Bartman. Just out of curiosity, why do you feel that the pinstripes are not consistent? Not trying to start any heated arguments here, just curious.
No heat here man ... we need to talk about this stuff ... even if we disagree ... it's all opinions anyway ... right?
To me, REMO drumheads in general are inconsistent. I think they sound just fine ... and so do countless drummers ... professionals to novice. My only
beef with REMO is how inconsistent they are; sound, quality, fit, etc. Actually there are some other things that bug me about REMO, but I don't need to go there since it's even more subjective than what I've already mentioned.
As just one example, Pinstripe heads, by nature, are a two-ply drumhead with the
discolored band around the side being where the two pieces of Mylar are glued together. This is what gives the Pinstripes their unique sound. REMO, I feel, is very careless with how these heads are made. When they glue the two plies together they don't make sure that
free flowing middle sections lay properly. If you use a loose tuning, or even a medium tension (sometimes), you get REALLY bad wrinkles and a unpleasant sound. This is just one example mind you; there's plenty more.
Being a former owner of a drum shop and a professional player since 1980, I've seen and gone through a LOT of drumheads. I can say, coincidentally, that REMO drumheads are
good only 40% of the time. For those that are bad with math (actually I'm just wanting to drive the point home a little more), that's less than half the time!!! When you get a good REMO head, they sound great ... no doubt about it. But man, after time goes by, you start noticing the inconsistencies of the product ... and it gets very frustrating. Since 1990 I've been using AQUARIAN drumheads exclusively ... but prior to that ... I was using REMO ... with a short transition time between the two in which I used EVANS (which makes some very nice drumheads).
Many customers used to bring back defective REMO heads to my shop. For a number of years ... up until I closed my drumshop, I was changing out drumheads EVERY DAY ... for my own drums as well as drums of clients who hired me to tune or maintain their instruments. All of this to say ... I've had an
ear-full and feel like I have enough comparative research to make some sort of an educated assessment. Of course, it's still my opinion ... but I wanted you to know that it's not personal or without some factual (long term) experience to back up my claims.
I don't expect everyone to agree with my conclusions, and that's fine of course. If you only change out drumheads once or twice a year ... it's unlikely that you will hear the difference from head to head. The old heads sound terrible ... the new heads sound better; that's all that matters. But if you change out heads on a regular basis ... or perhaps put 5 brand new batter heads on your snare drum collection (as an example), you would find that only 2 or 3 sound good ... forcing you to make strange adjustments (perhaps even use a hairdryer?

) ... or simply replace the head with yet another drumhead. This was common place for me ... and I know of a number
household name pros who feel the same way, but they continue to use REMO because they like the sound.
Don't get me wrong ... REMO heads sound great ... IF you get a good drumhead. How many of you can afford to by a case of drumheads and only have 40% of them sound worth a darn? It's a rhetorical question: Not Many Of You! Young players or drummers who have
entry level drumkits more than likely will not hear a difference. You'll think I'm totally out of my gourd and need to give it a rest. But for many of you, it's time to take the
red pill andawaken from your fairy-tale dream.

(just a little Matrix humor).
I can count on one hand the times I ever had to return a defective drumhead made by EVANS or AQUARIAN.
EVANS drumheads cost a little more, AQUARIAN drumheads even more! But ... remember back when your daddy told you that you always get what you pay for? Well ...
he was right!Who's your daddy? LOL