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Author Topic: Reading Music  (Read 620 times)
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acl
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« on: January 20, 2003, 09:51 PM »

I have been playing drums for a little over 2 years now and it's been awesome but now I am seriously wanting to know what it is that I'm doing. It's been difficult to find books that teach you how to read drum music and I always see these great books on drumming but have no idea how to read them. Someone please reccomend anything that could help me out.
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BloodMagician
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« Reply #1 on: January 21, 2003, 03:17 AM »

If you haven't taken any kind of formal lessons of your own, Hal Leonard series instructional videos and books are fantastic. They're a standard in many school districts and are very straightforward.

http://www.halleonard.com/
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Ratamatatt
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« Reply #2 on: January 21, 2003, 03:27 PM »

First you must learn to read basic rhythm.  Take some lessons with the Louis Bellson book (I think it's called "Modern Reading Text in 4/4"), and the Ted Reed Book "Syncopation."  Those books are very versitile and will serve you for more than just reading for many years.  Then you need to learn to read/interpret drum charts.  "Chart Reading Workbook for Drummers" by Bobby Gabriel is the best chartreading method book I've ever seen.

Reading and drumchart interpretation are skills that have to be learned and practiced just like rudiments.

Ratamatatt
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Steve_LeBlanc
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« Reply #3 on: January 21, 2003, 05:25 PM »

You might try getting a beginning piano teacher too.

IMO every musician regardless of what instrument is their main one should learn some piano.

AND...more and more each year I feel that every musician should have a teacher at some point.

The more I play with self-taught musicians the stronger I feel about it.

Don't get me wrong...I've taught myself how to play a lot of things...the best musicians learn the most through experimentation on their own.

I just think you really need a teacher at some point to become a complete player and like I said I'm seeing proof of it everyday.

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LT500man
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Posts: 283


ya gotta "Practice, Practice, Practice."


« Reply #4 on: February 03, 2003, 05:01 PM »

You might try getting a beginning piano teacher too.

IMO every musician regardless of what instrument is their main one should learn some piano.


Boy did I learn that the hard way... My son wants to learn the Drums, But right now he is taking Piano lessons for this very reason. I told him that if he will teach me Piano when he learns it, I will in turn teach him to Play the Drums.
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"Never argue with an idiot, they'll drag you down to their level and beat you with experience."
jamava
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« Reply #5 on: February 04, 2003, 03:57 AM »

Quote
You might try getting a beginning piano teacher too.

IMO every musician regardless of what instrument is their main one should learn some piano.
 


Boy did I learn that the hard way... My son wants to learn the Drums, But right now he is taking Piano lessons for this very reason. I told him that if he will teach me Piano when he learns it, I will in turn teach him to Play the Drums.

Piano was my major.  I took up drums at 45...2+ years ago and I can't imagine how far along I'd be without my piano background, given my age.
Independence has not been a problem, reading multiple notes at a time is easy and so is hearing what is going on in the music.
In the beginning the main difficulty was overcoming the programming that notes high on the staff were for the right hand and were placed to the right of the body (etc).  I felt like a dyslexic for a while, but once I realized why my body was going in the wrong direction so many times it was easy to fix.
I think that having some melodic and harmonic understanding also plays into how I appoach playing the drums.  If anything has been a drawback for me, it has been the dependence on notation reading that classical training gave me.  Improvisation has been my weakness, kind of scary even!  But I'm starting to enjoy it ...especially as my skills build.
Drumming has even improved my piano.
I agree it's a good combination!
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alanwatkinsuk
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« Reply #6 on: February 04, 2003, 02:17 PM »

You might be interested to know that most of the London colleges insist on the orchestral  percussion students doing piano as a second subject if they don't already know it. Unless things have changed, you HAVE to do a second subject and some also do a third.

There is no doubt that piano enables better reading on all tuned percussion and to have a student who has already learned independence of hands (to whatever extent) is a very obvious benefit.  Every student I have known who had learned or was learning piano had a great "kickstart" in percussion.

Kind regards,
Alan M. Watkins

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