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pioboy
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« on: September 11, 2003, 12:08 AM » |
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Ok, my band is planning to take off a year, or half a year after graduating from High school and pursue our music interests. We basically wanna try to tour America. The only problem is that we have no idea how to go about doing this. We don’t have a record deal, but we do have a CD, and we just want to do this to play our music around America, so money is no issue, as long as we eat were happy. Basically, I want to know how we should go about doing this, or if we can do this.
Do you hook up with a touring circuit and then go around the country with other bands- if so, how? Or do you have to book your own places everywhere you go? Or is this not possible unless you get a record deal?
Right now were trying to decide or find out how to do this, I tried searching the internet without much luck, so any insight would help a lot. If there’s links to other topics that would be appreciated too.
I know there’s probably 50 million other bands with the same idea as us, so I also wanted to know if it was viable or not.
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psycht
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« Reply #1 on: September 11, 2003, 09:00 AM » |
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If your looking for a place to gig there are different ways to go about this... I've asked this to some people in the business, and they all have mentioned this (in some way or another): Call ahead to each radiostation in the cities you will/want to play in. Ask for the DJ that plays the local music and find out when he may be avaialble to speak with. Talk to him about local bands (who's hot & who's not). Find out who they are and get a website, email, phone, etc... to contact them. Contact them band, be friendly and see if you can strike up a deal to gig swap, or see when their next gig is and if they would like an out-of-town band as an opener. It helps to find a band that plays in the same genre as you. There is more to it and other ways of going about it, but thats a decent generality.
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Mister Acrolite
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« Reply #2 on: September 11, 2003, 09:09 AM » |
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so money is no issue, as long as we eat were happy Have you thought about the expense of touring? Gas, hotels, every meal in a restaurant, vehicle repairs, etc.? Unless you're independently wealthy, money will be an issue. A BIG issue. As an unknown original band, even if you do book a bunch of dates, you will make very little money at first, definitely not enough to pay the expenses I listed above. Remember that you will not be playing every night, but you WILL need a place to stay every night. Not trying to discourage you - just wanted you to take a realistic look at what you're planning.
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I just found out most of the recordings I'm on were actually played by Bernard Purdie. my drummerworld page
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Andrew
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« Reply #3 on: September 11, 2003, 10:06 AM » |
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I agree with Mr. A. I'd try to do this in bite-sized chunks. Think about maybe touring for week -- the length of a manageable road-trip vacation -- just to get an idea of how planning a tour works for you.
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Louis
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« Reply #4 on: September 11, 2003, 10:30 AM » |
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Locate and use a regional booking agent. A good one can keep you playing. Remember that transportation. lodging, and meals will more than likely cost more than you will make the first months.
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It is not what you have, it is what you do with what you have that makes the biggest difference in the sound!
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drumwild
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« Reply #5 on: September 11, 2003, 10:42 AM » |
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I toured last year in California with a band that got some MAJOR college radio play. We got up as high as #9 in certain markets and went to #7 in Canada.
Even though we kept it within an 800 mile radius of LA and did less than a dozen gigs, I still spent close to $1,000 of my own money getting here and there. That was my HALF, as I took the lead singer with me (he had his guitar, keyboard, etc.). And we weren't staying in particularly fancy places... even slept in my truck a few times.
While getting to a club, someone burned out a transmission. Cost him $2,800 to fix it. That doesn't count the cost of the rental van.
When it was all over, I was lucky to get close to breaking even.
My point is emergencies can come up. Any tour must be financed appropriately. Someone has to pay for everything.
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Scott(Sjm1112)
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« Reply #6 on: September 12, 2003, 01:36 PM » |
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I hate to be the one to bring it up, but your profile says you live in Vietnam. Im thinking that in the political climate in the U.S. right now I really think it would be difficult for you to even get a work visa for your whole band to come over. I could be wrong on this but I would think it would be very difficult. I think the first thing you need to do is contact someone in your government or the U.S. government to see if this is even possible for you to attempt. Im not quite sure yours will let you come here for that. If I am wrong Im sorry for bringing it up but that is probably the reality of it.
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A good way to threaten somebody is to light a stick of dynamite. Then you call the guy and hold the burning fuse up to the phone. "Hear that?" you say. "That's dynamite, baby."
