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Adam_
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« Reply #20 on: June 15, 2003, 10:40 PM » |
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That's where the alcohol comes in.  What kind of alcohol do you recommend, and how much? 
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MrDrums
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« Reply #21 on: June 16, 2003, 02:08 AM » |
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Brilliant post, Mister Acrolite!  I seriously hope you teach, because you have a wonderful talent on transmiting confidences to others! Anopheles: it's comforting to know we're not the only ones going through these phases of frustation, isn't it?  Just don't do as I once did and start punching walls... definitely not good for your chops!  Mister Acrolite describe this "phenomena" (sp?) perfectly, but I'd like to add a quote from TERRY BOZZIO, just to reafirm this idea that even the great professionals we all look up to go throught the same: "Staying Focused and Motivated: Strangely enough, I feel that's out of my power. My experience has been that when the energy is there, it happens in spite of me. I remember a six-week period where probably all my ostinatos I developed for my three Paiste videos just came through. I had just returned from a sucessful European tour, was confident, and had an undeniable feeling it was the right thing to do. I would practice up to 3 hours, and the ideas just flowed. Then there are times, like recently, when I haven't come up with anything new in a long time and I haven't got a clue as to what I'm doing or where I'm going. I can try to practice, but nothing feels right.
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TMe
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I am evil Homer, I am evil Homer..!
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« Reply #22 on: June 16, 2003, 12:20 PM » |
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Anopheles, one solution I've found is to practice things separately.
I'll spend a a few minutes practicing a technique for form - as slowly as it takes to get the form right.
Then I'll spend a few minutes pushing for speed - with little regard for proper form.
The more I do that, the less difference there is between the two.
The most important thing I've found, though, is to set tempo goals that relate to real music. Once I can play something that fast, I don't waste time pushing for more speed - I start trying to make it sound like music.
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"Some people say I ain't so super groovy. Why don't I leave the music alone?" Black Uhuru
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Anopheles
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« Reply #23 on: June 20, 2003, 12:55 AM » |
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Thanks for the advice/moral support. Great post, Mister Acrolite. I hope everyone took away as much from it as I did. It helped to ease my frustration a little. Not that I don't still HATE my left hand... But at least now, with practice, I will give it a chance to prove itself.
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Darren
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« Reply #24 on: June 21, 2003, 11:10 AM » |
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I think if you do more with your left hand in everyday living like shaving(ooch) eating, opening doors, pourin booze or what ever will help your left hand dramatically but be careful, I think if you over do it you can confuse your right hand. It can upset your nervious system.(coordination) Just my opinion.
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drummeralone
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« Reply #25 on: July 24, 2003, 09:32 AM » |
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this is how i learned and i use finger sticking more than just wrist.
first, turn so the back of your hand is facing up, not your thumb. then just practice letting the stick bounce naturally in your hand, without trying to control it too much, but yet keeping some amount of control.
then gradually learn more control playing with rudiments and stuff, getting harder and harder as you go along.
practicing on a non-rebounding surface can help too.
what i mean by that is on the edge of your bed or something.
it will hurt alot, just warning you.
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Plowboy
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« Reply #26 on: July 24, 2003, 12:40 PM » |
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You should NEVER perform any practice routines that cause pain. You are definately using improper technique if pain is the result of what you are doing.
First you must find the proper balance point of the stick to achieve the maximum rebound as Art Verdi stated.
A good exercise to develop the fingers whether you are using French or German, matched or trad. is to start with two strokes on each hand, then work your way up to three, four, five strokes etc.
The first stroke is always played with the wrist (and arm if you want). The additional strokes are played with the fingers (Joe Morello's technique). Practice this exercise to a metronome. Pick a comfortable tempo. You know you hit the peak tempo when you start to tighten you.
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Louis
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« Reply #27 on: July 24, 2003, 06:08 PM » |
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You should NEVER perform any practice routines that cause pain. And thats the truth. Pain is natures way of telling you something is not right. If it hurts don't do it, if its fun do it again. Drumming should be fun.
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No one will believe it's the "Blues" if you wear a suit, 'less you happen to be an old person, and you slept in it last night!
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Scott(Sjm1112)
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Nothing important to say.
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« Reply #28 on: July 24, 2003, 11:02 PM » |
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if its fun do it again.
I think Ive pretty much modeled my life after that quote.....
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A good way to threaten somebody is to light a stick of dynamite. Then you call the guy and hold the burning fuse up to the phone. "Hear that?" you say. "That's dynamite, baby."
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Winger
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« Reply #29 on: July 25, 2003, 04:54 PM » |
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Not that I don't still HATE my left hand... But at least now, with practice, I will give it a chance to prove itself.
I can't imagine NOT using my left hand. But then I'm left-handed and darned near ambidextrous.
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ritarocks
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« Reply #30 on: July 28, 2003, 01:06 PM » |
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practicing on a non-rebounding surface can help too.
If a beginner student wanted to start developing finger control, etc. on V-Drums, would you recommend it or advise against it based on the highly sensitive nature of the V-drums?
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Scott(Sjm1112)
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Nothing important to say.
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« Reply #31 on: July 28, 2003, 02:16 PM » |
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I dont think V-drums are any more sensitive than regular drums other than if they are set incorrectly a very small stroke would sound somewhat louder than an acoustic drum. That can be fixed by tweaking the module though. Take this advice for what it is though, I just own electronic drums. I am by no means an instructor at this. Just my 2 cents.
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A good way to threaten somebody is to light a stick of dynamite. Then you call the guy and hold the burning fuse up to the phone. "Hear that?" you say. "That's dynamite, baby."
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BetaBob
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« Reply #32 on: August 19, 2003, 09:41 AM » |
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You should NEVER perform any practice routines that cause pain. You are definately using improper technique if pain is the result of what you are doing. I totally agree, BUT you have to be able to tell the difference between pain and 'burn'. Pain is just not good..it's like a sharp twang in a muscle or a joint. Or if you are too stiff in a postion, you're arm will be in pain when you come out of the position. PAIN IS BAD!! Burn on the other hand, is exactly what you're looking for. It's that warm feeling you get in your muscles when you work them that shows you're muscles are loosening and expanding. However, burn does lead to pain if you overdo it. So take it easy. Especially when trying to learn a new grip.
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BetaBob
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« Reply #33 on: August 19, 2003, 09:57 AM » |
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And as an added point to the first post:
I think the grip you're roughly describing is known as the molar grip. And, it is painful....if you move your wrist the wrong way.
In this grip, the back of your hand is facing up and the motion of your wrist is not quite up and down..it is more swivelling your wrist - to draw the stick back, your thumb goes up toward the ceiling. To strike, your thumb goes down toward the drum (obviously your whole wrist moves, but im just giving the direction).
This is a great grip to use, as it is very loose, and in my experience, gives the greatest response from the drum. Although I don't quite use it, because I find it less practical around the full kit (but i'm still going with it at times).
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masher
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« Reply #34 on: August 23, 2003, 10:40 PM » |
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Yes Plowboy, i relized my left stick wasn't balanced properly from Art Verdi's site. i think my fingers are moving a little better and faster.
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