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Author Topic: Has anyone tried having two drummers?  (Read 1552 times)
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guerrillawar
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« on: January 26, 2003, 10:56 PM »

One of my friends and i want to play together in a band cause i have a solid beat and he's good at soloing but has horrible time.  Has anyone ever tried this? If so, tell us about it.
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« Reply #1 on: January 26, 2003, 11:07 PM »

yep ... but his horrible time will still be horrible and that wont be a good thing.  drums can be thought of like any other instrument in a band ... it has a voice, follows its pattern through time, etc.  the major difference ive found is in the limited minds of some drummers, and being sure you have room on stage for everyone.  i say go for it, a lot of bands have two, even three guitars, why not two or three drummers (killer fusion band i know has 3 drummers on occasion) even if yall are playing the same parts, youll be playing them with a different feel and with different sounds (unless he has the same kit, heads, cymbals) ... and thats all it takes.

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« Reply #2 on: January 27, 2003, 12:50 AM »

I've had some very good experiences playing with a second drummer, though they weren't permanent situations.  My weekend "gig" is playing worship music and we have a percussionist who has congas, bongos, timbales, a Roland HPD-15 HandSonic Percussion Controller w/ two pedals, several cymbals, and tons of other items.  Sometimes it's great what he adds to songs; other times he adds things that just don't help the song.  I have a problem with that because I'm putting my style to a song, accenting where I think it should be, etc...creating the dynamics as I see it....and he's crashing his cymbals or wacking the timbales so loud that my ear drums are going to explode.

I guess my point is that you don't know until you try.  It may work, it may not.  I think it mostly depends on the experience level of each person, how well they compliment each other, and how well they work together as a team and avoid competing for the spotlight.

Tom
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sidereal
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« Reply #3 on: January 27, 2003, 01:23 AM »

I've never done it in a band context, but I've had the luck of doing it on several occasions in jamming situations. If you've never tried it, I've got to tell you, playing with another drummer is great fun! So long as you're concentrating on grooving, and both players are respectful of meter, it's an unforgettable experience. Things just soar in unbelievable ways and the communication can be very special. You hold it down while he goes off and vice/versa... it's a beautiful, beautiful thing.

I'd love to play with another drummer in an official band context. I've just never been approached with such an offer.
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Erwtje
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« Reply #4 on: January 27, 2003, 01:31 AM »

I've had the same: a friend of mine plays decent solo's but he can't keep time. So his band asked me to play with them and we set up  two kits for rehearsal. The effect was terrible!

Whenever I was grooving in a song, and wanted to play 'open', he managed to get some freakin' solo in. We never communicated very well and really played so loud together the rest of the band never had a chance  Cool

Just one experience... I have played with a lot of percussionists and that worked out way better.

But - and it has been said before - if your buddy can't keep time alone, he will have hard time keeping time with another drummer as well.
(Drummers who can't keep time, are no drummers. They are a pain in the #ss.)

Cheers,

Erwt
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DrummingFrenzy
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« Reply #5 on: January 27, 2003, 08:26 AM »

Quite a few of you have said that having more than one drummer can be a lot of fun. At one time I would have said the same thing, but let me caution you. I've had several situations where I was asked to play drums along with a band who already had a drummer. First of all, why they wanted an unrehearsed drummer to come up and play along with their drummer is beyond me. I've always been hesitant about doing this, but in certain situations I felt like I couldn't turn them down. Everytime this has happened though it's been a disaster. Make sure that the drummer that you're going to be playing with has the maturity in his skill to play with you. As two drummers you can't just play what you want when you want to. Otherwise you'll both be stepping all over each other. I would practice together a lot before you got up on stage. If you don't do this and you just get up on stage and try to make it work, you could end up with a concert of dueling drums instead of a band.

