Savis
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« on: April 29, 2008, 08:37 PM » |
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Hey, ive been working on my double bass for a long while now... but I cant seem to get 16ths down very well. I just tried using heel-up and im still having alot of trouble. so heres my question... when using heel-up, should my pedal have HIGH resistance? or LOW resistance? so far... ive tried both, and many in between with no luck.
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Andy Gone
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« Reply #1 on: April 30, 2008, 05:10 AM » |
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Hello, It should not be too loose or too tight  It is more a question of your leg weight. With heel-up you can go only up to moderate tempos (probably 16s at 160 bpm). When you go faster than that, you have to switch to heel-down (or something in between), otherwise muscle tension kills your legs too fast. You CAN play that fast heels up, but for a bar or two. If it is not the case, you will have to relax your feet more when you go faster, which means that your heels will go down... or way down (same as with hands - the faster, the more relaxed). At fast tempos you have to rely more on the momentum control than on forsing the beaters (again, like with hands). I would recomment to try different positions of your toes along the pedal boards - this creates different momentum, so you may find it easier to play at fast tempos when e. g. your toes are right in the middle of boards (not close to the chains). All of the above is my personal view of the problem and can't be treated as an absolute truth  Hope it helps.
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riot2003
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« Reply #2 on: April 30, 2008, 08:36 AM » |
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I run my DW5's at fairly low tension while playing heel up. There is no describable spot, its a certain setting on your pedal that pertains to you. take it all the way loose, play for a little bit. Tighten it up, play a little more. just work in that peddle until you find the sweet spot. Its there, and you'll know it when you hit it.
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Patrick Danger Quigley doctor!doctor!-Midwest Indie/Experimental/Metal www.myspace.com/wedontmakehousecalls2000 DW Collectors (12, 14, 16, 22), Tama Artwood Maple Snare (limited 7x13 black), DW5's double, 22 paragon ride, 20 and 18 aax crash, 13 aa fusion hats, trashy 18 wuhan china.
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Andy Gone
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« Reply #3 on: April 30, 2008, 10:08 AM » |
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Agree.
I would like to add that usually I start with tightening springs only that much that permits comfortable playing of doubles (usually less tension makes beaters too uncontrollable). More tension gives you more speed at cost of more physical effort (when you play heel-up), so you need to find your sweet point.
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Savis
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« Reply #4 on: April 30, 2008, 05:01 PM » |
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hmm, alrighty, thx for the input  . I guess im just not being patient enough with the whole issue.
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amoacristo
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« Reply #5 on: April 30, 2008, 07:46 PM » |
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I wasn't sure if I was going to respond to this thread, but feel I should give my input. I mean no offense at all to Andy Gone but I definitely disagree with saying that playing heal up will only allow you to play at moderate tempos. I don't find that to be accurate for myself nor have I seen evidence of that with others.
In response to the original questions about spring tension, there really isn't a single right answer that fits everyone. I think there needs to be a balance. Too loose and you won't get a very good response from the pedal, too tight and you will have to use a lot of force to move the pedal. Experimentation is the key to finding the right balance.
I like Bart's approach of setting the spring tension to where when you rest your foot on the pedal board, the beater will then rest half way between its starting point and the bass drum. That is a good starting point.
Some more tips that have helped me, work with a metronome, start slow, and play at a comfortable tempo for an extended period of time before moving up the tempo. I did that for a while just playing 16ths for 5 minutes and would then move up as I could and it helped me a lot.
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Andy Gone
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« Reply #6 on: May 01, 2008, 05:01 AM » |
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I wasn't sure if I was going to respond to this thread, but feel I should give my input. I mean no offense at all to Andy Gone but I definitely disagree with saying that playing heal up will only allow you to play at moderate tempos. I don't find that to be accurate for myself nor have I seen evidence of that with others. amoacristo, I don't feel offended at all, and thank you to your input. I totally agree that it is a personal thing, and I stressed that in my first post. I feel I need to explain more. What I meant is that personally I keep heels up at slow and moderate tempos, while at fast tempos (e.g. 16th notes above 160 bpm) I feel that keeping heels really up leads to building tension in my shins. As a result, I have to relax them, so my heels go down, and I use more foot motion than leg motion to play it. I am not trying to say this is the only or the only right way to do. Also, probably we cannot tell this is a real heel-down. Sorry if I failed to explain it well. If you feel differently, I am really interested and will appreciate to hear your description. Andy
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felix
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« Reply #7 on: May 01, 2008, 05:44 AM » |
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It seems my heels drop the faster I go. In fact my feet act alot like my hands in that they have a slight rocking motion which resembles a whip stroke, reduced moeller whatever they are calling it these days. The really really fast guys have probably eliminated alot of this motion or double with heel toe technique. BUT in response to the original question. Double kick is something that needs to be practiced every day- a minimum of 1/2 hour per day on nothing but dbl kick. I knew a swedish guy in school who would literally grind out 16th notes for hours every day, increasing and decreasing speeds on his drum machine 1 bpm at a time. Some people are genetically prone to being faster if not just more solid/better kick players than others. I guess talent or gifted are other words we can use here. 
