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Author Topic: The heck with it -- I'm buying the rest of my kit!  (Read 1372 times)
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popmusic
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« on: February 06, 2002, 05:52 PM »

I was going to wait until I get into a house, but I think house shopping is going to take a lot longer than I expected. (I live in an apartment.) And I have a little bit of money that isn't going towards the future house. So...

THE HECK WITH IT -- I'M BUYING THE REST OF MY KIT!!!  Grin Grin Grin

OK, putting all concerns about neighbors and practicality aside (I already have a game plan how I'll be able to practice and record with my full drum set), I have questions about what to look for.

Here's what my current kit consists of:

* Yamaha Anton Fig Signature Snare
* Sabian 14" Fast Hat
* Zildjian 16" Projection Crash
* Sabian B8 20" Medium Ride

I'm looking to buy a kick, two mounted toms, and a floor tom. I'll be recording mostly jangly guitar pop music, but I'd want a kit that's versatile enough to handle occasional jazz-influenced and rock stuff. I'll be using the kit primarily for recording in my studio. There won't be any live performances with this kit, other than informal jam sessions with friends.

The problem is, unlike the other components of my kit (where I had a pretty definite idea of the sound I wanted before I bought the component), I don't have any idea what I want for the rest of my kit.

It seems that kick drums all sound pretty similar to my ears, and when recording a kick in the studio, the kick can be manipulated to such a point (with blankets, pillows, and mic placement) that I wonder if it even matters which kind of kick I end up going for. (I know this can't be true; that's just how it seems to me at the moment.)

Likewise, I'm not sure what to look for when listening to toms in a store. Should I be looking for something that has a nice sustain and minimum ringing from the other toms? I don't have a specific sound in mind; I just want something that records well and is versatile enough to work with different styles of music.

And then there's the question of hardware... How much of a difference does the hardware make?

One sales guy told me that the Perl Export EX was probably the kind of kit I was looking for... I'd like to hear other drummers' opinions and experiences. I'm looking to spend not much more than $600 for the kick, toms, and hardware (I don't need a kick pedal -- already have one). Is it realistic to expect a fairly good quality, versatile kit for that amount of money? Any suggestions and opinions would be greatly appreciated!

Thanks in advance...
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felix
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« Reply #1 on: February 07, 2002, 04:00 AM »

In a word...NO.  You have a great snare that is going to overpower a cheap drumset IMHO...it is like putting a Camaro motor in a Yugo...it doesn't make sense.  Either that or sell your anton fig on ebay and get a set of exports with the snare..I hate pearl drums btw...they are garbage.

600 dollar kits sound just like that.  Buy a used kit...there a zillions out there...I know...I have two I want to sell myself.
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Sonor, The Drummers Drum
popmusic
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« Reply #2 on: February 07, 2002, 04:24 AM »

Which brands/models would you recommend, then? I trust your opinion Felix, as you steered me right on the Anton Fig snare (which I still lovvvvvvvve). What sounds good to you will most likely sound good to me.

I was hoping to spend not much more than $600, but I could go as high as $1000 for the rest of the kit if that's what it takes to get something that's pretty good quality.

I'm really happy with all of the pieces of my kit so far (the only exception being the crash -- it sounds a bit "small", but it's still fine for now). I'd really like to get something which records well and that I won't sonically outgrow quickly.
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Bart Elliott
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« Reply #3 on: February 07, 2002, 04:44 AM »

Get your priorities straight man ... live in a shack ... buy the drums of your dreams!  Roll Eyes  I jest of course.

You could check out the YAMAHA Stage Custom kits that are out now ... I believe they are called Advantage rather than Stage now.

I've played on these kits before, and had students buy them. If you put new heads on them, like Aquarians  Grin , I think you would have a nice little kit for the money. The snare is awfully nice I might add. I couldn't believe how nice it was. Even the guys I had sub for me at this church I used to play at raved about the snare sound. If I can, I'm going to buy one of those Advantage wood snares to add to my snare collection. Seems strange perhaps ... but I go for sound ... not how much or little I pay for something.

I agree with Felix as well. If you can find a good used kit for the money ... definitely take that route. If you MUST get a new kit, check out the Advantage kits. The kits I've played on had a 10, 12, 14 inch mounted toms; 22 inch kick drum. The 20 inch kicks sound great too ... played on one of those a couple of times.

One final thought. If there is anyway you could save up and have several grand to spend ... I sure would wait and get what you really want. My philosophy has always been to pay with cash and save until I have enough to get the best and/or what I want ... even if it means I have to wait.  I'm wanting to get a new Fibes kit, but I have to wait till I have the liquid cash to do so.