I'm not saying that this couldn't turn out to be fantastic, but make sure you know it's going to work BEFORE you get on stage.
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« Reply #6 on: January 27, 2003, 04:58 PM »

I spent 3 years or so playing in a cover band that specialized in San Francisco rock in general, and the Grateful Dead in particular.   For the first two years, we had two drummers.  The other drummer did have a time problem, sometimes slowing down or speeding up unexpectedly.

We both had some chops, but very different styles.

We handled this by just letting it work.  We didn't criticize each other, and  just basically let things happen.  It took about 6 months or so before we started to really gel.  Once we did, it really worked, most of the time.

During the last year or so, not by my choice, I ended up being the only drummer.  So I kind of got to have it both ways.

Advantages of two drummers:  For one thing, there's kind of a blunderbuss effect.  With two people pushing the beat, it's kind of hard to lose it, when it's working right.  This can be important in a jam band, keeping things going when it gets shaky.  The inherent competition can be fun, too.  It can really push you to do your very best.  And, if you do screw up, the other drummer can carry you through with minimum damage.

Advantages of one:  You're in  the driver's seat, and it's your feel, your beat, your syncopation, all the way.  It's easier to get really tight, because there's only one feel happening.  Also, if you're playing with someone who has occasional time problems, keeping that person centered on the beat can be a chore.  Keeping a jam band together can be a chore, so one less problem is one less problem.

Overall, though, I think I preferred the two drummer version of the band.  For one thing, it gave me a little "fudge factor".   But mostly, the multipercussion two of us could produce simply couldn't be matched by one person.

If you do get into a band with two drummers........be patient, and don't be hypercritical.  Allow things to work themselves out, without pushing your personal agenda.  Give it a little time, and it will probably work out, assuming the other drummer is at least halfway competent.
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« Reply #7 on: January 27, 2003, 07:44 PM »

One of my friends and i want to play together in a band cause i have a solid beat and he's good at soloing but has horrible time.  Has anyone ever tried this? If so, tell us about it.

yep ... but his horrible time will still be horrible and that wont be a good thing.  

I agree. Ever walked a dog with a leash that smelled another dog in heat nearby?

Put it this way, you'll be holding the leash.

From your description, a metronome could help your friend allot.
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« Reply #8 on: January 28, 2003, 07:45 AM »

I auditioned with a band years ago who was looking for a second drummer. I realized when I was doing the audition that the reason they wanted another drummer was because the one they had could NOT keep time at all. When I asked the guitarist during a break, why they weren't replacing him, he replied, "because he does a real cool solo"  Tongue

Playing with another drummer that can't keep time would be more embarrassing than having a tone-deaf singer. At least the singer would be spotted as the F'up. With two drummers, both will look bad when one stinks up. IMHO
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« Reply #9 on: January 28, 2003, 08:42 AM »

Timmin's correct, if ONE of the two drummers isn't pulling his weight, it will simply sound BAD.  I've played with another drummer only a couple of times and he was a good drummer who was also an acquaintance of mine.  We had a feel for each other's playing which is critically important.  You have to remember when you're playing with another drummer that you're probably going to have to consciously change what you normally play during a particular song.  You have to work out fills (both playing fills simultaneously winds up being clutter) and how each of you are holding down the groove.  The key, maybe even more so than normal, is LISTENING.

Two drummers together that have worked really well:

Butch Trucks & Jaimoe - Allman Bros.

Jim Gordon and Jim Keltner - Joe Cocker's "Mad Dogs and Englishmen"

Jim Keltner and Kenny Aronoff - Joe Cocker's "Organic" LP
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guerrillawar
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« Reply #10 on: January 28, 2003, 11:28 AM »

he's better at drumming overall but i've worked on keeping the beat almost exclusively.  he can keep a decent beat but he's not as good at it as i am.  his fills are ten times better than mine but it works reverse for beat.  just thought i needed to clarify a little!!
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cavalier302
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« Reply #11 on: January 28, 2003, 09:10 PM »

 You guys wanna see 2 drummers working together and really goovin'? check this out, it's sweeeeettttt
http://www.drummerworld.com/Videos/Jaboandclyde.html
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« Reply #12 on: January 28, 2003, 10:19 PM »

I dig that tune.  Smiley

Tom
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alanwatkinsuk
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« Reply #13 on: January 29, 2003, 06:49 PM »

I THINK I know what Timmin means but, there again, and being only old orchestral chap I'm not quite sure how the drummer who can't keep time does his "fills" because with my very small knowledge "fills" come to an end and at the end of the fill someone else comes in and.....errrr......