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random
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« Reply #7 on: September 12, 2003, 04:25 PM » |
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being in vietnam could pose some challenges to a US tour!
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pioboy
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« Reply #8 on: September 13, 2003, 08:43 AM » |
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thinking that in the political climate in the U.S. right now I really think it would be difficult for you to even get a work visa for your whole band to come over. Thanks for bringing this up, both me and my bassist are americans so this shouldnt be a problem, the singer/guitarist is swedish and the bassits dad works at the american embassy, so he could probably pull some strings for the guitarist. When it was all over, I was lucky to get close to breaking even.
My point is emergencies can come up. Any tour must be financed appropriately. Someone has to pay for everything. True, and this is an issue that could pose some problems, and i'll have to raise it with the band, but I think were still prepared to take that risk and see how it goes. I'd try to do this in bite-sized chunks. Think about maybe touring for week -- the length of a manageable road-trip vacation -- just to get an idea of how planning a tour works for you. Excellent idea, I'll keep that one in mind Thanks to everyone for their advice and concerns. Im more concerned that we'll show up in a city and there will be no gigs to play. We'll try getting in contact with agents or bands, it would be better to have it mostly organised before we begin, but i get the impression that we'd have to book all our gigs just before we have them. If anyone else has anything to point out or say, dont hesitate to. On a side note, i wonder why nobody has thought of setting up bar and club tours with unsigned bands around the country, or state. Or have they and im just not aware of them?
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Mister Acrolite
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« Reply #9 on: September 13, 2003, 09:30 AM » |
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On a side note, i wonder why nobody has thought of setting up bar and club tours with unsigned bands around the country, or state. Or have they and im just not aware of them? Because of the key issue: MONEYBars don't pay unsigned bands much - some don't pay them at all, and in LA, the bands pay the CLUB to play there, and can only make money if they sell enough tickets to cover the expense. Touring costs money. Unless you have a substantial amount of money already saved up, a tour like this is unrealisitic. Understand that the tour you're envisioning will COST you money, as opposed to EARNING money for your band. Most bands simply can't afford to do that, without the economic support of a record company or an independent investor.
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I just found out most of the recordings I'm on were actually played by Bernard Purdie. my drummerworld page
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drumwild
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« Reply #10 on: September 13, 2003, 10:24 AM » |
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and in LA, the bands pay the CLUB to play there, and can only make money if they sell enough tickets to cover the expense. I'll back this up with a real-life scenario. Keep in mind that I'm not complaining. This is just the way it goes in LA. Let's say that you want to play The Whisky on the famous Sunset Strip. Depending on the night, you will pay them anywhere from $250-$450 for the privilege. What you get for that is a handful of tickets that you have to sell for your set, which is supposed to last 35 minutes. So if you pay $450 for your spot, that works out to about $12.86 per minute. Imagine if you were walking down the street in LA and someone tried to sell you a $10 or $15 ticket to see an original band you'd never heard of to play at midnight on a Wednesday. Would you bite? When DELTA 9 played there last (before I was in the band), their set got cut short to 25 minutes. Also, they took the stage TWO HOURS LATE because of schedule mix-ups. That really helps your fan base (NOT)! That's what they got for $300. The band also paid an additional $80 for a "pro" video of the event, and the sound was screwed up on the first half of it. The sound man didn't care. DELTA 9 was offered a free night to make up for it, thanks to their manager's efforts (Wood Fowler). Otherwise, it would have been a boot in the a$$ out the door and NEXT! They don't care that you "rock out". If you want to play in LA, you can expect a TON of work, a TON of expense, and not much return. I can say I've played every club on The Sunset Strip. Nobody's impressed by that, especially the locals. That and $8 will get me a beer. Don't forget the 2 drink minimum and the $10 parking. You can play outside of Hollywood and make some dough, but not much. The further away you get from LA, the bigger your crowd and the more money you'll make. Add this to the modern young person's notion that music should be free, and you've got a whole new situation. This falls under a different topic. I think that an original band would be best served playing an area where there isn't much competition and little in the way of entertainment options. Establishing yourself in one area, instead of playing once everywhere, is best.
