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I've always enjoyed using a lot of different drum and percussion set-ups, allowing the music genre I'm playing in, the type of group I'm playing for, the venue I'm playing at, and my overall mood to guide me. One thing that I am consistent about, however, is making sure my set-ups feel ergonomically sound.


Standard Placement

Standard Hi-Hat Position
Standard 9 O'clock Hi-Hat Position

When it comes to the drum set-up, many drummers play with their Hi-Hat positioned at the 9 O'clock position (see photo). This is largely due to the fact that the Hi-Hat stand is limited to its placement. If the Tom Toms are mounted on the Kick drum or at the very least, positioned directly in front of the player, the Hi-Hats get pushed off to the side simply because there's no other place for them. Right-handed drummers usually have their Hi-Hats positioned so that the left foot can operate the Hi-Hat pedal; left-handed drummers would mirror this, using the right foot to operate the Hi-Hat pedal. Makes sense, right? So there is a well established line of thinking that the Hi-Hats, stand and all, MUST be placed at the 9 O'clock position.

So what's so bad about having a 9 O'clock Hi-Hat position anyway? Well, the biggest issue I have is that if forces the drummer to cross his/her drumsticks (unless they are playing "open grip") in order to play the Hi-Hat. This also means that whenever the drummer wants to play a loud backbeat on the Snare drum, with the drumstick in the left hand, the drumstick in the right hand, which is on the Hi-Hat, must also be lifted to make room for the raising of the drumstick in the left hand. Personally, I don't like having to move one limb in order for a second limb to move. I want complete freedom to play as soft or loud as I want with any limb, at any time, without affecting any other limb. I don't want my Hi-Hat to be louder just because I have to lift the right hand's drumstick out of the way to make room for the raised left hand drumstick ... preparing to strike the Snare drum. One solution that Charlie Watts came up with is to leave out the Hi-Hat when playing the Snare drum. This has become a signature sound for Charlie, and something I do as well when I want that sound. But if we are using this technique only because the drumstick is in the way ... and not because we want that sound or feel ... well, that's just not acceptable to me.

The Solution

Ergonomic Hi-Hat Position
Ergonomic 10/11 O'clock Hi-Hat Position

Something I think everyone should at least consider and experiment with is repositioning the Hi-Hat. Try moving the Hi-Hat stand so that the Hi-Hats are positioned at the 10/11 O'clock position (see photo). Doing this will allow your left leg to be more forward, like the right leg that is on your Kick drum pedal, and allow you to play the Hi-Hat without having to cross the drumsticks while playing the Snare drum and Hi-Hat. This may mean that you are going to have to move your Tom Toms to allow for the Hi-Hat, but that's okay! Think about: why give "prime real estate" to your Toms when you spend the most time on the Kick, Snare and Hi-Hat? If you can play your Hi-Hat at the 9 O'clock position, then you can certainly play a Tom Tom that is not directly in front of you. If you have a large set-up with multiple Tom Toms, you're able to play those right? They're not all right in front of you are they? Hopefully you don't start all your fills on that first Tom Tom right in front of you because of it's location ... as opposed to the sound that you are going for. So try it out! Give the Hi-Hat some priority in your set-up. Experiment. Find what works best for you and don't just set your drums up a particular way because that's how it looks the best or because that's how your drum hero does it. We are all built differently. Find that perfect ergonomic placement for your Hi-Hat ... and watch your playing improve! You'll be more relaxed and creative if you aren't having to fight your set-up the entire time you are playing it.

12 O'clock Hi-Hat Placement

12 O'clock Hi-Hat Position
Ergonomic 12 O'clock Hi-Hat Position

In many of my drum set-ups, I've been using my Remote Cable Hi-Hat as my primary Hi-Hat source; something I've been doing since the mid-90s. mounted on it's own stand and placed at the 11 O'clock or 12 O'clock position (see photo). The reason I like having the Remote Hi-Hats is that I can place the Hi-Hat exactly where I want them; not being forced to place them based on where the pedal is.

The "prime real estate" on any set-up is going to be directly in front of you. Why? Because both hands can easily play what is directly in front of you! That's why the Snare drum is typically placed directly in front of the performer. The best place for the Kick drum is right in front of the foot that is playing it, not directly in front of the performer's torso. The best place for the Hi-Hat pedal is right where the foot that is playing it will naturally land ... while sitting forward with the Snare drum centered on the torso and the Kick drum positioned as previously mentioned. If you do this, using only your throne, Snare, Kick and Hi-Hat, you'll find the most relaxed set-up you could possibly ever find. You'll notice that the Hi-Hat is positioned at the 11 O'clock position!

With the Remote Cable Hi-Hat, I'm able to take the ergonomic set-up a step further by placing the Hi-Hats directly in front of me ("prime real estate") in the 12 O'clock position, while keeping everything the same, in particular the foot playing the Hi-Hat pedal. My feet don't have to change positions, but I can have my Hi-Hats in front of me, my elbows down by my side, and I can reach everything very easily. Kick, Snare and Hi-Hat is what most of use on every tune we play regardless of the music genre, save jazz ... which just needs to add a Ride cymbal ... but the set-up still works!


Bart Elliott Bart Elliott is a degreed professional musician and founder of the Drummer Cafe. His 35+ years in the music industry, over 100 albums to his credit, as well as his understanding of contemporary and classical music, makes him a complete and skilled master musician. A highly sought after drummer and percussionist, both live and in the studio, Bart is widely known as a top music educator and gifted teacher, appearing as a guest artist and clinician throughout the USA.