Anyway, we don't double instruments a lot (there's two sets of timpani in most of the Wagner Ring but they are pretty separate parts, ditto Mahler) but Holst The Planets has unison playing at the start of Mars: Bringer of War and what I try to do there is at least ensure we use identical sticks.  In a perfect world you'd have identical timpani (if such exist) but that rarely happens.

We have a wonderful "battle" on either side of the stage in the finale of Nielsen: Symphony No 4 and there I think different instruments and different mallets for both players are a good idea because it is a real "battle".

In snare writing the main unison playing (apart from just a few bars together in Bolero) are Halvorsen: Entry of the Boyars (two players unison throughout) but the tricky one (mostly because of the pp start) is Shostakovich Symphony 7 (Leningrad Symphony) which is four players (or that's what he asked for) and that is sometimes a tough call because you can spread about the back of the orchestra and depending upon the hall acoustics.  Well, in SOME halls it is a tough call.

I am absolutely puzzled by "can't keep time".....do you really mean the player can't keep time at all or that they can't do it"very well"? In my little world most of my work is unison playing (often timpani, bass drum, snare, triangle, cymbal all on the same note) and I just wonder how anyone manages in anything if you have someone who can't play in or on time.

Kind regards,
Alan M. Watkins

 
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Andrew
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« Reply #14 on: January 30, 2003, 01:11 PM »

This worked really well in King Crimson's "double trio" lineup, with Bill Bruford and Pat Mastelotto -- check out the tracks on VROOM VROOM. They're both busy players (either of them often sounds like two drummers on his own), but they're also both very solid and very mature players, as well.
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Andy in Idaho
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« Reply #15 on: January 31, 2003, 05:50 PM »

For the past 3 years I've been in a two drummer band with my girlfriend.  

www.stumbleblind.com

We worked together writing songs and drum fills.  Often times taking turns with fills or working off of eachother.
My girlfriend has only been playing for 1 year and I've been playing for about 10 years.  
It's a lot of fun but it's also a lot of work.  We played two 5-piece kits, hence a crap load of hardware and drums.  
The funniest thing is seeing the sound guys expression when you walk in with 10 + drums and cymbals.
I highly recomend experimenting with multiple drummers.  9/10 times it sounds really cool
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guerrillawar
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« Reply #16 on: February 03, 2003, 08:10 AM »

yes, he doesn't do it "VERY well". he's good enough to know he's screwed it but he always does.  he could follow it with someone else to hold the beat down.
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bastard
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« Reply #17 on: February 13, 2003, 08:54 AM »

where i live there is a local "goth" wannabe band and they used 2 have 2 drummers, one had hi hats ride crash and a 18 inch bass drum where as the other more better 1 had double bass lotsa cymbals and could play well, they wored really well together but eventually they booted the female, less talented 1 out cos she was a smack head or summat!! this was the biggest mistake they made because people used 2 go watch her play because she was well fine!!,
in the brass band im in there is me and another drummer, it works well the brass instruments drown out the percusion but since theres 2 of us it beefs it up abit, and it also helps for other percussion parts like tymp parts and glocks etc
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guerrillawar
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« Reply #18 on: February 13, 2003, 10:08 AM »

goth bands rock!  my band is slayer-ish metal
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Jim
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« Reply #19 on: February 23, 2003, 10:21 PM »

never done it in a gig. but my sr.year in high school my last jazz band concert another drummer and i did a drum off at the end of the concert it was a blast
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