My two pennies worth ......
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rudibass2
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« Reply #4 on: February 07, 2002, 05:58 AM »

  I have to agree about building a kit with the quality to complement that snare . I played on one at a practice studio a few weeks ago and it's the first snare I've  played in a long time that had me drooling. Tongue
     If I could get one it would make the rest of my set stick out like a sore thumb. I would definitly save and try and get a kit with quality shells rather than get a new mid-level new kit . If your not going to be gigging with it you could buy it piece by piece , sticking with a basic color that would be easy to match . With a good Bass and hats and that snare your about home free.
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Gaddabout
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« Reply #5 on: February 07, 2002, 09:57 AM »

Listen to Felix and Bart, those wise old men. Grin

Even if you could get up to $900, I bet you could find an almost new Yamaha Beechwood. I've seen them go for that much on eBay. I really dig those kits.
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sidereal
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« Reply #6 on: February 07, 2002, 10:06 AM »

If you're going to be mostly recording, buy a birch kit. They tend to be cheaper, and oftentimes record better than maple kits. Cut corners with the hardware for now. You can always upgrade your stands later.

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felix
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« Reply #7 on: February 12, 2002, 04:12 AM »

That's is really really funny GDbt...If you only really knew me!  

yeah, those yamaha beech customs are pretty nice...
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Sonor, The Drummers Drum
popmusic
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« Reply #8 on: February 12, 2002, 04:28 AM »

Quote
You could check out the YAMAHA Stage Custom kits that are out now ... I believe they are called Advantage rather than Stage now.

I've played on these kits before, and had students buy them. If you put new heads on them, like Aquarians  Grin , I think you would have a nice little kit for the money.

I'm probably going to go to Guitar Center tonight and check out the Stage Custom kit... They're running what sounds like a good deal with them -- $649 + they're throwing in free bags.

I agree I could probably get more bang for the buck out of a used kit, but I don't trust myself enough yet to know exactly what to look or listen for when shopping for it.
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« Reply #9 on: February 12, 2002, 03:20 PM »

Quote
yeah, those yamaha beech customs are pretty nice...

I saw a standard 5-piece beech custom go for $499 the other day. There was nothing wrong with the kit, other than it was that awful puke green color. Guess it hurt the value, although, as far as I know, the color of a kit doesn't affect how it sounds.

I've become an avid eBay watcher, and I'm constantly amazed at what holds value and what doesn't. Even if you aren't going to buy a kit through eBay, you can get a real good education about the actual value of drums by seeing what people are willing to pay for. It's become something of a drum blue book for me.
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popmusic
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« Reply #10 on: February 12, 2002, 07:26 PM »

Well, I got the Stage Custom kit tonight and I really dig it. My first impression is that it has a very clean -- almost light -- sound, yet it still has a pleasant tone. I think it'll work well with the guitar/chamber pop stuff that I record.

Soooo... I took it all home, put mutes on everything (plus an old pillow in front of the kick mute to further kill any sound), and jammed silently along with an old Carmine Appice instructional book (it had a *soundsheet* with it -- remember those?). Life is good.  Grin

Thanks again for the suggestions and advice... This board is great. Smiley
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Bart Elliott
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« Reply #11 on: February 12, 2002, 07:41 PM »

Congratulations on the new kit .... I'm sure you are in heaven!
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« Reply #12 on: February 12, 2002, 09:48 PM »

Quote
Well, I got the Stage Custom kit tonight and I really dig it. My first impression is that it has a very clean -- almost light -- sound, yet it still has a pleasant tone. I think it'll work well with the guitar/chamber pop stuff that I record.

Wanna trade hardware?  Grin

I miss my Yomamaha stands. I miss my Yomamaha mounts. I miss my Yomamaha memory locks. Hmmmm. I may not be long for these DDubs, people.
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kmgaines
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« Reply #13 on: February 13, 2002, 12:34 PM »

Pop music, I'm glad to hear you got your drums of choice.  I was a late comer to this discussion.  Remember, when asking for opinions, thats all your getting.  There are alot of variables when picking a kit.  One thing to remember is even the best kit money can buy can sound like crap if they are not tuned properly.  My advice would have been for you to buy the best you can afford, and put all efforts in tuning.  I'm sure you'll get many days n' nites of joy out of the new Kit.
Drum ON !!!!!!!!!!!!!!!!!!!

btw, Great site guys.  Best I've ran across on the web !
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