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Scott
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« Reply #11 on: September 15, 2003, 08:03 AM » |
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pioboy, money IS the issue....  Anyway, just wanted to add that if money IS an issue, I strongly recommend that your band have merchandise on hand to sell at your gigs. Not only is this the predominant source of income on the road, but it also validates a reason to tour, other than "for the fun of it". In other words, what is the purpose of touring unless you can benefit from it by picking up a fan base and getting your music out there at a minimum. You don't need t-shirts, caps, kuzis, etc.--just have a good, reasonably priced CD available to sell at the gigs. Finally, be SURE to build up your mailing list at each and every gig. I apologize if this stuff is too obvious but I can't tell you how many times I see new or young bands starting out that don't do these things. Two weeks ago, an amazing young band of 18 yr. olds opened for my band at a club and when I approached the guys after their gig about buying a CD, they didn't have one. Now, I've practically forgotten what they sounded like and may lose interest/forget about them in a few more weeks.
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kohei
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« Reply #12 on: September 15, 2003, 08:26 AM » |
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There's a couple of good books you might want to check out; Hal Galper's THE TOURING MUSICIANS GUIDE TO THE ROAD (which has the best tutorial for putting together a tour calendar and budget I've ever read) and Dave Leibman's book.
Your options kinda depend on what kind of music you play and where you want to. There's a sort of jazz singer that tours with just guitar and bass and about half of her tour dates are at a book store chain. The chain doesn't really pay, but she has the opportunity to sell a lot of CDs etc. But these kinda gigs don't really hire large loud bands. Likewise, folks acts have a network of "living room" or "salon" concerts, you get accomodations, the bread from the admissions and a home cooked meal. But again, no death/goth/Tuvan polka bands. There ARE networks of alterna/metal/etc. bands who will trade shows, but you basically got to have a market for them to come to.
But the bottom line, if you're just driving a van into town, how are you gonna know where to eat, much less where to play. You gotta have more of a plan, either through paying people to help (agents, promoters, etc.) or through networking people who play the same kind of music.
Although, if one of the cats is Swedish, maybe see if there's any kind of cultural exchange grants that would help cover tour expenses. I don't think you're gonna have as hard a time getting in from Vietnam as say, Indonesia (not a very large Muslim population in Vietnam), but that's gonna be a hard nut to carry (3 plane tickets from Asia!) The US has a series that sends jazz musicians to various regions, pays their way, pays them. There's an audition process and the commitment is 3 to 6 months. Search "Jazz Ambassador grants".
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Scott(Sjm1112)
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« Reply #13 on: September 15, 2003, 02:05 PM » |
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I don't think you're gonna have as hard a time getting in from Vietnam as say, Indonesia (not a very large Muslim population in Vietnam), but that's gonna be a hard nut to carry (3 plane tickets from Asia!) The US has a series that sends jazz musicians to various regions, pays their way, pays them. There's an audition process and the commitment is 3 to 6 months. Search "Jazz Ambassador grants".
Doesnt matter that they would be coming from a muslim nation or not, anyone coming from overseas will have a hard time doing this. Vietnam being a communist country would only make that more difficult, however if he is American then most of that is a moot point anyway. Great advice though, I wish when I was trying to do these things I had a resource like this to use!
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A good way to threaten somebody is to light a stick of dynamite. Then you call the guy and hold the burning fuse up to the phone. "Hear that?" you say. "That's dynamite, baby."
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pioboy
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« Reply #14 on: September 16, 2003, 01:22 AM » |
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I apologize if this stuff is too obvious but I can't tell you how many times I see new or young bands starting out that don't do these things. Not at all, all the advice is welcome, I'll keep in mind the mailing list, as for a CD we plan to have one out next month. A question about CDs, how much do you think we should charge for a 10 track CD? Although, if one of the cats is Swedish, maybe see if there's any kind of cultural exchange grants that would help cover tour expenses. I'll look into that, I know that they get lots of grants from the govt, and I know they get college grants if they go abroad. Your options kinda depend on what kind of music you play and where you want to. We play soft rock/ alt rock mostly. I think this has pretty much eliminated our chances of touring, but at least Im informed now. So I guess its time to go hunting down record companies... Great advice though, I wish when I was trying to do these things I had a resource like this to use! Ya I know, I dont know where I'd be without the cafe!
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