Check out the Christmas CD, "It's For You He Came", featuring Bart Elliott on drums and percussion, available in the Drummer Cafe Store.

NEW PREMIUM RESOURCE

Frank Briggs has provided yet another play-along for our Premium Resource subscribers. "Potato" is an intermediate level play-along track from Mike Keneally's CD, Sluggo!

Subscribers can download audio tracks (with and without drums as well as solo drums) plus a PDF drum transcription and recording session notes.



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Author Topic: Montreal Jazz Festival - I'm playing TONIGHT!  (Read 1040 times)
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Tim vdv
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« Reply #20 on: July 15, 2008, 01:32 PM »

Nice thread and good pics.

I have a 20" giant beat and I absolutely love it.  I'm a straight ahead rock player but could easily play jazz/fusion with it.

Debating on getting the 18 and 22" or 24 is it?  God if it was only a 22 I'd probably get the set.

Howz crashing the 24?  I've played one at the drumshop once, might have to do it again with the whole set.

I like the giant beat hats also.

Thanks.

I love the 24" - I crash it all of the time (you can see it to my left in the picture above). The 20" and the 18" compliment it beautifully. The Giant Beat cymbals are the cymbal sound that I have been waiting for my whole life.

I found the hats to be a little mushy for me; the hats that I normally play are 2002 15" Heavy Hats (black label) from 1978.
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Tim vdv
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« Reply #21 on: July 15, 2008, 01:34 PM »

So what's it like playing for the 7th Most Pretentious Artist in Montreal, professor?  Grin

HA! Nicely played! ...... now where's my pipe?  Grin

We've moved up to Number 5 this year. It's great company, considering that that Rufus Wainright and Arcade Fire are on the list with us.
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« Reply #22 on: July 15, 2008, 04:25 PM »

Is it my imagination or do the giant beats remind me of Paiste 602's?Huh

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« Reply #23 on: July 15, 2008, 06:05 PM »

HA! Nicely played! ...... now where's my pipe?  Grin

We've moved up to Number 5 this year. It's great company, considering that that Rufus Wainright and Arcade Fire are on the list with us.

I'd link to it on YouTube but I think it violates a few rules on this board. So instead, if you're curious, go to YouTube and search 7th Most Pretentious Montreal. Look for the stodgy young man with the pipe. Wink
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« Reply #24 on: July 19, 2008, 06:25 AM »

We're working on that as we speak!

Here's a photo that Mr Acrolite can appreciate...  Wink




Great shot, Tim!

I see your ride is on your left - do you play open-handed (left hand on hihat/ride, right hand on snare)?

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Tim vdv
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« Reply #25 on: July 21, 2008, 06:37 AM »


Great shot, Tim!

I see your ride is on your left - do you play open-handed (left hand on hihat/ride, right hand on snare)?



Hey Keith!

Yep; I'm one of those oddballs that plays left hand lead; I find that it gives me more control and more access to the toms when playing hats or ride. It likely came from my years of classical piano training; it just seemed to "make sense" for me.
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« Reply #26 on: July 21, 2008, 07:17 AM »

Hey Keith!

Yep; I'm one of those oddballs that plays left hand lead; I find that it gives me more control and more access to the toms when playing hats or ride. It likely came from my years of classical piano training; it just seemed to "make sense" for me.

Frankly I think it's the most sensible way to play.

I had already turned pro when I started thinking about switching, and found I couldn't afford the "down time" of not always sounding my best on the gig, so I abandoned my plan to convert to that approach. But I still taught some of my students that way, unless they opposed it (which many did, because they thought playing with their hands crossed "looked cool").
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« Reply #27 on: July 21, 2008, 08:23 AM »

I had already turned pro when I started thinking about switching, and found I couldn't afford the "down time" of not always sounding my best on the gig, so I abandoned my plan to convert to that approach. But I still taught some of my student that way, unless they opposed it (which many did, because they thought playing with their hands crossed "looked cool").

I had this thought ...

Yeah, having your arms crossed definitely looks cool!!!!
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« Reply #28 on: July 21, 2008, 11:21 AM »

Frankly I think it's the most sensible way to play.

I had already turned pro when I started thinking about switching, and found I couldn't afford the "down time" of not always sounding my best on the gig, so I abandoned my plan to convert to that approach. But I still taught some of my student that way, unless they opposed it (which many did, because they thought playing with their hands crossed "looked cool").

With me, it was a little bit of pre-teen hubris; I sat down at a kit and saw the hats on the left so I began to play them with my left hand. I was later told that this was "wrong" and that I should cross my right hand over my left in order to reach the hi hat. My reply, "That's stupid!" Aaahhh....the unbridled self-confidence of a twelve year old.  Grin
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« Reply #29 on: July 21, 2008, 11:48 PM »

Frankly I think it's the most sensible way to play.

I had already turned pro when I started thinking about switching, and found I couldn't afford the "down time" of not always sounding my best on the gig, so I abandoned my plan to convert to that approach. But I still taught some of my students that way, unless they opposed it (which many did, because they thought playing with their hands crossed "looked cool").

Whip out the New Breed and get crackin'! It ain't gonna hurt your groove.
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