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Sonor, The Drummers Drum
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amoacristo
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« Reply #8 on: May 01, 2008, 10:53 AM » |
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It seems my heels drop the faster I go. In fact my feet act alot like my hands in that they have a slight rocking motion which resembles a whip stroke, reduced moeller whatever they are calling it these days.
That is how I am also. My heels lower but not all the way to the pedal. They are probably 1-2 inches above it. Also, the strokes are shorter, meaning the beater doesn't return all the way back, at least I think it doesn't.
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morphoid
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« Reply #9 on: May 01, 2008, 11:31 AM » |
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BUT in response to the original question. Double kick is something that needs to be practiced every day- a minimum of 1/2 hour per day on nothing but dbl kick.
That would explain my complete suckiness with double pedals!  I'm actually waiting a bit for the chance to setup my e-kit at home so I can take the pedals and do just that at home without having to subject any living organism to my attempts to practice on the real thing.
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-Hugo (Sonor 2007) An extremely proud fan of Thrice
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DrumminSeth
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« Reply #10 on: June 12, 2008, 10:50 AM » |
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In response to both topics. To the heel-up/heel-down thing I keep my ankles, not the heel, a certain level above that works for both just ankle motion and full leg motion. I'm about 6 foot tall and I keep my ankle roughly 5 inches above the ground without my shoe. I also am wierd like this, but I put my left foot down farther, barely, but still a difference.
To the pedal tension It is smart to go through all the tensions. I keep mine pretty high.
This is just my opinion, but then again I've seen people with low tension and heel-down kill the drums like assassin, so what do I know? haha
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Tim
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« Reply #11 on: June 13, 2008, 06:39 PM » |
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If I may say so, I'd like to offer a different approach to ADD to what's already been suggested.
I've noticed that the better my hand technique gets, or rather, the stronger my hands get (and the closer my left hand's strength gets to my right's), my footwork feels easier. I think it's because I relax more, which is the KEY. Drumming is not a forced activity by any means. The first time I experienced what it's like to truly play 100% relaxed is when I had a practice where I got so mad at the band mates that I just played with a very "I don't care" attitude, and I completely stopped trying to play well. Unfortunately, instead of playing worse, I played much better, and it made me more angry because I didn't get what I wanted! And so, for me, if I want to play totally relaxed and get the best performance, I must avoid physically TRYING to be good. I need to recreate that feeling of "I just don't care. I'm not even going to TRY and play well for you. You can forget that crap." (it was a baaad night for me). And if I can do that, which is currently a bit uncommon, I can play at levels I thought I was never going to be capable of. It almost feels like a counter-intuitive approach to good solid drumming (that is, the approach of actually NOT trying to play well).
But getting back to the hands, one thing I learned is that I must at least keep my pinky and ring fingers wrapped around the stick, or at least in constant contact with the stick at all times. When I do this, I feel like I have much more control over the drums, and my feet just relax, and I find myself able to do things that were previously a bit more difficult, or things that I had to force out before. It's very neat for me to see how my hand technique improvements can help me play better on the bass drum as well. Even double bassing feels easier and more controlled.
I can't explain exactly why this works for me, but I know it does. So, check these ideas out and see if they help. If you're like me and your left hand is very weak and pathetic but your right hand seems to have no problems, then focus on using your pinky and ring finger on left hand to keep the stick under control. That's how I have to think of it anyway. Perhaps if you think of it that way, it may cause your hand to do something differently than mine. But like I say, check these ideas out. They might help!
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skn
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« Reply #12 on: June 23, 2008, 09:41 PM » |
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This is pretty much answered best by the dudes here. My only input is that when I was practicing double bass the hardest thing for me was to find a suitable place to sit - that is, just getting comfortable for me on my throne was one of the larger hurdles. After that, its just practice practice practice...
good luck - it is a long road I found...
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Louis
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« Reply #13 on: June 24, 2008, 08:39 PM » |
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when I was practicing double bass the hardest thing for me was to find a suitable place to sit - that is, just getting comfortable for me on my throne was one of the larger hurdles. After that, its just practice practice practice... That is the reason I say the throne is the most important part of your kit! You can play much better when you are comfortable. You should spend a lot of time test sitting thrones before you buy. Never buy a cheap throne, it will bite you in the butt eventually. 
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It is not what you have, it is what you do with what you have that makes the biggest difference in the sound!
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