Personally, I think any movement like that is a waste of energy and motion. I've seen guys bounce on the drum throne, like they have ants in their pants, subdividing the pulse of the music. Watching them exhausts me!
I'm not saying it's wrong ... I'm simply saying that I think it's a waste of calories and motion.
The best
time keepers seem to be the fellows with a calm look and stature when they play. They may "get into it" by moving their head and body a bit ... but none of this bouncing body/limb stuff that has nothing to do with playing (a motion to make a sound on the kit).
We all realize that the audience is looking for a performance, and so there seems to be some sort of obligation to dance on the kit. That's fine, but I usually try to focus on my playing .... allowing the strokes and movements I make to be directly connected with what I'm playing and the sound that is being produced.
Exaggerating a stroke to a cymbal is an effective way to incorporate motion with sound. Sure it's more motion than is probably needed, but it adds to the look of the performance. Not all genres need or require this time of approach, but it does have it's place.
But with the topic at hand, nervously bouncing a limb to the tempo or subdividing of the beat seems to be a little bit much to me. I know, because I deal with it in my own playing!
