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News: Pat Steward and Mickey Curry performing on Bryan Adams' latest CD, 11.
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Author Topic: sharing is caring...  (Read 2289 times)
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Peter Jeffery
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« Reply #20 on: June 02, 2002, 08:37 PM »

Here's a set-up tip:

If you use R.I.M.S. on your toms, try mounting them on the BOTTOM rim (resonant side)... rather than on TOP (batter side).

Not only does this allow the drum to cradle into the R.I.M.S. (resting on the lugs), rather than hanging from the top rim (which sometimes throws the drum out of tune) ... BUT ... the coolest thing is ... you can quickly change out the batter drumheads without having to mess with the R.I.M.S. (since it's now on the bottom).

Now ... how cool is that?!  Cool


Why didn't I ever think of that!?    In any case, I just gigged the past three nights with my new upside down RIMS installation.     It had me concerned at first  -my 10' tom was flopping back and forth during the initial set-up.   However, once I positioned it properly, it was fantastic.   Luckily, I custom ordered my toms without any holes or mounting hardware,  so it all worked out great.    The drums breathe better along with the other benefits Bartman mentioned.

I'm glad I hang out here.  It really pays off.  

So thanks for that one too, B-Man!    Cool
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Peter Jeffery
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« Reply #21 on: June 07, 2002, 02:00 PM »

Some people get really pissed around here if you call them "dude" believe it or not.  I've had one person even tell me on the spot "don't call me dude- dude".

It is kinda derrogatory saying it to someone with half a brain.

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Sonor, The Drummers Drum
Bart Elliott
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« Reply #22 on: June 07, 2002, 11:27 PM »

Some people get really pissed around here if you call them "dude" believe it or not.  I've had one person even tell me on the spot "don't call me dude- dude".

It is kinda derrogatory saying it to someone with half a brain.


Are you implying or admitting that you have half a brain? Which is it?  Wink
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felix
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« Reply #23 on: June 10, 2002, 05:57 AM »

I'm stating I have a brain and a half.

So here's a little tidbit that I feel I can share with all my great budz since I'm such a nice guy.

If one is playing in an alley/courtyard deal between two buildings unmic'd, set your drums up so they are pointing to the opposite wall.  Don't face them in line with the alley way, the sound just blows out the front and back of you- you really have to contain it somehow if you aren't mic'd.

This weekend I played a thing Saturday at this courtyard deal and, well I might as well not have showed up...I think we got blown away by the yodelling act before us...seriously, it sucked.

So Sunday I'm like, "this can't happen again"...scoped out the situation, utilized my brain and a half and realized where the heck my tone was going; set up 90 degrees from where I was the day before and proceeded to get vertical.
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Sonor, The Drummers Drum
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« Reply #24 on: June 13, 2002, 06:28 AM »

Hey hotstuff-

Funny you should bring that up.

I'm playing that exact same groove in a tune we just wrote called Blud Pud'n.

5's on the hat a 2 and 4 back beat.

Try flamming your first two rights in the first group of 5's then flam the next two lefts when the 5's go to your left lead.  It's easy.  5's sound sooooooo phat, and when you flam them well, they sound even phatter.

Why don't you double them and turn them into 10's?  That's cool too.

Let me know what U think!
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« Reply #25 on: June 13, 2002, 01:01 PM »

Have I tried that with sextuplets?  You're too funny.  Depends on the tempo.  I'd rather double diddle a sextuplet (hey diddle diddle, the cat and the fiddle).

Basically I double 1/8 trips in jazzier or faster funk settings.  Loud stuff I'll usually just play the simpler patterns...it all sounds the same anyways.

If I wanna get really grainy sounding I multiple bounce a doubled pattern (but I don't multiple bounce diddles- get it?  Maybe I should try that...?)
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