Check out the Christmas CD, "It's For You He Came", featuring Bart Elliott on drums and percussion, available in the Drummer Cafe Store.

NEW PREMIUM RESOURCE

Frank Briggs has provided yet another play-along for our Premium Resource subscribers. "Potato" is an intermediate level play-along track from Mike Keneally's CD, Sluggo!

Subscribers can download audio tracks (with and without drums as well as solo drums) plus a PDF drum transcription and recording session notes.



Drummer Cafe Community Forum
December 02, 2008, 02:18 PM *
Welcome, Guest. Please login or register.
Did you miss your activation email?

Login with username, password and session length
News: Christmas CD featuring Bart on drums & percussion.
 
   Home   Login Register  
Pages: [1]   Go Down
  Print  
Author Topic: Jembe experiment  (Read 537 times)
0 Members and 1 Guest are viewing this topic.
NySoulPoet
Guest
« on: November 05, 2003, 07:49 AM »

I have something I tryed last night with my large african jembe that you may all wish to try.

I took a king size flanel pillow case and folded it in half and then folded in half the opposite way so that it formed a square which just covered the surface area of my drum head.

I then checked the sound on the drum by the cover on the drum and was amazed by loud muted bass tones I got from the drum. I think I might actually use this in certain songs when playing out.

I'll try to come up with a few sound clips so you guys can here the differences.

Has any one else tryed any experiments with their drums to get unique and unconventional sounds?
Logged
Mister Acrolite
Sous Chef
Platinum Member

Online Online

Posts: 5646


Mr. Positive


WWW
« Reply #1 on: November 05, 2003, 08:03 AM »

In addition to muting the head, the pillowcase effectively increased the thickness of the head, lowering its pitch.

On a regular snare or tom, placing a cut-out drum head directly on top of the regular head will produce similar results.
Logged

Hit on 2. Repeat on 4.
(instructions found written on Mr. A's snare drum)

my drummerworld page
Scott
Cafe VIP
Gold Member

Offline Offline

Posts: 534



WWW
« Reply #2 on: November 05, 2003, 08:14 AM »

Well, one of the most enjoyable things about the drumming/percussion world, is the limitless experimentation that can be done with techniques, sounds and applications.  There are truly NO limits.  I couldn't possibly share everything I've done in this thread there are so many, but I'll share some things I've done with djembe specifically and the 'whys'.

Similar to you, I've used materials on the head to create a muted bass tone.  It all depends on what sound I'm going for.  If I want an electronic, Roland 808 bass drum sound, I might use a piece of rubber (for example, Bartman gave me the idea of using one of those sound-off rubber practice pads you lay over a drum to mute it) layed on the head.  If I'm going more for a thunder type sound, I might lay a thin towel over the head and play rolls with mallets.  If I want a snare type sound, I might lay a single caxixi on the head and play an open tone with the other hand.  Sometimes, I'll strike the head directly with the caxixi itself.  If I'm miced and am playing in a quiet environment, a cool sound effect is to take a tuning fork (usually to the key of the song, but not necessarily), strike it really quick on my knee and then lay it on the head letting it vibrate.  Depending on the amount of pressure you apply, you can get some cool effect noises/sounds.  Try laying some goat toes or shells on the head and playing around that or dropping/dangling them on/off the head.  

Of course, try a variety of sticks/beaters combining them with your hands (i.e. brush in one hand with the other bare hand) for neat applications.

I hope this gives you some ideas.  Make SURE to have fun.  If you try something and don't enjoy/have fun doing it, move on to something else.  With limitless possibilities, life is too short!   Smiley    

Oh yes, try doing a search or just doing some heavy-duty browsing here at the Café.  There have been other threads like this one with MANY great ideas and approaches.  
Logged

windhorse
supporter
Gold Member

Offline Offline

Posts: 677



WWW
« Reply #3 on: November 05, 2003, 11:43 AM »

Each time the Djembe player in our group came over for a practice at my condo, he would place a shirt over the top of the drum. His strokes without the muffled drum could probably be heard a mile away!

We play congas all the time here, and noone ever complains. When asked most people say they don't even hear it.

But that djembe!! Whoa!
 Angry

Luckily Sam's respectful of people's comfort levels.
Logged

Hollow a log into a drum.
It's the space inside that makes the sound.

NySoulPoet
Guest
« Reply #4 on: November 05, 2003, 12:38 PM »

Scott,

    It's funny you mentioned it, because I've actually gotten a set of goat nails recently after trying out a huge assorment of different shakers and found the goat umond the best sounding with the jembe. I also have dragged the goat nails lightly across the drum head to create different ethereal effects, it sounds like a combination of a wind and a wave effect. I always that it would have sounded really good with an actual ocean drum accompanyment.

Thanks to you and everyone else who is contributing to this thread!
Logged
marker
Gold Member

Offline Offline

Posts: 666


I love the Drummer Cafe!


« Reply #5 on: November 05, 2003, 06:11 PM »

Well, that certainly sounds unconventional.  Those sound clips would be interesting.

Could you describe why you wanted to do this?  Just curious.
Logged
Pages: [1]   Go Up
  Print  
 
Jump to:  

Powered by MySQL Powered by PHP Powered by SMF 1.1.7 | SMF © 2006-2008, Simple Machines LLC | Sitemap Valid XHTML 1.0! Valid CSS!
Page created in 0.11 seconds with 21 queries.
Copyright ©2001 - 2008 Drummer Cafe. All rights reserved.
developed by Bart Elliott | Terms of Use | Privacy Policy | Site Map