guest are viewing this topic.
dea
Copper Member

Offline Offline

Posts: 82


« Reply #20 on: May 14, 2008, 12:41 PM »

Starting simple gives you more expressive headroom.

Locking in does not imply bass and drums are playing the same notes.  Each could be off in their own world and still be locked in because everyone has the tempo nailed, as well as the 10,000foot view of the song structure, i.e. verse->chorus->etc->bridge. 

All members transitioning song sections, together, in a manner that supports the music is what locking in is all about.

An experienced bass player will have their high and mid frequencies dropped out of the mix so as to eliminate muddiness or stomping on other instruments frequency envelope.  I say experienced vs. good because there are killer bass players that do not have an understanding of frequency and how instruments interplay.  This does not make a poor bass player, but rather just some person who does not have experience in this area.  Understanding each instrument - in your bands - frequency envelope and adjusting your instrument around this is the first step in making the band sound clean.  Forgive me if I'm stating the obvious.
Logged
dmjung
Cafe VIP
Silver Member

Offline Offline

Posts: 264


« Reply #21 on: May 16, 2008, 07:26 PM »

I'm often contending with what the bass player is doing and the left hand of the worship leader on the piano that's usually playing another bass line.  Sometimes they go together. Smiley  I usually gravitate to what the worship leader is doing on the piano and try to mesh with that since he's the leader.  It kind of works out (usually).
Logged
Chris Whitten
Honorary Cafe VIP
Platinum Member

Offline Offline

Posts: 5593


« Reply #22 on: May 16, 2008, 07:43 PM »

You could get together with your worship leader and bass player and suggest they work as a team.
Why not seek to improve, rather than living with the status quo?
Logged

dmjung
Cafe VIP
Silver Member

Offline Offline

Posts: 264


« Reply #23 on: May 16, 2008, 08:50 PM »

You could get together with your worship leader and bass player and suggest they work as a team.
Why not seek to improve, rather than living with the status quo?

Yep, I think I may finally be in a position to suggest something (lots of boring history with this group).  They're both better "players" than me...at least as far as reading music and theory stuff goes, but I don't feel inferior as a "musician" I guess.  This bass-line tension is with the Sunday AM group...we're kind of lackadaisical in getting the music right IMO.  The Saturday PM group is where I'm trying to get the Love the Lord groove straight...I'm the only common element in both groups.  The leader of the Saturday group is a guitar/music instructor and heads the CCM program at a local college.  At rehearsal last night I was still in my Sunday AM group practice mode winging it through the song and he kept stopping me to redo the parts correctly. I didn't really mind. Smiley

--David
Logged
Pages: 1 [2]  All   Go Up
  Print  
 
Jump to:  

Powered by MySQL Powered by PHP Powered by SMF 1.1.4 | SMF © 2006-2007, Simple Machines LLC | Sitemap Valid XHTML 1.0! Valid CSS!
Page created in 0.059 seconds with 22 queries.
Google


We currently have 16 guests and 6 members online.
Copyright ©2001 - 2008 Drummer Cafe. All rights reserved.
developed by Bart Elliott | Terms of Use | Privacy Policy | Site Map