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Author Topic: Funny Music/Drumming Slang Phrases & Stories  (Read 1374 times)
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Bart Elliott
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« Reply #20 on: May 20, 2008, 04:41 PM »

A bass player I had a session with about a week ago, Mike Chapman, relayed this funny story:

Drummer Jerry Kroon, while on a Vern Gosdin session, kept being asked to slow the song down.  When Vern asked Jerry to slow it down again, Jerry said, "Hoss, if it gets any slower we're gonna need a calendar instead of a metonome."

When I hear someone struggling with the time/tempo or maintaining a good pocket ... I say that they are suffering from Groovus InterruptusGrin
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« Reply #21 on: May 20, 2008, 07:16 PM »

I was going to say some of those sound like you are ordering a meal in a diner. Grin

I used to play with a guy who would ask for the "books falling off the bookshelf" fill which for some reason meant to extend to fill past the 1 and into the next bar.

He also said while watching a very fast, fill-happy drummer who incorporated a lot of cowbells and woodblocks into his fills, that he sounded like someone driving a volkswagon through a drum store.

Another guy was clueless about the 4-count count-in and asked me if we start on "ready" or "go" (1-2-ready-go)

I've also been asked to make it "Slankier"
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« Reply #22 on: May 21, 2008, 04:11 AM »

These are good.
I find the put downs some producers use quite amusing......even if they are directed at me.

One funny session I attended.....

I'd played drums on a track and the artist was psyched to invite his buddy a percussionist in to overdub. He was a rasta percussionist named Jah Bunny.
Firstly it was amusing to watch the grammy awarded engineer struggle with his communication skills, oscillating between "Jah" and "Mr Bunny" when using the talkback between control, room and studio.
The next amusing thing was "Jah" used a large assortment of percussion when we played the track down the first time. We all assumed he was improvising, searching for the exact sound for the song.
Two or three takes went down with the same behaviour. No percussion sound seemed good enough to become a 'part' of more than a few bars.
As I left, the engineer was squirming in his seat and "Jah" had given up on hardware percussion completely and was performing vocal percussion into a very expensive mic.
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« Reply #23 on: May 21, 2008, 05:40 AM »

Another phrase circulating here in Nashville ...

From player to producer: "If I pay my own cartage, can I go home?"  Grin

I also heard about a frustrated drummer who, at the end of a very long tour, said: "After this, I'm going to have to play blues in a brothel for a year just to get my soul back."
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« Reply #24 on: May 21, 2008, 10:02 AM »

Speaking of producers, bassist Leland Sklar used to have a bass that he installed what he called his "producer switch" on - it was a stock Fender that had an extra 3 way toggle switch and potentiometer knob (like a volume or tone knob) on it and when he would get those requests (could you make it sound more brown?) he'd go through the big show of flipping the switch to a new position and rolling back and forth the tone pot.
Which of course weren't connected to anything, just drilled and stuck on.
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« Reply #25 on: May 21, 2008, 10:25 AM »

Given that 'clam' is often used (at least here in Chicago/Midwest) as a term for a bad/wrong note. . .

In my old band we used to joke about using a 'clam filter' on the mics or amps whenever someone from the crowd wanted to sit in.

Along the same lines - a tune that went bad during a rehearsal or on stage was called a clamfest.
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« Reply #26 on: May 21, 2008, 09:59 PM »

he'd go through the big show of flipping the switch to a new position and rolling back and forth the tone pot.
Which of course weren't connected to anything, just drilled and stuck on.

I'm always alert to that scam, especially with monitor guys.
If you ask them to change something, level or eq, they will often twiddle some disabled channel.
My solution.......if I can't hear anything changing, I admit it. Better than saying "yeah that's much better" and giving the twiddler the satisfaction of cheating you.  Grin
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« Reply #27 on: May 21, 2008, 10:26 PM »

I've done the whole "adjusting the knob" trick when playing in symphony orchestras. The conductor makes some weird request about the Snare drum tone or timbre ... and there's nothing wrong ... so I adjust the 'magic knob' which doesn't even exist. The 'knob' is always located on the side of the drum which is opposite the conductor. Works every time!  Grin
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« Reply #28 on: May 22, 2008, 08:29 AM »

Given that 'clam' is often used (at least here in Chicago/Midwest) as a term for a bad/wrong note. . .

In my old band we used to joke about using a 'clam filter' on the mics or amps whenever someone from the crowd wanted to sit in.

Along the same lines - a tune that went bad during a rehearsal or on stage was called a clamfest.

We call it "throwing clams" or "I only threw a few clams tonight"

"Keep it Green"- means a variety of things.  Usually fresh.

"From  Jump"- the beginning.

"Dig?"- Do you understand.

"Playing white as rice" means what it means I guess, not grooving.

"The Suck Knob"

"Put some poop in it" "Needs some poop"- low end, fatness to tone

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« Reply #29 on: May 22, 2008, 08:38 AM »

Play it "from the edge".   Play the chart from the beginning.
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« Reply #30 on: May 23, 2008, 03:45 PM »

I've done the whole "adjusting the knob" trick when playing in symphony orchestras. The conductor makes some weird request about the Snare drum tone or timbre ... and there's nothing wrong ... so I adjust the 'magic knob' which doesn't even exist. The 'knob' is always located on the side of the drum which is opposite the conductor. Works every time!  Grin

I think this is a prize-winning story. Smiley
 
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« Reply #31 on: May 24, 2008, 11:13 AM »

I have also heard "clams" referred to as "passing tones" or "passing notes".

I was recording some drum loops for a producer once who told me to "Hit 'em like they owe you money". I assumed he meant play harder (which I did). That phrase just stuck with me and now I use it whenever I can...it makes me chuckle and think of that day.

I agree with George about the "magic knob" story.

Hey Bart how hard is it to retrofit my snare with one of those "magic knobs"?
ROTFL  Cheesy

~RHS
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« Reply #32 on: May 25, 2008, 09:52 AM »

At rehearsals for a big band that I've worked with, the leader will pass out a new chart and then say "Tempo di Learn-o" for the first time through. referring to playing at a slower speed for sight reading.
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