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Author Topic: Suggestions for a Vocal Mic  (Read 232 times)
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Jason00
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« on: September 03, 2003, 08:28 AM »

My sister and I play in the same band and she wants to upgrade her vocal mic.  She is currently using something that looks like it came from the bargain bin at Radio Shack--I can't find a name or number on it--and she isn't happy with the sound at all.  A couple other guys in our band recently purchased Audix mics (not sure what model) but she doesn't care for their sound either.  Anyone have suggestions in the $150-$200 range?  Her only stipulation (besides what she has to spend) is an on/off switch.

Not sure of the particulars of our PA, but we play 50's/60's and country in mostly small to medium rooms-- if that helps at all.
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« Reply #1 on: September 03, 2003, 10:36 AM »

Hmmm ... I was going to suggest the Audix OM series, especially for live stuff.   They make several models, might be worth trying out the ones your guys dont have, see if she likes them better.

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Louderdb
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« Reply #2 on: September 03, 2003, 11:40 AM »

The industry standard to this day is the good ole Shure SM58. It's a dynamic mic with a good solid frequency response for live vocals. I have a friend that brought a Shure Beta 58 this past weekend to a show we were doing. Kind of "tinny" to my ear and with a female voice I'd say a condensor mic might be too much highs! You'll get a different answer from just about EVERY person on this forum about this question because it's all about "taste" and everybodies is different. But the fact is, if you look at most live performances on tv, video and dvd, MOST OFTEN you'll see the singer using a good ole SM58.  There is a very good reason for that. It's a good mic and they're only about $120 brand spanking new! Good luck! Wink

PS If you get the chance, rent or borrow some different mics for her to try before you buy one. Your local dealer may let you try some in the store or bring one home to test! Ask and yee shall receive!  Cool
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« Reply #3 on: September 03, 2003, 11:48 AM »

Shure SM58 and be done with it.  takes a beating and keeps on tickin'.
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Kingsnake
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« Reply #4 on: September 03, 2003, 06:02 PM »

I concur - go with the Shure SM58 - you won't be sorry!  Cool

But one little side-note - I have noticed some very slight inconsistancies in the sound of the '58's over the years, so if possible, try a few out first sorta like Louderdb suggested. Although some sounded a bit different from each other, I've never heard one that sounded bad, so you really can't go wrong.
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hitman357
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« Reply #5 on: September 03, 2003, 07:51 PM »

ditto....SM58..it doesn't have a switch, i believe they make a model called the SM48 that does..but i could be wrong.
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drumwild
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« Reply #6 on: September 03, 2003, 08:08 PM »

In 1994, I bought a Yamaha MT120S 4-track and a BOSS DR-660 drum machine and was able to negotiate a FREE Shure SM58 mic, cable, and an XLR-1/4" converter.

9 years later, this is still my vocal mic. It's in great condition and does the job for vocals. Anything more would be overkill, especially in a live situation. No need for a $6,000 Neumann.
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Louderdb
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« Reply #7 on: September 03, 2003, 08:32 PM »

Oh yes I forgot to address the "On/Off" switch. Here's why SM58's DON'T have them. #1 Every time you add a contact point in an audio line (i.e an on/off switch or any other connector) you add the potential for NOISE! It can pick up RF or a whole myriad of other interferences, buzzes and hums!  #2 They break! and did I mention the noise? #3 every time you open and close that switch you create a huge POP and that CAN blow speakers. Not a good thing. If you want to talk off mic, put the thing on the stand and walk away from it, put your hand over it, hold it behind your back, whatever. Pro mics don't have on/off switches for those reasons! Don't get a kiddy mic! Get a pro mic. It doesn't HAVE to be a SM58 just cuz I said so. But I wouldn't buy one with an on/off switch for live applications unless you have a good sound man that can pull that mic channel out when your going to play with the on/off switch! LOL Is it just me or does anyone else get the fact that I don't like on/off switches on mics? LMAO!  Grin
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« Reply #8 on: September 04, 2003, 08:32 AM »

Im with Louder on the switch.  There are things you can do if you need to besides what he mentioned.  On is the Cough Drop pedal.  It goes between the mic and whatever the mic is running too.  Usually used for recording.   Step on the button, mute, let up on the button, unmute.   Or take a decent volume pedal into a shop and have it fitted with balanced XLR jacks.
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Jason00
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« Reply #9 on: September 10, 2003, 11:27 AM »

Thanks much for the help and suggestions!

We got together for a while on Monday night and I tried out an Audix OM 3.  I thought it was great (even made me sound good!) but my sister was sorta indifferent.  I have a buddy that can lone me a Shure Beta 58 to try out next week--should be able to make a decision after that.
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